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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 103 125 it is the complementary color RGB 113 152 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 103 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 103 125 shade: RGB 147 103 120, RGB 164 121 139, RGB 181 139 158, RGB 198 157 177 and RGB 215 175 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 103 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 125 85 106, RGB 108 67 87, RGB 91 49 68 and RGB 74 31 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 142 103 114, RGB 142 103 104 and RGB 142 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 142 103 135, RGB 138 103 142, RGB 127 103 142 and RGB 117 103 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 103 125 shade matches the following richer shades: RGB 142 103 125, RGB 162 83 127, RGB 182 63 130, RGB 201 43 133 and RGB 221 24 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 122 123 122, RGB 102 142 120, RGB 83 162 117 and RGB 63 182 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 103 125 shade: RGB 138 103 142, RGB 142 103 135, RGB 142 103 125, RGB 142 103 115 and RGB 142 103 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 103 125 shade: RGB 94 68 83, RGB 118 85 104, RGB 142 103 125, RGB 161 125 145 and RGB 178 149 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 142 128 103 and RGB 103 141 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 125 142 103 and RGB 103 125 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 142 128 103, RGB 103 142 120 and RGB 103 117 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 103 125 shade: RGB 142 103 125, RGB 142 139 103, RGB 103 142 120 and RGB 103 105 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

Complementary color

CMYK 26 / 0 / 14 / 40

HEX #719882

RGB 113 152 130

HSL 146.15, 0.16%, 0.52%

LAB 59.51, -18.15, 7.26

 

CMYK 0 / 30 / 18 / 42

HEX #936778

RGB 147 103 120

HSL 336.82, 0.18%, 0.49%

LAB 48.59, 20.36, -2.4

 

CMYK 0 / 26 / 15 / 36

HEX #A4798B

RGB 164 121 139

HSL 334.88, 0.19%, 0.56%

LAB 55.51, 19.65, -3.18

 

CMYK 0 / 23 / 13 / 29

HEX #B58B9E

RGB 181 139 158

HSL 332.86, 0.22%, 0.63%

LAB 62.3, 19.02, -3.89

 

CMYK 0 / 21 / 11 / 22

HEX #C69DB1

RGB 198 157 177

HSL 330.73, 0.26%, 0.7%

LAB 68.96, 18.45, -4.55

 

CMYK 0 / 19 / 9 / 16

HEX #D7AFC4

RGB 215 175 196

HSL 328.5, 0.33%, 0.76%

LAB 75.51, 17.93, -5.18

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 32 / 15 / 51

HEX #7D556A

RGB 125 85 106

HSL 328.5, 0.19%, 0.41%

LAB 41.05, 20.06, -5.33

 

CMYK 0 / 38 / 19 / 58

HEX #6C4357

RGB 108 67 87

HSL 330.73, 0.23%, 0.34%

LAB 33.75, 20.89, -4.51

 

CMYK 0 / 46 / 25 / 64

HEX #5B3144

RGB 91 49 68

HSL 332.86, 0.3%, 0.27%

LAB 26.27, 21.82, -3.49

 

CMYK 0 / 58 / 34 / 71

HEX #4A1F31

RGB 74 31 49

HSL 334.88, 0.41%, 0.21%

LAB 18.62, 22.78, -2.13

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 27 / 20 / 44

HEX #8E6772

RGB 142 103 114

HSL 343.08, 0.16%, 0.48%

LAB 47.84, 17.42, 0.03

 

CMYK 0 / 27 / 27 / 44

HEX #8E6768

RGB 142 103 104

HSL 358.46, 0.16%, 0.48%

LAB 47.56, 15.82, 5.62

 

CMYK 0 / 27 / 27 / 44

HEX #8E6767

RGB 142 103 103

HSL 0, 0.16%, 0.48%

LAB 47.53, 15.67, 6.18

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 27 / 5 / 44

HEX #8E6787

RGB 142 103 135

HSL 310.77, 0.16%, 0.48%

LAB 48.51, 21.19, -11.51

 

CMYK 3 / 27 / 0 / 44

HEX #8A678E

RGB 138 103 142

HSL 293.85, 0.16%, 0.48%

LAB 48.33, 21.16, -15.99

 

CMYK 11 / 27 / 0 / 44

HEX #7F678E

RGB 127 103 142

HSL 276.92, 0.16%, 0.48%

LAB 47.19, 17.31, -17.83

 

CMYK 18 / 27 / 0 / 44

HEX #75678E

RGB 117 103 142

HSL 261.54, 0.16%, 0.48%

LAB 46.22, 13.88, -19.4

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 49 / 22 / 36

HEX #A2537F

RGB 162 83 127

HSL 326.58, 0.32%, 0.48%

LAB 46.18, 38.17, -9.98

 

CMYK 0 / 65 / 29 / 29

HEX #B63F82

RGB 182 63 130

HSL 326.22, 0.49%, 0.48%

LAB 45.79, 54.45, -12.08

 

