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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 104 85 it is the complementary color RGB 113 151 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 104 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 104 85: RGB 147 104 80, RGB 164 122 99, RGB 181 140 118, RGB 198 158 137 and RGB 215 176 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 104 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 104 85: RGB 142 104 85, RGB 125 86 66, RGB 108 68 47, RGB 91 50 28 and RGB 74 32 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

Complementary color

CMYK 34 / 11 / 0 / 33

HEX #7197AA

RGB 113 151 170

HSL 200, 0.25%, 0.55%

LAB 60.38, -8.3, -14.15

 

CMYK 0 / 29 / 46 / 42

HEX #936850

RGB 147 104 80

HSL 21.49, 0.3%, 0.45%

LAB 47.86, 14.16, 20.35

 

CMYK 0 / 26 / 40 / 36

HEX #A47A63

RGB 164 122 99

HSL 21.23, 0.26%, 0.52%

LAB 54.77, 13.24, 18.97

 

CMYK 0 / 23 / 35 / 29

HEX #B58C76

RGB 181 140 118

HSL 20.95, 0.3%, 0.59%

LAB 61.56, 12.46, 17.73

 

CMYK 0 / 20 / 31 / 22

HEX #C69E89

RGB 198 158 137

HSL 20.66, 0.35%, 0.66%

LAB 68.22, 11.79, 16.6

 

CMYK 0 / 18 / 27 / 16

HEX #D7B09C

RGB 215 176 156

HSL 20.34, 0.42%, 0.73%

LAB 74.76, 11.2, 15.57

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 0 / 31 / 47 / 51

HEX #7D5642

RGB 125 86 66

HSL 20.34, 0.31%, 0.37%

LAB 40.26, 13.57, 18.11

 

CMYK 0 / 37 / 56 / 58

HEX #6C442F

RGB 108 68 47

HSL 20.66, 0.39%, 0.3%

LAB 32.98, 14.78, 19.78

 

CMYK 0 / 45 / 69 / 64

HEX #5B321C

RGB 91 50 28

HSL 20.95, 0.53%, 0.23%

LAB 25.53, 16.29, 21.76

 

CMYK 0 / 57 / 88 / 71

HEX #4A2009

RGB 74 32 9

HSL 21.23, 0.78%, 0.16%

LAB 17.96, 18.21, 22.89

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 0 / 20 / 40 / 44

HEX #8F7256

RGB 143 114 86

HSL 29.47, 0.25%, 0.45%

LAB 50.15, 7.34, 19.84

 

CMYK 0 / 13 / 40 / 44

HEX #8F7C56

RGB 143 124 86

HSL 40, 0.25%, 0.45%

LAB 52.87, 1.61, 23.45

 

CMYK 0 / 7 / 40 / 44

HEX #8F8556

RGB 143 133 86

HSL 49.47, 0.25%, 0.45%

LAB 55.37, -3.46, 26.7

 

CMYK 0 / 0 / 40 / 44

HEX #8F8F56

RGB 143 143 86

HSL 60, 0.25%, 0.45%

LAB 58.19, -8.96, 30.32

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 0 / 27 / 40 / 24

HEX #C18D74

RGB 193 141 116

HSL 19.48, 0.38%, 0.61%

LAB 63.05, 16.51, 21.1

 

CMYK 0 / 27 / 40 / 4

HEX #F4B392

RGB 244 179 146

HSL 20.2, 0.82%, 0.76%

LAB 78.2, 19.57, 26.14

 

CMYK 0 / 28 / 40 / 84

HEX #281D18

RGB 40 29 24

HSL 18.75, 0.25%, 0.13%

LAB 11.93, 4.45, 5.51

 

CMYK 0 / 26 / 41 / 64

HEX #5B4336

RGB 91 67 54

HSL 21.08, 0.26%, 0.28%

LAB 30.65, 8.37, 11.92

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 22 / 0 / 40 / 44

HEX #708F56

RGB 112 143 86

HSL 92.63, 0.25%, 0.45%

LAB 55.85, -21.58, 26.85

 

CMYK 40 / 38 / 0 / 44

HEX #56598F

RGB 86 89 143

HSL 236.84, 0.25%, 0.45%

LAB 39.76, 13.03, -30.25

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 40 / 0 / 27 / 44

HEX #568F69

RGB 86 143 105

HSL 140, 0.25%, 0.45%

LAB 54.7, -27.47, 14.46

 

CMYK 27 / 40 / 0 / 44

HEX #69568F

RGB 105 86 143

HSL 260, 0.25%, 0.45%

LAB 40.64, 20.61, -28.75

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 22 / 0 / 40 / 44

HEX #708F56

RGB 112 143 86

HSL 92.63, 0.25%, 0.45%

LAB 55.85, -21.58, 26.85

 

CMYK 40 / 13 / 0 / 44

HEX #567C8F

RGB 86 124 143

HSL 200, 0.25%, 0.45%

LAB 49.95, -8.17, -14.51

 

CMYK 19 / 40 / 0 / 44

HEX #74568F

RGB 116 86 143

HSL 271.58, 0.25%, 0.45%

LAB 41.77, 24.09, -26.9

 

CMYK 0 / 27 / 40 / 44

HEX #8E6855

RGB 142 104 85

HSL 20, 0.25%, 0.45%

LAB 47.38, 12.6, 16.67

 

CMYK 34 / 0 / 40 / 44

HEX #5F8F56

RGB 95 143 86

HSL 110.53, 0.25%, 0.45%

LAB 54.81, -27.89, 25.31

 

CMYK 40 / 13 / 0 / 44

HEX #567C8F

RGB 86 124 143

HSL 200, 0.25%, 0.45%

LAB 49.95, -8.17, -14.51

 

CMYK 7 / 40 / 0 / 44

HEX #85568F

RGB 133 86 143

HSL 289.47, 0.25%, 0.45%

LAB 43.69, 29.62, -23.77

 

Description

Color code: RGB 142 104 85 | qconv.com Color code: RGB 142 104 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 104 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 104 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 40 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 40% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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