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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 215 163 it is the complementary color RGB 114 40 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 215 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 215 163: RGB 146 215 158, RGB 163 233 177, RGB 180 251 196, RGB 197 255 215 and RGB 214 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 215 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 215 163: RGB 141 215 163, RGB 124 197 144, RGB 107 179 125, RGB 90 161 106 and RGB 73 143 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

Complementary color

CMYK 0 / 65 / 19 / 55

HEX #72285C

RGB 114 40 92

HSL 317.84, 0.48%, 0.3%

LAB 29.08, 38.8, -14.72

 

CMYK 32 / 0 / 27 / 16

HEX #92D79E

RGB 146 215 158

HSL 130.43, 0.46%, 0.71%

LAB 80.28, -33.18, 21.4

 

CMYK 30 / 0 / 24 / 9

HEX #A3E9B1

RGB 163 233 177

HSL 132, 0.61%, 0.78%

LAB 86.62, -32.93, 20.39

 

CMYK 28 / 0 / 22 / 2

HEX #B4FBC4

RGB 180 251 196

HSL 133.52, 0.9%, 0.85%

LAB 92.88, -32.69, 19.45

 

CMYK 23 / 0 / 16 / 0

HEX #C5FFD7

RGB 197 255 215

HSL 138.62, 1%, 0.89%

LAB 95.29, -25.9, 13.23

 

CMYK 16 / 0 / 8 / 0

HEX #D6FFEA

RGB 214 255 234

HSL 149.27, 1%, 0.92%

LAB 96.72, -17.06, 5.66

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 37 / 0 / 27 / 23

HEX #7CC590

RGB 124 197 144

HSL 136.44, 0.39%, 0.63%

LAB 73.7, -34.09, 19.56

 

CMYK 40 / 0 / 30 / 30

HEX #6BB37D

RGB 107 179 125

HSL 135, 0.32%, 0.56%

LAB 67.16, -34.36, 20.67

 

CMYK 44 / 0 / 34 / 37

HEX #5AA16A

RGB 90 161 106

HSL 133.52, 0.28%, 0.49%

LAB 60.52, -34.61, 21.87

 

CMYK 49 / 0 / 39 / 44

HEX #498F57

RGB 73 143 87

HSL 132, 0.32%, 0.42%

LAB 53.76, -34.82, 23.17

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 34 / 0 / 19 / 16

HEX #8DD7AE

RGB 141 215 174

HSL 146.76, 0.48%, 0.7%

LAB 80.36, -31.73, 13.03

 

CMYK 34 / 0 / 13 / 16

HEX #8DD7BB

RGB 141 215 187

HSL 157.3, 0.48%, 0.7%

LAB 80.66, -29.09, 6.55

 

CMYK 34 / 0 / 7 / 16

HEX #8DD7C7

RGB 141 215 199

HSL 167.03, 0.48%, 0.7%

LAB 80.95, -26.5, 0.59

 

CMYK 34 / 0 / 2 / 16

HEX #8DD7D3

RGB 141 215 211

HSL 176.76, 0.48%, 0.7%

LAB 81.27, -23.77, -5.34

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 36 / 0 / 27 / 96

HEX #070B08

RGB 7 11 8

HSL 135, 0.22%, 0.04%

LAB 2.73, -1.47, 0.77

 

CMYK 34 / 0 / 24 / 76

HEX #293E2F

RGB 41 62 47

HSL 137.14, 0.2%, 0.2%

LAB 24.07, -12.11, 6.61

 

CMYK 35 / 0 / 24 / 56

HEX #4A7156

RGB 74 113 86

HSL 138.46, 0.21%, 0.37%

LAB 44.14, -20.02, 10.7

 

CMYK 34 / 0 / 24 / 36

HEX #6CA47C

RGB 108 164 124

HSL 137.14, 0.24%, 0.53%

LAB 62.67, -27.08, 15.04

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 34 / 17 / 0 / 16

HEX #8DB3D7

RGB 141 179 215

HSL 209.19, 0.48%, 0.7%

LAB 71.43, -4.12, -22.27

 

CMYK 0 / 34 / 30 / 16

HEX #D78D96

RGB 215 141 150

HSL 352.7, 0.48%, 0.7%

LAB 66.29, 29.3, 6.89

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 25 / 34 / 0 / 16

HEX #A28DD7

RGB 162 141 215

HSL 257.03, 0.48%, 0.7%

LAB 63.04, 23.36, -35.06

 

CMYK 0 / 25 / 34 / 16

HEX #D7A28D

RGB 215 162 141

HSL 17.03, 0.48%, 0.7%

LAB 71.02, 16.79, 18.55

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 34 / 17 / 0 / 16

HEX #8DB3D7

RGB 141 179 215

HSL 209.19, 0.48%, 0.7%

LAB 71.43, -4.12, -22.27

 

CMYK 0 / 34 / 10 / 16

HEX #D78DC2

RGB 215 141 194

HSL 317.03, 0.48%, 0.7%

LAB 67.57, 35.97, -15.93

 

CMYK 0 / 18 / 34 / 16

HEX #D7B18D

RGB 215 177 141

HSL 29.19, 0.48%, 0.7%

LAB 74.71, 8.72, 23.6

 

CMYK 34 / 0 / 24 / 16

HEX #8DD7A3

RGB 141 215 163

HSL 137.84, 0.48%, 0.7%

LAB 80.13, -33.82, 18.52

 

CMYK 34 / 27 / 0 / 16

HEX #8D9DD7

RGB 141 157 215

HSL 227.03, 0.48%, 0.7%

LAB 65.5, 8.13, -31.37

 

CMYK 0 / 34 / 10 / 16

HEX #D78DC2

RGB 215 141 194

HSL 317.03, 0.48%, 0.7%

LAB 67.57, 35.97, -15.93

 

CMYK 0 / 7 / 34 / 16

HEX #D7C78D

RGB 215 199 141

HSL 47.03, 0.48%, 0.7%

LAB 80.3, -2.89, 31.1

 

Description

Color code: RGB 141 215 163 | qconv.com Color code: RGB 141 215 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 215 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 215 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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