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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 139 103 it is the complementary color RGB 113 116 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 139 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 139 103: RGB 147 139 98, RGB 164 157 117, RGB 181 175 136, RGB 198 193 155 and RGB 215 211 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 139 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 139 103: RGB 142 139 103, RGB 125 121 84, RGB 108 103 65, RGB 91 85 46 and RGB 74 67 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

Complementary color

CMYK 26 / 24 / 0 / 40

HEX #717498

RGB 113 116 152

HSL 235.38, 0.16%, 0.52%

LAB 49.82, 7.22, -19.83

 

CMYK 0 / 5 / 33 / 42

HEX #938B62

RGB 147 139 98

HSL 50.2, 0.2%, 0.48%

LAB 57.61, -3.59, 23.05

 

CMYK 0 / 4 / 29 / 36

HEX #A49D75

RGB 164 157 117

HSL 51.06, 0.21%, 0.55%

LAB 64.4, -3.93, 21.89

 

CMYK 0 / 3 / 25 / 29

HEX #B5AF88

RGB 181 175 136

HSL 52, 0.23%, 0.62%

LAB 71.05, -4.21, 20.81

 

CMYK 0 / 3 / 22 / 22

HEX #C6C19B

RGB 198 193 155

HSL 53.02, 0.27%, 0.69%

LAB 77.59, -4.46, 19.8

 

CMYK 0 / 2 / 19 / 16

HEX #D7D3AE

RGB 215 211 174

HSL 54.15, 0.34%, 0.76%

LAB 84.01, -4.67, 18.85

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 0 / 3 / 33 / 51

HEX #7D7954

RGB 125 121 84

HSL 54.15, 0.2%, 0.41%

LAB 50.3, -4.66, 20.88

 

CMYK 0 / 5 / 40 / 58

HEX #6C6741

RGB 108 103 65

HSL 53.02, 0.25%, 0.34%

LAB 43.17, -4.28, 22.16

 

CMYK 0 / 7 / 49 / 64

HEX #5B552E

RGB 91 85 46

HSL 52, 0.33%, 0.27%

LAB 35.83, -3.76, 23.53

 

CMYK 0 / 9 / 64 / 71

HEX #4A431B

RGB 74 67 27

HSL 51.06, 0.47%, 0.2%

LAB 28.25, -3, 24.93

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 2 / 0 / 28 / 45

HEX #8A8D66

RGB 138 141 102

HSL 64.62, 0.16%, 0.48%

LAB 57.47, -7.84, 20.5

 

CMYK 6 / 0 / 28 / 45

HEX #848D66

RGB 132 141 102

HSL 73.85, 0.16%, 0.48%

LAB 56.99, -10.26, 19.76

 

CMYK 11 / 0 / 28 / 45

HEX #7D8D66

RGB 125 141 102

HSL 84.62, 0.16%, 0.48%

LAB 56.46, -13.04, 18.95

 

CMYK 16 / 0 / 28 / 45

HEX #778D66

RGB 119 141 102

HSL 93.85, 0.16%, 0.48%

LAB 56.02, -15.37, 18.28

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 0 / 2 / 27 / 24

HEX #C1BD8C

RGB 193 189 140

HSL 55.47, 0.3%, 0.65%

LAB 75.84, -6.38, 25.34

 

CMYK 0 / 2 / 27 / 4

HEX #F4EFB1

RGB 244 239 177

HSL 55.52, 0.75%, 0.83%

LAB 93.51, -7.72, 30.67

 

CMYK 0 / 2 / 28 / 84

HEX #28271D

RGB 40 39 29

HSL 54.55, 0.16%, 0.14%

LAB 15.44, -1.69, 6.79

 

CMYK 0 / 2 / 27 / 64

HEX #5B5942

RGB 91 89 66

HSL 55.2, 0.16%, 0.31%

LAB 37.41, -3.43, 13.64

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 28 / 0 / 24 / 45

HEX #668D6B

RGB 102 141 107

HSL 127.69, 0.16%, 0.48%

LAB 55.01, -20.76, 13.88

 

CMYK 13 / 28 / 0 / 45

HEX #7B668D

RGB 123 102 141

HSL 272.31, 0.16%, 0.48%

LAB 46.49, 16.3, -18.34

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 28 / 0 / 2 / 45

HEX #668D8A

RGB 102 141 138

HSL 175.38, 0.16%, 0.48%

LAB 55.8, -14.11, -2.77

 

CMYK 2 / 28 / 0 / 45

HEX #8A668D

RGB 138 102 141

HSL 295.38, 0.16%, 0.48%

LAB 48.04, 21.54, -15.83

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 28 / 0 / 24 / 45

HEX #668D6B

RGB 102 141 107

HSL 127.69, 0.16%, 0.48%

LAB 55.01, -20.76, 13.88

 

CMYK 28 / 25 / 0 / 45

HEX #666A8D

RGB 102 106 141

HSL 233.85, 0.16%, 0.48%

LAB 45.71, 6.83, -19.7

 

CMYK 0 / 28 / 3 / 45

HEX #8D6689

RGB 141 102 137

HSL 306.15, 0.16%, 0.48%

LAB 48.22, 21.81, -13.15

 

CMYK 0 / 2 / 27 / 44

HEX #8E8B67

RGB 142 139 103

HSL 55.38, 0.16%, 0.48%

LAB 57.27, -4.96, 19.71

 

CMYK 28 / 0 / 16 / 45

HEX #668D77

RGB 102 141 119

HSL 146.15, 0.16%, 0.48%

LAB 55.28, -18.36, 7.41

 

CMYK 28 / 25 / 0 / 45

HEX #666A8D

RGB 102 106 141

HSL 233.85, 0.16%, 0.48%

LAB 45.71, 6.83, -19.7

 

CMYK 0 / 28 / 11 / 45

HEX #8D667D

RGB 141 102 125

HSL 324.62, 0.16%, 0.48%

LAB 47.81, 19.53, -6.61

 

Description

Color code: RGB 142 139 103 | qconv.com Color code: RGB 142 139 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 139 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 139 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 27 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 27% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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