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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 158 210 it is the complementary color RGB 113 97 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 158 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 158 210: RGB 147 158 205, RGB 164 176 224, RGB 181 194 243, RGB 198 212 255 and RGB 215 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 158 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 158 210: RGB 142 158 210, RGB 125 140 191, RGB 108 122 172, RGB 91 104 153 and RGB 74 86 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

Complementary color

CMYK 0 / 14 / 60 / 56

HEX #71612D

RGB 113 97 45

HSL 45.88, 0.43%, 0.31%

LAB 41.61, -0.6, 31.55

 

CMYK 28 / 23 / 0 / 20

HEX #939ECD

RGB 147 158 205

HSL 228.62, 0.37%, 0.69%

LAB 65.8, 6.75, -25.33

 

CMYK 27 / 21 / 0 / 12

HEX #A4B0E0

RGB 164 176 224

HSL 228, 0.49%, 0.76%

LAB 72.45, 6.41, -25.5

 

CMYK 26 / 20 / 0 / 5

HEX #B5C2F3

RGB 181 194 243

HSL 227.42, 0.72%, 0.83%

LAB 78.97, 6.1, -25.68

 

CMYK 22 / 17 / 0 / 0

HEX #C6D4FF

RGB 198 212 255

HSL 225.26, 1%, 0.89%

LAB 85.16, 4.23, -22.55

 

CMYK 16 / 10 / 0 / 0

HEX #D7E6FF

RGB 215 230 255

HSL 217.5, 1%, 0.92%

LAB 90.9, -0.03, -13.78

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 35 / 27 / 0 / 25

HEX #7D8CBF

RGB 125 140 191

HSL 226.36, 0.34%, 0.62%

LAB 58.86, 6.98, -28.3

 

CMYK 37 / 29 / 0 / 33

HEX #6C7AAC

RGB 108 122 172

HSL 226.88, 0.28%, 0.55%

LAB 51.93, 7.47, -28.25

 

CMYK 41 / 32 / 0 / 40

HEX #5B6899

RGB 91 104 153

HSL 227.42, 0.25%, 0.48%

LAB 44.84, 8.06, -28.26

 

CMYK 45 / 36 / 0 / 47

HEX #4A5686

RGB 74 86 134

HSL 228, 0.29%, 0.41%

LAB 37.54, 8.79, -28.34

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 33 / 30 / 0 / 18

HEX #8D93D1

RGB 141 147 209

HSL 234.71, 0.43%, 0.69%

LAB 62.62, 12.28, -32.5

 

CMYK 30 / 33 / 0 / 18

HEX #938DD1

RGB 147 141 209

HSL 245.29, 0.43%, 0.69%

LAB 61.53, 17.48, -34.16

 

CMYK 24 / 33 / 0 / 18

HEX #9E8DD1

RGB 158 141 209

HSL 255, 0.43%, 0.69%

LAB 62.44, 20.73, -32.67

 

CMYK 19 / 33 / 0 / 18

HEX #AA8DD1

RGB 170 141 209

HSL 265.59, 0.43%, 0.69%

LAB 63.51, 24.38, -30.94

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 33 / 17 / 0 / 98

HEX #040506

RGB 4 5 6

HSL 210, 0.2%, 0.02%

LAB 1.33, -0.12, -0.47

 

CMYK 32 / 25 / 0 / 78

HEX #272B39

RGB 39 43 57

HSL 226.67, 0.19%, 0.19%

LAB 17.71, 2.17, -9.54

 

CMYK 32 / 25 / 0 / 58

HEX #49516C

RGB 73 81 108

HSL 226.29, 0.19%, 0.35%

LAB 34.77, 3.85, -16.59

 

CMYK 32 / 25 / 0 / 38

HEX #6C789F

RGB 108 120 159

HSL 225.88, 0.21%, 0.52%

LAB 50.83, 5.1, -22.4

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 1 / 33 / 0 / 18

HEX #CE8DD1

RGB 206 141 209

HSL 297.35, 0.43%, 0.69%

LAB 67.11, 35.72, -25.09

 

CMYK 11 / 0 / 33 / 18

HEX #BAD18D

RGB 186 209 141

HSL 80.29, 0.43%, 0.69%

LAB 80.72, -19.11, 31.25

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 0 / 33 / 24 / 18

HEX #D18D9E

RGB 209 141 158

HSL 345, 0.43%, 0.69%

LAB 65.81, 28.2, 1.6

 

CMYK 24 / 0 / 33 / 18

HEX #9ED18D

RGB 158 209 141

HSL 105, 0.43%, 0.69%

LAB 78.92, -29.19, 28.54

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 1 / 33 / 0 / 18

HEX #CE8DD1

RGB 206 141 209

HSL 297.35, 0.43%, 0.69%

LAB 67.11, 35.72, -25.09

 

CMYK 0 / 8 / 33 / 18

HEX #D1C08D

RGB 209 192 141

HSL 45, 0.43%, 0.69%

LAB 77.98, -1.59, 27.92

 

CMYK 31 / 0 / 33 / 18

HEX #91D18D

RGB 145 209 141

HSL 116.47, 0.43%, 0.69%

LAB 78.19, -33.56, 27.44

 

CMYK 32 / 25 / 0 / 18

HEX #8E9ED2

RGB 142 158 210

HSL 225.88, 0.43%, 0.69%

LAB 65.64, 6.55, -28.38

 

CMYK 0 / 33 / 8 / 18

HEX #D18DC0

RGB 209 141 192

HSL 315, 0.43%, 0.69%

LAB 66.83, 33.62, -15.99

 

CMYK 0 / 8 / 33 / 18

HEX #D1C08D

RGB 209 192 141

HSL 45, 0.43%, 0.69%

LAB 77.98, -1.59, 27.92

 

CMYK 33 / 0 / 24 / 18

HEX #8DD19E

RGB 141 209 158

HSL 135, 0.43%, 0.69%

LAB 78.31, -31.93, 18.63

 

Description

Color code: RGB 142 158 210 | qconv.com Color code: RGB 142 158 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 158 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 158 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 25 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 25% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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