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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 173 189 it is the complementary color RGB 114 82 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 173 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 173 189: RGB 146 173 184, RGB 163 191 203, RGB 180 209 222, RGB 197 227 241 and RGB 214 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 173 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 173 189: RGB 141 173 189, RGB 124 155 170, RGB 107 137 151, RGB 90 119 132 and RGB 73 101 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

Complementary color

CMYK 0 / 28 / 42 / 55

HEX #725242

RGB 114 82 66

HSL 20, 0.27%, 0.35%

LAB 37.85, 11.1, 14.65

 

CMYK 21 / 6 / 0 / 28

HEX #92ADB8

RGB 146 173 184

HSL 197.37, 0.21%, 0.65%

LAB 69.08, -6.82, -8.73

 

CMYK 20 / 6 / 0 / 20

HEX #A3BFCB

RGB 163 191 203

HSL 198, 0.28%, 0.72%

LAB 75.67, -6.86, -9.2

 

CMYK 19 / 6 / 0 / 13

HEX #B4D1DE

RGB 180 209 222

HSL 198.57, 0.39%, 0.79%

LAB 82.15, -6.9, -9.66

 

CMYK 18 / 6 / 0 / 5

HEX #C5E3F1

RGB 197 227 241

HSL 199.09, 0.61%, 0.86%

LAB 88.52, -6.94, -10.12

 

CMYK 16 / 4 / 0 / 0

HEX #D6F5FF

RGB 214 245 255

HSL 194.63, 1%, 0.92%

LAB 94.66, -8.01, -8.19

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 27 / 9 / 0 / 33

HEX #7C9BAA

RGB 124 155 170

HSL 199.57, 0.21%, 0.58%

LAB 62.19, -7.19, -11.35

 

CMYK 29 / 9 / 0 / 41

HEX #6B8997

RGB 107 137 151

HSL 199.09, 0.17%, 0.51%

LAB 55.33, -7.14, -10.92

 

CMYK 32 / 10 / 0 / 48

HEX #5A7784

RGB 90 119 132

HSL 198.57, 0.19%, 0.44%

LAB 48.3, -7.09, -10.5

 

CMYK 35 / 11 / 0 / 56

HEX #496571

RGB 73 101 113

HSL 198, 0.22%, 0.36%

LAB 41.08, -7.03, -10.06

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 25 / 13 / 0 / 26

HEX #8DA5BD

RGB 141 165 189

HSL 210, 0.27%, 0.65%

LAB 66.71, -2.88, -15.09

 

CMYK 25 / 17 / 0 / 26

HEX #8D9DBD

RGB 141 157 189

HSL 220, 0.27%, 0.65%

LAB 64.52, 1.57, -18.39

 

CMYK 25 / 21 / 0 / 26

HEX #8D95BD

RGB 141 149 189

HSL 230, 0.27%, 0.65%

LAB 62.37, 6.09, -21.68

 

CMYK 25 / 25 / 0 / 26

HEX #8D8DBD

RGB 141 141 189

HSL 240, 0.27%, 0.65%

LAB 60.24, 10.67, -24.95

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 25 / 8 / 0 / 6

HEX #B3DCF0

RGB 179 220 240

HSL 199.67, 0.67%, 0.82%

LAB 85.53, -8.94, -14.17

 

CMYK 25 / 8 / 0 / 86

HEX #1B2124

RGB 27 33 36

HSL 200, 0.14%, 0.12%

LAB 12.27, -1.86, -2.94

 

CMYK 25 / 8 / 0 / 66

HEX #415057

RGB 65 80 87

HSL 199.09, 0.14%, 0.3%

LAB 33.03, -4.07, -6.06

 

CMYK 25 / 9 / 0 / 46

HEX #677E8A

RGB 103 126 138

HSL 200.57, 0.15%, 0.47%

LAB 51.43, -5.42, -9.25

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 12 / 25 / 0 / 26

HEX #A78DBD

RGB 167 141 189

HSL 272.5, 0.27%, 0.65%

LAB 62.46, 19, -21.35

 

CMYK 0 / 2 / 25 / 26

HEX #BDBA8D

RGB 189 186 141

HSL 56.25, 0.27%, 0.65%

LAB 74.74, -6.22, 23.26

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 0 / 25 / 8 / 26

HEX #BD8DAD

RGB 189 141 173

HSL 320, 0.27%, 0.65%

LAB 64.07, 23.39, -9.68

 

CMYK 8 / 0 / 25 / 26

HEX #ADBD8D

RGB 173 189 141

HSL 80, 0.27%, 0.65%

LAB 74.32, -13.87, 22.49

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 12 / 25 / 0 / 26

HEX #A78DBD

RGB 167 141 189

HSL 272.5, 0.27%, 0.65%

LAB 62.46, 19, -21.35

 

CMYK 0 / 17 / 25 / 26

HEX #BD9D8D

RGB 189 157 141

HSL 20, 0.27%, 0.65%

LAB 67.17, 9.37, 12.79

 

CMYK 13 / 0 / 25 / 26

HEX #A4BD8D

RGB 164 189 141

HSL 91.25, 0.27%, 0.65%

LAB 73.68, -17.2, 21.51

 

CMYK 25 / 8 / 0 / 26

HEX #8DADBD

RGB 141 173 189

HSL 200, 0.27%, 0.65%

LAB 68.91, -7.24, -11.78

 

CMYK 4 / 25 / 0 / 26

HEX #B58DBD

RGB 181 141 189

HSL 290, 0.27%, 0.65%

LAB 63.79, 23.65, -19.19

 

CMYK 0 / 17 / 25 / 26

HEX #BD9D8D

RGB 189 157 141

HSL 20, 0.27%, 0.65%

LAB 67.17, 9.37, 12.79

 

CMYK 21 / 0 / 25 / 26

HEX #95BD8D

RGB 149 189 141

HSL 110, 0.27%, 0.65%

LAB 72.7, -22.58, 20.01

 

Description

Color code: RGB 141 173 189 | qconv.com Color code: RGB 141 173 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 173 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 173 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 8 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 8% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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