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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 144 104 it is the complementary color RGB 114 111 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 144 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 144 104: RGB 146 144 99, RGB 163 162 118, RGB 180 180 137, RGB 197 198 156 and RGB 214 216 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 144 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 144 104: RGB 141 144 104, RGB 124 126 85, RGB 107 108 66, RGB 90 90 47 and RGB 73 72 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

Complementary color

CMYK 25 / 26 / 0 / 41

HEX #726F97

RGB 114 111 151

HSL 244.5, 0.16%, 0.51%

LAB 48.49, 10.28, -21.28

 

CMYK 0 / 1 / 32 / 43

HEX #929063

RGB 146 144 99

HSL 57.45, 0.19%, 0.48%

LAB 58.94, -6.62, 24.24

 

CMYK 0 / 1 / 28 / 36

HEX #A3A276

RGB 163 162 118

HSL 58.67, 0.2%, 0.55%

LAB 65.7, -6.89, 23.09

 

CMYK 0 / 0 / 24 / 29

HEX #B4B489

RGB 180 180 137

HSL 60, 0.22%, 0.62%

LAB 72.33, -7.11, 22.01

 

CMYK 1 / 0 / 21 / 22

HEX #C5C69C

RGB 197 198 156

HSL 61.43, 0.27%, 0.69%

LAB 78.84, -7.29, 20.99

 

CMYK 1 / 0 / 19 / 15

HEX #D6D8AF

RGB 214 216 175

HSL 62.93, 0.34%, 0.77%

LAB 85.25, -7.45, 20.04

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 2 / 0 / 33 / 51

HEX #7C7E55

RGB 124 126 85

HSL 62.93, 0.19%, 0.41%

LAB 51.68, -7.76, 22.13

 

CMYK 1 / 0 / 39 / 58

HEX #6B6C42

RGB 107 108 66

HSL 61.43, 0.24%, 0.34%

LAB 44.58, -7.47, 23.39

 

CMYK 0 / 0 / 48 / 65

HEX #5A5A2F

RGB 90 90 47

HSL 60, 0.31%, 0.27%

LAB 37.28, -7.08, 24.73

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 6 / 0 / 28 / 44

HEX #879068

RGB 135 144 104

HSL 73.5, 0.16%, 0.49%

LAB 58.13, -10.38, 20.22

 

CMYK 11 / 0 / 28 / 44

HEX #809068

RGB 128 144 104

HSL 84, 0.16%, 0.49%

LAB 57.59, -13.16, 19.4

 

CMYK 15 / 0 / 28 / 44

HEX #7A9068

RGB 122 144 104

HSL 93, 0.16%, 0.49%

LAB 57.16, -15.49, 18.74

 

CMYK 20 / 0 / 28 / 44

HEX #739068

RGB 115 144 104

HSL 103.5, 0.16%, 0.49%

LAB 56.67, -18.14, 18

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 2 / 0 / 28 / 24

HEX #BFC38D

RGB 191 195 141

HSL 64.44, 0.31%, 0.66%

LAB 77.3, -10.13, 26.75

 

CMYK 2 / 0 / 28 / 4

HEX #F1F6B2

RGB 241 246 178

HSL 64.41, 0.79%, 0.83%

LAB 95.09, -12.18, 32.25

 

CMYK 2 / 0 / 29 / 84

HEX #292A1E

RGB 41 42 30

HSL 65, 0.17%, 0.14%

LAB 16.61, -3.05, 7.72

 

CMYK 2 / 0 / 28 / 64

HEX #5B5D43

RGB 91 93 67

HSL 64.62, 0.16%, 0.31%

LAB 38.65, -5.65, 14.72

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 28 / 0 / 20 / 44

HEX #689073

RGB 104 144 115

HSL 136.5, 0.16%, 0.49%

LAB 56.22, -20.07, 11.03

 

CMYK 9 / 28 / 0 / 44

HEX #836890

RGB 131 104 144

HSL 280.5, 0.16%, 0.49%

LAB 47.93, 18.55, -17.86

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 28 / 1 / 0 / 44

HEX #688E90

RGB 104 142 144

HSL 183, 0.16%, 0.49%

LAB 56.39, -12.58, -5.33

 

CMYK 0 / 28 / 1 / 44

HEX #90688E

RGB 144 104 142

HSL 303, 0.16%, 0.49%

LAB 49.23, 22.7, -14.56

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 28 / 0 / 20 / 44

HEX #689073

RGB 104 144 115

HSL 136.5, 0.16%, 0.49%

LAB 56.22, -20.07, 11.03

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 0 / 28 / 7 / 44

HEX #906886

RGB 144 104 134

HSL 315, 0.16%, 0.49%

LAB 48.95, 21.15, -10.24

 

CMYK 2 / 0 / 28 / 44

HEX #8D9068

RGB 141 144 104

HSL 64.5, 0.16%, 0.49%

LAB 58.61, -7.97, 20.95

 

CMYK 28 / 0 / 12 / 44

HEX #68907F

RGB 104 144 127

HSL 154.5, 0.16%, 0.49%

LAB 56.51, -17.57, 4.6

 

CMYK 26 / 28 / 0 / 44

HEX #6B6890

RGB 107 104 144

HSL 244.5, 0.16%, 0.49%

LAB 45.69, 10.45, -21.49

 

CMYK 0 / 28 / 15 / 44

HEX #90687A

RGB 144 104 122

HSL 333, 0.16%, 0.49%

LAB 48.55, 18.97, -3.67

 

Description

Color code: RGB 141 144 104 | qconv.com Color code: RGB 141 144 104 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 144 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 144 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 28 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 28% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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