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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 73 118 it is the complementary color RGB 115 182 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 73 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 73 118: RGB 145 73 113, RGB 162 91 132, RGB 179 109 151, RGB 196 127 170 and RGB 213 145 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 73 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 73 118: RGB 140 73 118, RGB 123 55 99, RGB 106 37 80, RGB 89 19 61 and RGB 72 1 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

Complementary color

CMYK 37 / 0 / 25 / 29

HEX #73B689

RGB 115 182 137

HSL 139.7, 0.31%, 0.58%

LAB 68.68, -31.09, 16.32

 

CMYK 0 / 50 / 22 / 43

HEX #914971

RGB 145 73 113

HSL 326.67, 0.33%, 0.43%

LAB 41.18, 35.47, -9.19

 

CMYK 0 / 44 / 19 / 36

HEX #A25B84

RGB 162 91 132

HSL 325.35, 0.28%, 0.5%

LAB 48.04, 34.65, -10.18

 

CMYK 0 / 39 / 16 / 30

HEX #B36D97

RGB 179 109 151

HSL 324, 0.32%, 0.56%

LAB 54.82, 33.83, -11.02

 

CMYK 0 / 35 / 13 / 23

HEX #C47FAA

RGB 196 127 170

HSL 322.61, 0.37%, 0.63%

LAB 61.5, 33.04, -11.75

 

CMYK 0 / 32 / 11 / 16

HEX #D591BD

RGB 213 145 189

HSL 321.18, 0.45%, 0.7%

LAB 68.07, 32.31, -12.4

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 55 / 20 / 52

HEX #7B3763

RGB 123 55 99

HSL 321.18, 0.38%, 0.35%

LAB 33.66, 35.3, -12.1

 

CMYK 0 / 65 / 25 / 58

HEX #6A2550

RGB 106 37 80

HSL 322.61, 0.48%, 0.28%

LAB 26.64, 35.82, -10.68

 

CMYK 0 / 79 / 31 / 65

HEX #59133D

RGB 89 19 61

HSL 324, 0.65%, 0.21%

LAB 19.75, 35.67, -8.55

 

CMYK 0 / 99 / 42 / 72

HEX #48012A

RGB 72 1 42

HSL 325.35, 0.97%, 0.14%

LAB 13.03, 34.66, -5.48

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 48 / 23 / 45

HEX #8C496C

RGB 140 73 108

HSL 328.66, 0.31%, 0.42%

LAB 40.28, 32.92, -7.51

 

CMYK 0 / 48 / 31 / 45

HEX #8C4961

RGB 140 73 97

HSL 338.51, 0.31%, 0.42%

LAB 39.92, 31.28, -1.21

 

CMYK 0 / 48 / 39 / 45

HEX #8C4956

RGB 140 73 86

HSL 348.36, 0.31%, 0.42%

LAB 39.6, 29.8, 5.19

 

CMYK 0 / 48 / 46 / 45

HEX #8C494B

RGB 140 73 75

HSL 358.21, 0.31%, 0.42%

LAB 39.32, 28.5, 11.66

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 48 / 16 / 25

HEX #BF64A1

RGB 191 100 161

HSL 319.78, 0.42%, 0.57%

LAB 54.83, 44.26, -16.69

 

CMYK 0 / 48 / 16 / 5

HEX #F27ECC

RGB 242 126 204

HSL 319.66, 0.82%, 0.72%

LAB 68.14, 53.94, -20.34

 

CMYK 0 / 47 / 16 / 85

HEX #261420

RGB 38 20 32

HSL 320, 0.31%, 0.11%

LAB 9.13, 11.57, -4.55

 

CMYK 0 / 48 / 16 / 65

HEX #592E4B

RGB 89 46 75

HSL 319.53, 0.32%, 0.26%

LAB 25.52, 24.09, -9.31

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 23 / 48 / 45

HEX #8C6C49

RGB 140 108 73

HSL 31.34, 0.31%, 0.42%

LAB 47.98, 8.01, 24.42

 

CMYK 48 / 0 / 4 / 45

HEX #498C86

RGB 73 140 134

HSL 174.63, 0.31%, 0.42%

LAB 53.91, -22.83, -3.4

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 15 / 0 / 48 / 45

HEX #778C49

RGB 119 140 73

HSL 78.81, 0.31%, 0.42%

LAB 55.24, -18.92, 33.15

 

CMYK 48 / 15 / 0 / 45

HEX #49778C

RGB 73 119 140

HSL 198.81, 0.31%, 0.42%

LAB 47.63, -9.71, -16.34

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 23 / 48 / 45

HEX #8C6C49

RGB 140 108 73

HSL 31.34, 0.31%, 0.42%

LAB 47.98, 8.01, 24.42

 

CMYK 48 / 0 / 33 / 45

HEX #498C5E

RGB 73 140 94

HSL 138.81, 0.31%, 0.42%

LAB 52.93, -32.13, 18.15

 

CMYK 48 / 25 / 0 / 45

HEX #49698C

RGB 73 105 140

HSL 211.34, 0.31%, 0.42%

LAB 43.38, -1.45, -22.87

 

CMYK 0 / 48 / 16 / 45

HEX #8C4976

RGB 140 73 118

HSL 319.7, 0.31%, 0.42%

LAB 40.65, 34.55, -13.14

 

CMYK 0 / 9 / 48 / 45

HEX #8C8049

RGB 140 128 73

HSL 49.25, 0.31%, 0.42%

LAB 53.49, -3.43, 31.37

 

CMYK 48 / 0 / 33 / 45

HEX #498C5E

RGB 73 140 94

HSL 138.81, 0.31%, 0.42%

LAB 52.93, -32.13, 18.15

 

CMYK 48 / 39 / 0 / 45

HEX #49568C

RGB 73 86 140

HSL 228.36, 0.31%, 0.42%

LAB 37.78, 10.43, -31.62

 

Description

Color code: RGB 140 73 118 | qconv.com Color code: RGB 140 73 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 73 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 73 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 16 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 16% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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