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Color name
RGB 140 102 39

Information

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 102 39 it is the complementary color RGB 115 153 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 102 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 102 39: RGB 145 102 34, RGB 162 120 53, RGB 179 138 72, RGB 196 156 91 and RGB 213 174 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGB 140 102 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 102 39: RGB 140 102 39, RGB 123 84 20, RGB 106 66 1, RGB 89 48 0 and RGB 72 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

Complementary color

CMYK 47 / 29 / 0 / 15

RGB 115 153 216

HSL 217.43, 0.56%, 0.65%

LAB 62.83, 3.85, -36.2

Lighter colors

CMYK 0 / 30 / 77 / 43

HSL 36.76, 0.62%, 0.35%

LAB 46.5, 10.76, 43.26

CMYK 0 / 26 / 67 / 36

HSL 36.88, 0.51%, 0.42%

LAB 53.35, 9.26, 42.14

CMYK 0 / 23 / 60 / 30

HSL 37.01, 0.43%, 0.49%

LAB 60.09, 8.03, 40.79

CMYK 0 / 20 / 54 / 23

HSL 37.14, 0.47%, 0.56%

LAB 66.72, 7, 39.4

CMYK 0 / 18 / 48 / 16

RGB 213 174 110

HSL 37.28, 0.55%, 0.63%

LAB 73.25, 6.13, 38.05

Darker colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 0 / 32 / 84 / 52

HSL 37.28, 0.72%, 0.28%

LAB 38.9, 10.4, 40.99

CMYK 0 / 38 / 99 / 58

HSL 37.14, 0.98%, 0.21%

LAB 31.72, 12.48, 41.01

CMYK 0 / 46 / 100 / 65

HSL 32.36, 1%, 0.17%

LAB 24.44, 15.21, 34.34

CMYK 0 / 58 / 100 / 72

HSL 25, 1%, 0.14%

LAB 17.02, 18.06, 25.34

Analogue colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 0 / 16 / 72 / 45

HSL 46.8, 0.56%, 0.35%

LAB 49.93, -0.4, 44.28

CMYK 0 / 4 / 72 / 45

HSL 57, 0.56%, 0.35%

LAB 54.75, -9.85, 49.1

CMYK 9 / 0 / 72 / 45

HSL 67.2, 0.56%, 0.35%

LAB 55.2, -17.91, 49.21

CMYK 21 / 0 / 72 / 45

HSL 77.4, 0.56%, 0.35%

LAB 53.95, -25.26, 47.55

Monochromatic colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 0 / 27 / 72 / 25

HSL 37.39, 0.57%, 0.48%

LAB 61.48, 11.54, 51.72

CMYK 0 / 27 / 72 / 5

HSL 37.37, 0.87%, 0.61%

LAB 76.27, 14.22, 62.61

CMYK 0 / 26 / 71 / 85

HSL 37.78, 0.55%, 0.1%

LAB 11.04, 2.25, 11.97

CMYK 0 / 27 / 72 / 65

HSL 37.5, 0.56%, 0.22%

LAB 29.35, 5.65, 27.74

Partial complementary colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 59 / 0 / 72 / 45

HSL 109.2, 0.56%, 0.35%

LAB 51.25, -44.1, 43.92

CMYK 57 / 72 / 0 / 45

HSL 252.6, 0.56%, 0.35%

LAB 24.56, 37.2, -52.32

Triadic colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 72 / 0 / 28 / 45

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

CMYK 28 / 72 / 0 / 45

HSL 276.6, 0.56%, 0.35%

LAB 29.47, 44.98, -44.11

Rectangular (tetradic) colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 59 / 0 / 72 / 45

HSL 109.2, 0.56%, 0.35%

LAB 51.25, -44.1, 43.92

CMYK 72 / 45 / 0 / 45

HSL 217.2, 0.56%, 0.35%

LAB 33.14, 8.67, -38.49

CMYK 14 / 72 / 0 / 45

HSL 288.6, 0.56%, 0.35%

LAB 32.5, 49.44, -39.09

Square colors

CMYK 0 / 27 / 72 / 45

HSL 37.43, 0.56%, 0.35%

LAB 45.94, 8.71, 40.21

CMYK 72 / 0 / 64 / 45

HSL 126.6, 0.56%, 0.35%

LAB 50.84, -47.07, 38.5

CMYK 72 / 45 / 0 / 45

HSL 217.2, 0.56%, 0.35%

LAB 33.14, 8.67, -38.49

CMYK 0 / 72 / 9 / 45

HSL 307.2, 0.56%, 0.35%

LAB 34.95, 51.82, -27.55

Description

Color code: RGB 140 102 39 | qconv.com

Color code: RGB 140 102 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 102 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 72 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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