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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 105 221 it is the complementary color RGB 115 150 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 105 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 105 221: RGB 145 105 216, RGB 162 123 235, RGB 179 141 254, RGB 196 159 255 and RGB 213 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 105 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 105 221: RGB 140 105 221, RGB 123 87 202, RGB 106 69 183, RGB 89 51 164 and RGB 72 33 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

Complementary color

CMYK 23 / 0 / 77 / 41

HEX #739622

RGB 115 150 34

HSL 78.1, 0.63%, 0.36%

LAB 57.63, -28.83, 53.08

 

CMYK 33 / 51 / 0 / 15

HEX #9169D8

RGB 145 105 216

HSL 261.62, 0.59%, 0.63%

LAB 53.04, 39.51, -51.5

 

CMYK 31 / 48 / 0 / 8

HEX #A27BEB

RGB 162 123 235

HSL 260.89, 0.74%, 0.7%

LAB 59.75, 38.51, -51.38

 

CMYK 30 / 44 / 0 / 0

HEX #B38DFE

RGB 179 141 254

HSL 260.18, 0.98%, 0.77%

LAB 66.36, 37.58, -51.27

 

CMYK 23 / 38 / 0 / 0

HEX #C49FFF

RGB 196 159 255

HSL 263.13, 1%, 0.81%

LAB 72.06, 32.51, -42.73

 

CMYK 16 / 31 / 0 / 0

HEX #D5B1FF

RGB 213 177 255

HSL 267.69, 1%, 0.85%

LAB 77.76, 27.64, -33.76

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 39 / 57 / 0 / 21

HEX #7B57CA

RGB 123 87 202

HSL 258.78, 0.52%, 0.57%

LAB 46.03, 40.72, -54.86

 

CMYK 42 / 62 / 0 / 28

HEX #6A45B7

RGB 106 69 183

HSL 259.47, 0.45%, 0.49%

LAB 39.14, 41.93, -55

 

CMYK 46 / 69 / 0 / 36

HEX #5933A4

RGB 89 51 164

HSL 260.18, 0.53%, 0.42%

LAB 32.19, 43.13, -55.04

 

CMYK 50 / 77 / 0 / 43

HEX #482191

RGB 72 33 145

HSL 260.89, 0.63%, 0.35%

LAB 25.29, 44.1, -54.8

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 28 / 52 / 0 / 13

HEX #9F69DD

RGB 159 105 221

HSL 267.93, 0.63%, 0.64%

LAB 54.76, 44.3, -51.5

 

CMYK 19 / 52 / 0 / 13

HEX #B269DD

RGB 178 105 221

HSL 277.76, 0.63%, 0.64%

LAB 56.87, 49.22, -48.02

 

CMYK 11 / 52 / 0 / 13

HEX #C569DD

RGB 197 105 221

HSL 287.59, 0.63%, 0.64%

LAB 59.15, 54.25, -44.25

 

CMYK 2 / 52 / 0 / 13

HEX #D969DD

RGB 217 105 221

HSL 297.93, 0.63%, 0.64%

LAB 61.72, 59.6, -40.04

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 35 / 53 / 0 / 93

HEX #0B0811

RGB 11 8 17

HSL 260, 0.36%, 0.05%

LAB 2.58, 2.25, -3.68

 

CMYK 37 / 53 / 0 / 73

HEX #2B2044

RGB 43 32 68

HSL 258.33, 0.36%, 0.2%

LAB 15.3, 14.9, -20.91

 

CMYK 37 / 52 / 0 / 53

HEX #4B3977

RGB 75 57 119

HSL 257.42, 0.35%, 0.35%

LAB 28.78, 23.27, -32.87

 

CMYK 36 / 52 / 0 / 33

HEX #6C51AA

RGB 108 81 170

HSL 258.2, 0.35%, 0.49%

LAB 41.18, 31.81, -44.03

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 0 / 52 / 26 / 13

HEX #DD69A3

RGB 221 105 163

HSL 330, 0.63%, 0.64%

LAB 60, 51.69, -9.65

 

CMYK 48 / 0 / 52 / 13

HEX #74DD69

RGB 116 221 105

HSL 114.31, 0.63%, 0.64%

LAB 79.87, -52.77, 47.25

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 0 / 37 / 52 / 13

HEX #DD8C69

RGB 221 140 105

HSL 18.1, 0.63%, 0.64%

LAB 65.86, 27.21, 31.48

 

CMYK 52 / 0 / 37 / 13

HEX #69DD8C

RGB 105 221 140

HSL 138.1, 0.63%, 0.64%

LAB 79.96, -50.47, 30

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 0 / 52 / 26 / 13

HEX #DD69A3

RGB 221 105 163

HSL 330, 0.63%, 0.64%

LAB 60, 51.69, -9.65

 

CMYK 16 / 0 / 52 / 13

HEX #BADD69

RGB 186 221 105

HSL 78.1, 0.63%, 0.64%

LAB 83.53, -29.04, 52.51

 

CMYK 52 / 0 / 26 / 13

HEX #69DDA3

RGB 105 221 163

HSL 150, 0.63%, 0.64%

LAB 80.38, -46.15, 18.64

 

CMYK 37 / 52 / 0 / 13

HEX #8C69DD

RGB 140 105 221

HSL 258.1, 0.63%, 0.64%

LAB 52.84, 39.57, -54.68

 

CMYK 0 / 52 / 42 / 13

HEX #DD6980

RGB 221 105 128

HSL 348.1, 0.63%, 0.64%

LAB 59.01, 47.5, 9.19

 

CMYK 16 / 0 / 52 / 13

HEX #BADD69

RGB 186 221 105

HSL 78.1, 0.63%, 0.64%

LAB 83.53, -29.04, 52.51

 

CMYK 52 / 0 / 11 / 13

HEX #69DDC5

RGB 105 221 197

HSL 167.59, 0.63%, 0.64%

LAB 81.15, -38.65, 1.77

 

Description

Color code: RGB 140 105 221 | qconv.com Color code: RGB 140 105 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 105 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 105 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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