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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 197 21 it is the complementary color RGB 114 58 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 197 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 197 21: RGB 146 197 16, RGB 163 215 35, RGB 180 233 54, RGB 197 251 73 and RGB 214 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 197 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 197 21: RGB 141 197 21, RGB 124 179 2, RGB 107 161 0, RGB 90 143 0 and RGB 73 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

Complementary color

CMYK 51 / 75 / 0 / 8

HEX #723AEA

RGB 114 58 234

HSL 259.09, 0.81%, 0.57%

LAB 42.07, 62.65, -79.62

 

CMYK 26 / 0 / 92 / 23

HEX #92C510

RGB 146 197 16

HSL 76.91, 0.85%, 0.42%

LAB 73.6, -38.68, 71.76

 

CMYK 24 / 0 / 84 / 16

HEX #A3D723

RGB 163 215 35

HSL 77.33, 0.72%, 0.49%

LAB 79.9, -39.59, 73.91

 

CMYK 23 / 0 / 77 / 9

HEX #B4E936

RGB 180 233 54

HSL 77.77, 0.8%, 0.56%

LAB 86.13, -40.32, 74.9

 

CMYK 22 / 0 / 71 / 2

HEX #C5FB49

RGB 197 251 73

HSL 78.2, 0.96%, 0.64%

LAB 92.29, -40.89, 75.11

 

CMYK 16 / 0 / 64 / 0

HEX #D6FF5C

RGB 214 255 92

HSL 75.09, 1%, 0.68%

LAB 94.56, -35.1, 70.85

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 31 / 0 / 99 / 30

HEX #7CB302

RGB 124 179 2

HSL 78.64, 0.98%, 0.35%

LAB 66.92, -39.46, 67.63

 

CMYK 34 / 0 / 100 / 37

HEX #6BA100

RGB 107 161 0

HSL 80.12, 1%, 0.32%

LAB 60.44, -38.12, 62.48

 

CMYK 37 / 0 / 100 / 44

HEX #5A8F00

RGB 90 143 0

HSL 82.24, 1%, 0.28%

LAB 53.83, -36.71, 56.99

 

CMYK 42 / 0 / 100 / 51

HEX #497D00

RGB 73 125 0

HSL 84.96, 1%, 0.25%

LAB 47.08, -35.23, 51.37

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 43 / 0 / 90 / 22

HEX #70C614

RGB 112 198 20

HSL 88.99, 0.82%, 0.43%

LAB 72.15, -51.27, 69.24

 

CMYK 58 / 0 / 90 / 22

HEX #53C614

RGB 83 198 20

HSL 98.76, 0.82%, 0.43%

LAB 71.06, -59.73, 67.89

 

CMYK 73 / 0 / 90 / 22

HEX #35C614

RGB 53 198 20

HSL 108.88, 0.82%, 0.43%

LAB 70.31, -66.03, 66.96

 

CMYK 88 / 0 / 90 / 22

HEX #17C614

RGB 23 198 20

HSL 118.99, 0.82%, 0.43%

LAB 69.91, -69.6, 66.45

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 28 / 0 / 90 / 3

HEX #B2F81A

RGB 178 248 26

HSL 78.92, 0.94%, 0.54%

LAB 90.17, -48.4, 84.5

 

CMYK 30 / 0 / 89 / 83

HEX #1F2C05

RGB 31 44 5

HSL 80, 0.8%, 0.1%

LAB 16.02, -12.8, 20.89

 

CMYK 28 / 0 / 89 / 63

HEX #445F0A

RGB 68 95 10

HSL 79.06, 0.81%, 0.21%

LAB 36.81, -22.83, 40.44

 

CMYK 29 / 0 / 89 / 43

HEX #689210

RGB 104 146 16

HSL 79.38, 0.8%, 0.32%

LAB 55.62, -32.17, 55.99

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 90 / 0 / 43 / 22

HEX #14C670

RGB 20 198 112

HSL 151.01, 0.82%, 0.43%

LAB 70.67, -60.16, 31.81

 

CMYK 8 / 90 / 0 / 22

HEX #B714C6

RGB 183 20 198

HSL 294.94, 0.82%, 0.43%

LAB 45.14, 76.77, -53.54

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 90 / 28 / 0 / 22

HEX #148EC6

RGB 20 142 198

HSL 198.88, 0.82%, 0.43%

LAB 55.66, -10.71, -37.56

 

CMYK 0 / 90 / 28 / 22

HEX #C6148E

RGB 198 20 142

HSL 318.88, 0.82%, 0.43%

LAB 44.88, 71.92, -20.5

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 90 / 0 / 43 / 22

HEX #14C670

RGB 20 198 112

HSL 151.01, 0.82%, 0.43%

LAB 70.67, -60.16, 31.81

 

CMYK 61 / 90 / 0 / 22

HEX #4D14C6

RGB 77 20 198

HSL 259.21, 0.82%, 0.43%

LAB 29.8, 63.48, -79.25

 

CMYK 0 / 90 / 46 / 22

HEX #C6146A

RGB 198 20 106

HSL 331.01, 0.82%, 0.43%

LAB 43.58, 68.37, -0.28

 

CMYK 28 / 0 / 89 / 23

HEX #8DC515

RGB 141 197 21

HSL 79.09, 0.81%, 0.43%

LAB 73.32, -40.5, 70.64

 

CMYK 90 / 0 / 17 / 22

HEX #14C6A5

RGB 20 198 165

HSL 168.88, 0.82%, 0.43%

LAB 71.73, -48.34, 5.08

 

CMYK 61 / 90 / 0 / 22

HEX #4D14C6

RGB 77 20 198

HSL 259.21, 0.82%, 0.43%

LAB 29.8, 63.48, -79.25

 

CMYK 0 / 90 / 73 / 22

HEX #C61435

RGB 198 20 53

HSL 348.88, 0.82%, 0.43%

LAB 42.4, 65.08, 31.26

 

Description

Color code: RGB 141 197 21 | qconv.com Color code: RGB 141 197 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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