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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 67 212 it is the complementary color RGB 115 188 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 67 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 67 212: RGB 145 67 207, RGB 162 85 226, RGB 179 103 245, RGB 196 121 255 and RGB 213 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 67 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 67 212: RGB 140 67 212, RGB 123 49 193, RGB 106 31 174, RGB 89 13 155 and RGB 72 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

Complementary color

CMYK 39 / 0 / 77 / 26

HEX #73BC2B

RGB 115 188 43

HSL 90.21, 0.63%, 0.45%

LAB 69.32, -45.31, 61.22

 

CMYK 30 / 68 / 0 / 19

HEX #9143CF

RGB 145 67 207

HSL 273.43, 0.59%, 0.54%

LAB 45, 57.22, -59.28

 

CMYK 28 / 62 / 0 / 11

HEX #A255E2

RGB 162 85 226

HSL 272.77, 0.71%, 0.61%

LAB 51.46, 56.61, -59.58

 

CMYK 27 / 58 / 0 / 4

HEX #B367F5

RGB 179 103 245

HSL 272.11, 0.88%, 0.68%

LAB 57.92, 55.83, -59.74

 

CMYK 23 / 53 / 0 / 0

HEX #C479FF

RGB 196 121 255

HSL 273.58, 1%, 0.74%

LAB 63.86, 52.98, -55.67

 

CMYK 16 / 45 / 0 / 0

HEX #D58BFF

RGB 213 139 255

HSL 278.28, 1%, 0.77%

LAB 69.35, 48.07, -46.87

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 36 / 75 / 0 / 24

HEX #7B31C1

RGB 123 49 193

HSL 270.83, 0.6%, 0.47%

LAB 38.3, 57.74, -62.14

 

CMYK 39 / 82 / 0 / 32

HEX #6A1FAE

RGB 106 31 174

HSL 271.47, 0.7%, 0.4%

LAB 32.03, 57.48, -61.22

 

CMYK 43 / 92 / 0 / 39

HEX #590D9B

RGB 89 13 155

HSL 272.11, 0.85%, 0.33%

LAB 26.09, 56.01, -59.56

 

CMYK 47 / 100 / 0 / 47

HEX #480088

RGB 72 0 136

HSL 271.76, 1%, 0.27%

LAB 20.66, 52.74, -56.81

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 23 / 68 / 0 / 17

HEX #A443D4

RGB 164 67 212

HSL 280.14, 0.63%, 0.55%

LAB 47.83, 62.26, -57.45

 

CMYK 11 / 68 / 0 / 17

HEX #BC43D4

RGB 188 67 212

HSL 290.07, 0.63%, 0.55%

LAB 51.22, 67.37, -51.83

 

CMYK 0 / 68 / 0 / 17

HEX #D443D4

RGB 212 67 212

HSL 300, 0.63%, 0.55%

LAB 54.83, 72.62, -45.87

 

CMYK 0 / 68 / 11 / 17

HEX #D443BC

RGB 212 67 188

HSL 309.93, 0.63%, 0.55%

LAB 53.65, 68.91, -33.95

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 37 / 63 / 0 / 97

HEX #050308

RGB 5 3 8

HSL 264, 0.45%, 0.02%

LAB 1.04, 1.22, -1.71

 

CMYK 34 / 68 / 0 / 77

HEX #27133B

RGB 39 19 59

HSL 270, 0.51%, 0.15%

LAB 10.65, 19.84, -22.02

 

CMYK 34 / 68 / 0 / 57

HEX #49236E

RGB 73 35 110

HSL 270.4, 0.52%, 0.28%

LAB 22.81, 33.6, -36.73

 

CMYK 34 / 68 / 0 / 37

HEX #6A33A1

RGB 106 51 161

HSL 270, 0.52%, 0.42%

LAB 33.99, 45.78, -50.22

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 0 / 68 / 48 / 17

HEX #D4436F

RGB 212 67 111

HSL 341.79, 0.63%, 0.55%

LAB 50.87, 59.69, 7.5

 

CMYK 68 / 0 / 61 / 17

HEX #43D452

RGB 67 212 82

HSL 126.21, 0.63%, 0.55%

LAB 75.38, -63.67, 52.07

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 0 / 34 / 68 / 17

HEX #D48C43

RGB 212 140 67

HSL 30.21, 0.63%, 0.55%

LAB 64.29, 20.79, 49.01

 

CMYK 68 / 0 / 34 / 17

HEX #43D48C

RGB 67 212 140

HSL 150.21, 0.63%, 0.55%

LAB 76.18, -54.65, 24.74

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 0 / 68 / 48 / 17

HEX #D4436F

RGB 212 67 111

HSL 341.79, 0.63%, 0.55%

LAB 50.87, 59.69, 7.5

 

CMYK 34 / 0 / 68 / 17

HEX #8CD443

RGB 140 212 67

HSL 89.79, 0.63%, 0.55%

LAB 77.91, -45.16, 61.73

 

CMYK 68 / 0 / 20 / 17

HEX #43D4A9

RGB 67 212 169

HSL 162.21, 0.63%, 0.55%

LAB 76.77, -48.36, 10.23

 

CMYK 34 / 68 / 0 / 17

HEX #8C43D4

RGB 140 67 212

HSL 270.21, 0.63%, 0.55%

LAB 44.72, 57.37, -62.63

 

CMYK 0 / 68 / 68 / 17

HEX #D44343

RGB 212 67 67

HSL 0, 0.63%, 0.55%

LAB 50, 56.61, 32.63

 

CMYK 34 / 0 / 68 / 17

HEX #8CD443

RGB 140 212 67

HSL 89.79, 0.63%, 0.55%

LAB 77.91, -45.16, 61.73

 

CMYK 68 / 0 / 0 / 17

HEX #43D4D4

RGB 67 212 212

HSL 180, 0.63%, 0.55%

LAB 77.89, -37.21, -11.16

 

Description

Color code: RGB 140 67 212 | qconv.com Color code: RGB 140 67 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 67 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 67 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 68 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 68% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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