CMYK 0 / 79 / 34 / 21

HEX #C92B85

RGB 201 43 133

HSL 325.82, 0.65%, 0.48%

LAB 46.76, 66.79, -12.11

 

CMYK 0 / 89 / 39 / 13

HEX #DD1887

RGB 221 24 135

HSL 326.19, 0.8%, 0.48%

LAB 49.22, 75.6, -9.25

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 1 / 0 / 1 / 52

HEX #7A7B7A

RGB 122 123 122

HSL 120, 0%, 0.48%

LAB 51.51, -0.57, 0.41

RGB 122 123 122

CMYK 28 / 0 / 15 / 44

HEX #668E78

RGB 102 142 120

HSL 147, 0.16%, 0.48%

LAB 55.61, -18.68, 7.31

RGB 102 142 120

CMYK 49 / 0 / 28 / 36

HEX #53A275

RGB 83 162 117

HSL 145.82, 0.32%, 0.48%

LAB 60.75, -34.93, 16.08

RGB 83 162 117

CMYK 65 / 0 / 37 / 29

HEX #3FB673

RGB 63 182 115

HSL 146.22, 0.49%, 0.48%

LAB 66.33, -48.47, 24.64

RGB 63 182 115

CMYK 3 / 27 / 0 / 44

HEX #8A678E

RGB 138 103 142

HSL 293.85, 0.16%, 0.48%

LAB 48.33, 21.16, -15.99

 

CMYK 0 / 27 / 5 / 44

HEX #8E6787

RGB 142 103 135

HSL 310.77, 0.16%, 0.48%

LAB 48.51, 21.19, -11.51

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 27 / 19 / 44

HEX #8E6773

RGB 142 103 115

HSL 341.54, 0.16%, 0.48%

LAB 47.87, 17.58, -0.53

 

CMYK 0 / 27 / 27 / 44

HEX #8E6768

RGB 142 103 104

HSL 358.46, 0.16%, 0.48%

LAB 47.56, 15.82, 5.62

 

CMYK 0 / 28 / 12 / 63

HEX #5E4453

RGB 94 68 83

HSL 325.38, 0.16%, 0.32%

LAB 32.12, 13.92, -4.56

 

CMYK 0 / 28 / 12 / 54

HEX #765568

RGB 118 85 104

HSL 325.45, 0.16%, 0.4%

LAB 40.16, 16.98, -5.52

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 22 / 10 / 37

HEX #A17D91

RGB 161 125 145

HSL 326.67, 0.16%, 0.56%

LAB 56.38, 17.3, -5.42

 

CMYK 0 / 16 / 7 / 30

HEX #B295A6

RGB 178 149 166

HSL 324.83, 0.16%, 0.64%

LAB 64.73, 13.74, -4.86

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 10 / 27 / 44

HEX #8E8067

RGB 142 128 103

HSL 38.46, 0.16%, 0.48%

LAB 54.21, 1.2, 15.53

 

CMYK 27 / 1 / 0 / 44

HEX #678D8E

RGB 103 141 142

HSL 181.54, 0.16%, 0.48%

LAB 55.97, -12.83, -4.8

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 12 / 0 / 27 / 44

HEX #7D8E67

RGB 125 142 103

HSL 86.15, 0.16%, 0.48%

LAB 56.77, -13.42, 18.81

 

CMYK 27 / 12 / 0 / 44

HEX #677D8E

RGB 103 125 142

HSL 206.15, 0.16%, 0.48%

LAB 51.27, -3.85, -11.83

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 10 / 27 / 44

HEX #8E8067

RGB 142 128 103

HSL 38.46, 0.16%, 0.48%

LAB 54.21, 1.2, 15.53

 

CMYK 27 / 0 / 15 / 44

HEX #678E78

RGB 103 142 120

HSL 146.15, 0.16%, 0.48%

LAB 55.67, -18.34, 7.4

 

CMYK 27 / 18 / 0 / 44

HEX #67758E

RGB 103 117 142

HSL 218.46, 0.16%, 0.48%

LAB 48.96, 0.82, -15.33

 

CMYK 0 / 27 / 12 / 44

HEX #8E677D

RGB 142 103 125

HSL 326.15, 0.16%, 0.48%

LAB 48.17, 19.32, -6.06

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 27 / 0 / 15 / 44

HEX #678E78

RGB 103 142 120

HSL 146.15, 0.16%, 0.48%

LAB 55.67, -18.34, 7.4

 

CMYK 27 / 26 / 0 / 44

HEX #67698E

RGB 103 105 142

HSL 236.92, 0.16%, 0.48%

LAB 45.55, 8.02, -20.54

 

Description

Color code: RGB 142 103 125 | qconv.com Color code: RGB 142 103 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 103 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 103 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 12 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 12% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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