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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 145 198 it is the complementary color RGB 115 110 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 145 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 145 198: RGB 145 145 193, RGB 162 163 212, RGB 179 181 231, RGB 196 199 250 and RGB 213 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 145 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 145 198: RGB 140 145 198, RGB 123 127 179, RGB 106 109 160, RGB 89 91 141 and RGB 72 73 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

Complementary color

CMYK 0 / 4 / 50 / 55

HEX #736E39

RGB 115 110 57

HSL 54.83, 0.34%, 0.34%

LAB 45.76, -6.08, 30.04

 

CMYK 25 / 25 / 0 / 24

HEX #9191C1

RGB 145 145 193

HSL 240, 0.28%, 0.66%

LAB 61.76, 10.59, -24.84

 

CMYK 24 / 23 / 0 / 17

HEX #A2A3D4

RGB 162 163 212

HSL 238.8, 0.37%, 0.73%

LAB 68.48, 10.18, -24.99

 

CMYK 23 / 22 / 0 / 9

HEX #B3B5E7

RGB 179 181 231

HSL 237.69, 0.52%, 0.8%

LAB 75.08, 9.81, -25.18

 

CMYK 22 / 20 / 0 / 2

HEX #C4C7FA

RGB 196 199 250

HSL 236.67, 0.84%, 0.87%

LAB 81.56, 9.47, -25.38

 

CMYK 16 / 15 / 0 / 0

HEX #D5D9FF

RGB 213 217 255

HSL 234.29, 1%, 0.92%

LAB 87.48, 6.15, -18.93

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 31 / 29 / 0 / 30

HEX #7B7FB3

RGB 123 127 179

HSL 235.71, 0.27%, 0.59%

LAB 54.7, 10.81, -27.9

 

CMYK 34 / 32 / 0 / 37

HEX #6A6DA0

RGB 106 109 160

HSL 236.67, 0.22%, 0.52%

LAB 47.67, 11.38, -27.89

 

CMYK 37 / 35 / 0 / 45

HEX #595B8D

RGB 89 91 141

HSL 237.69, 0.23%, 0.45%

LAB 40.46, 12.06, -27.93

 

CMYK 41 / 40 / 0 / 52

HEX #48497A

RGB 72 73 122

HSL 238.8, 0.26%, 0.38%

LAB 33.02, 12.88, -28.05

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 28 / 30 / 0 / 23

HEX #8E8AC5

RGB 142 138 197

HSL 244.07, 0.34%, 0.66%

LAB 59.85, 14.7, -30.05

 

CMYK 23 / 30 / 0 / 23

HEX #988AC5

RGB 152 138 197

HSL 254.24, 0.34%, 0.66%

LAB 60.68, 17.74, -28.71

 

CMYK 18 / 30 / 0 / 23

HEX #A28AC5

RGB 162 138 197

HSL 264.41, 0.34%, 0.66%

LAB 61.56, 20.86, -27.28

 

CMYK 13 / 30 / 0 / 23

HEX #AC8AC5

RGB 172 138 197

HSL 274.58, 0.34%, 0.66%

LAB 62.49, 24.05, -25.76

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 29 / 27 / 0 / 2

HEX #B0B6F9

RGB 176 182 249

HSL 235.07, 0.86%, 0.83%

LAB 75.78, 12.64, -33.85

 

CMYK 29 / 27 / 0 / 82

HEX #20212D

RGB 32 33 45

HSL 235.38, 0.17%, 0.15%

LAB 13.13, 2.92, -8.12

 

CMYK 29 / 27 / 0 / 62

HEX #444660

RGB 68 70 96

HSL 235.71, 0.17%, 0.32%

LAB 30.53, 5.84, -15.56

 

CMYK 29 / 27 / 0 / 42

HEX #686C93

RGB 104 108 147

HSL 234.42, 0.17%, 0.49%

LAB 46.68, 7.85, -21.77

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 0 / 30 / 3 / 23

HEX #C58ABF

RGB 197 138 191

HSL 306.1, 0.34%, 0.66%

LAB 64.81, 31.06, -18.62

 

CMYK 15 / 0 / 30 / 23

HEX #A8C58A

RGB 168 197 138

HSL 89.49, 0.34%, 0.66%

LAB 76.13, -20.22, 26.47

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 0 / 30 / 27 / 23

HEX #C58A90

RGB 197 138 144

HSL 353.9, 0.34%, 0.66%

LAB 63.39, 23.36, 5.86

 

CMYK 27 / 0 / 30 / 23

HEX #90C58A

RGB 144 197 138

HSL 113.9, 0.34%, 0.66%

LAB 74.63, -28.71, 24.2

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 0 / 30 / 3 / 23

HEX #C58ABF

RGB 197 138 191

HSL 306.1, 0.34%, 0.66%

LAB 64.81, 31.06, -18.62

 

CMYK 0 / 3 / 30 / 23

HEX #C5BF8A

RGB 197 191 138

HSL 53.9, 0.34%, 0.66%

LAB 76.66, -6.14, 27.56

 

CMYK 30 / 0 / 27 / 23

HEX #8AC590

RGB 138 197 144

HSL 126.1, 0.34%, 0.66%

LAB 74.41, -29.69, 20.66

 

CMYK 29 / 27 / 0 / 22

HEX #8C91C6

RGB 140 145 198

HSL 234.83, 0.34%, 0.66%

LAB 61.57, 10.31, -27.97

 

CMYK 0 / 30 / 12 / 23

HEX #C58AAE

RGB 197 138 174

HSL 323.39, 0.34%, 0.66%

LAB 64.24, 28.04, -9.89

 

CMYK 0 / 3 / 30 / 23

HEX #C5BF8A

RGB 197 191 138

HSL 53.9, 0.34%, 0.66%

LAB 76.66, -6.14, 27.56

 

CMYK 30 / 0 / 18 / 23

HEX #8AC5A2

RGB 138 197 162

HSL 144.41, 0.34%, 0.66%

LAB 74.79, -26.35, 11.54

 

Description

Color code: RGB 140 145 198 | qconv.com Color code: RGB 140 145 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 145 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 145 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 27 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 27% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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