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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 204 54 it is the complementary color RGB 114 51 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 204 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 204 54: RGB 146 204 49, RGB 163 222 68, RGB 180 240 87, RGB 197 255 106 and RGB 214 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 204 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 204 54: RGB 141 204 54, RGB 124 186 35, RGB 107 168 16, RGB 90 150 0 and RGB 73 132 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

Complementary color

CMYK 43 / 75 / 0 / 21

HEX #7233C9

RGB 114 51 201

HSL 265.2, 0.6%, 0.49%

LAB 38.13, 57.3, -67.13

 

CMYK 28 / 0 / 76 / 20

HEX #92CC31

RGB 146 204 49

HSL 82.45, 0.61%, 0.5%

LAB 75.77, -40.63, 66.02

 

CMYK 27 / 0 / 69 / 13

HEX #A3DE44

RGB 163 222 68

HSL 82.99, 0.7%, 0.57%

LAB 82.08, -41.11, 66.02

 

CMYK 25 / 0 / 64 / 6

HEX #B4F057

RGB 180 240 87

HSL 83.53, 0.84%, 0.64%

LAB 88.31, -41.45, 65.54

 

CMYK 23 / 0 / 58 / 0

HEX #C5FF6A

RGB 197 255 106

HSL 83.36, 1%, 0.71%

LAB 93.64, -40.38, 63.85

 

CMYK 16 / 0 / 51 / 0

HEX #D6FF7D

RGB 214 255 125

HSL 78.92, 1%, 0.75%

LAB 94.86, -32.45, 57.2

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 33 / 0 / 81 / 27

HEX #7CBA23

RGB 124 186 35

HSL 84.64, 0.68%, 0.43%

LAB 69.13, -41.64, 63.57

 

CMYK 36 / 0 / 90 / 34

HEX #6BA810

RGB 107 168 16

HSL 84.08, 0.83%, 0.36%

LAB 62.65, -40.82, 61.92

 

CMYK 40 / 0 / 100 / 41

HEX #5A9600

RGB 90 150 0

HSL 84, 1%, 0.29%

LAB 56.07, -39.73, 58.72

 

CMYK 45 / 0 / 100 / 48

HEX #498400

RGB 73 132 0

HSL 86.82, 1%, 0.26%

LAB 49.4, -38.23, 53.17

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 43 / 0 / 73 / 20

HEX #75CD37

RGB 117 205 55

HSL 95.2, 0.6%, 0.51%

LAB 74.65, -50.83, 62.44

 

CMYK 55 / 0 / 73 / 20

HEX #5CCD37

RGB 92 205 55

HSL 105.2, 0.6%, 0.51%

LAB 73.68, -58.15, 61.16

 

CMYK 67 / 0 / 73 / 20

HEX #43CD37

RGB 67 205 55

HSL 115.2, 0.6%, 0.51%

LAB 72.98, -63.87, 60.22

 

CMYK 73 / 0 / 67 / 20

HEX #37CD43

RGB 55 205 67

HSL 124.8, 0.6%, 0.51%

LAB 72.81, -64.95, 55.44

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 31 / 0 / 73 / 80

HEX #23330E

RGB 35 51 14

HSL 85.95, 0.57%, 0.13%

LAB 19.04, -14.02, 20.75

 

CMYK 30 / 0 / 74 / 60

HEX #47661B

RGB 71 102 27

HSL 84.8, 0.58%, 0.25%

LAB 39.45, -24.09, 36.94

 

CMYK 31 / 0 / 73 / 40

HEX #6A9929

RGB 106 153 41

HSL 85.18, 0.58%, 0.38%

LAB 58.04, -33.44, 50.79

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 73 / 0 / 28 / 20

HEX #37CD93

RGB 55 205 147

HSL 156.8, 0.6%, 0.51%

LAB 73.92, -52.25, 17.92

 

CMYK 0 / 73 / 1 / 20

HEX #CD37CA

RGB 205 55 202

HSL 301.2, 0.6%, 0.51%

LAB 51.81, 73.47, -45

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 73 / 31 / 0 / 20

HEX #378ECD

RGB 55 142 205

HSL 205.2, 0.6%, 0.51%

LAB 56.65, -4.91, -39.91

 

CMYK 0 / 73 / 31 / 20

HEX #CD378E

RGB 205 55 142

HSL 325.2, 0.6%, 0.51%

LAB 49.09, 65.2, -13.96

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 73 / 0 / 28 / 20

HEX #37CD93

RGB 55 205 147

HSL 156.8, 0.6%, 0.51%

LAB 73.92, -52.25, 17.92

 

CMYK 43 / 73 / 0 / 20

HEX #7537CD

RGB 117 55 205

HSL 264.8, 0.6%, 0.51%

LAB 39.45, 57.01, -67.29

 

CMYK 0 / 73 / 45 / 20

HEX #CD3770

RGB 205 55 112

HSL 337.2, 0.6%, 0.51%

LAB 48.11, 62.07, 2.77

 

CMYK 31 / 0 / 74 / 20

HEX #8DCC36

RGB 141 204 54

HSL 85.2, 0.6%, 0.51%

LAB 75.52, -42.21, 64.04

 

CMYK 73 / 0 / 6 / 20

HEX #37CDC0

RGB 55 205 192

HSL 174.8, 0.6%, 0.51%

LAB 75, -41.11, -4.72

 

CMYK 43 / 73 / 0 / 20

HEX #7537CD

RGB 117 55 205

HSL 264.8, 0.6%, 0.51%

LAB 39.45, 57.01, -67.29

 

CMYK 0 / 73 / 67 / 20

HEX #CD3743

RGB 205 55 67

HSL 355.2, 0.6%, 0.51%

LAB 47.13, 58.82, 28.84

 

Description

Color code: RGB 141 204 54 | qconv.com Color code: RGB 141 204 54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 204 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 204 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 74 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 74% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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