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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 147 162 it is the complementary color RGB 242 108 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 147 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 13 147 162: RGB 18 147 157, RGB 35 165 176, RGB 52 183 195, RGB 69 201 214 and RGB 86 219 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 147 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 13 147 162: RGB 13 147 162, RGB 0 129 143, RGB 0 111 124, RGB 0 93 105 and RGB 0 75 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

Complementary color

CMYK 0 / 55 / 62 / 5

HEX #F26C5D

RGB 242 108 93

HSL 6.04, 0.85%, 0.66%

LAB 61.99, 50.49, 33.75

 

CMYK 89 / 6 / 0 / 38

HEX #12939D

RGB 18 147 157

HSL 184.32, 0.79%, 0.34%

LAB 55.51, -27.81, -14.4

 

CMYK 80 / 6 / 0 / 31

HEX #23A5B0

RGB 35 165 176

HSL 184.68, 0.67%, 0.41%

LAB 62, -29.28, -15.35

 

CMYK 73 / 6 / 0 / 24

HEX #34B7C3

RGB 52 183 195

HSL 185.03, 0.58%, 0.48%

LAB 68.41, -30.37, -16.19

 

CMYK 68 / 6 / 0 / 16

HEX #45C9D6

RGB 69 201 214

HSL 185.38, 0.64%, 0.55%

LAB 74.76, -31.19, -16.95

 

CMYK 63 / 6 / 0 / 9

HEX #56DBE9

RGB 86 219 233

HSL 185.71, 0.77%, 0.63%

LAB 81.03, -31.8, -17.64

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 100 / 10 / 0 / 44

HEX #00818F

RGB 0 129 143

HSL 185.87, 1%, 0.28%

LAB 49.11, -24.31, -16.01

 

CMYK 100 / 10 / 0 / 51

HEX #006F7C

RGB 0 111 124

HSL 186.29, 1%, 0.24%

LAB 42.5, -21.56, -14.79

 

CMYK 100 / 11 / 0 / 59

HEX #005D69

RGB 0 93 105

HSL 186.86, 1%, 0.21%

LAB 35.69, -18.71, -13.55

 

CMYK 100 / 13 / 0 / 66

HEX #004B56

RGB 0 75 86

HSL 187.67, 1%, 0.17%

LAB 28.65, -15.76, -12.29

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 92 / 24 / 0 / 37

HEX #0D79A0

RGB 13 121 160

HSL 195.92, 0.85%, 0.34%

LAB 47.36, -13.22, -28.66

 

CMYK 92 / 40 / 0 / 37

HEX #0D60A0

RGB 13 96 160

HSL 206.12, 0.85%, 0.34%

LAB 39.56, 1.89, -40.96

 

CMYK 92 / 56 / 0 / 37

HEX #0D47A0

RGB 13 71 160

HSL 216.33, 0.85%, 0.34%

LAB 32.1, 18.56, -52.98

 

CMYK 92 / 71 / 0 / 37

HEX #0D2FA0

RGB 13 47 160

HSL 226.12, 0.85%, 0.34%

LAB 25.73, 34.84, -63.41

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 92 / 9 / 0 / 16

HEX #11C1D5

RGB 17 193 213

HSL 186.12, 0.85%, 0.45%

LAB 71.6, -32.25, -21.26

 

CMYK 89 / 11 / 0 / 96

HEX #010809

RGB 1 8 9

HSL 187.5, 0.8%, 0.02%

LAB 1.81, -1.69, -1.02

 

CMYK 92 / 10 / 0 / 76

HEX #05363C

RGB 5 54 60

HSL 186.55, 0.85%, 0.13%

LAB 20.03, -12.87, -8.22

 

CMYK 92 / 9 / 0 / 56

HEX #09656F

RGB 9 101 111

HSL 185.88, 0.85%, 0.24%

LAB 38.75, -20.24, -12.59

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 64 / 92 / 0 / 37

HEX #390DA0

RGB 57 13 160

HSL 257.96, 0.85%, 0.34%

LAB 22.64, 54.17, -68.45

 

CMYK 0 / 28 / 92 / 37

HEX #A0740D

RGB 160 116 13

HSL 42.04, 0.85%, 0.34%

LAB 51.83, 9.01, 55.6

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 0 / 92 / 9 / 37

HEX #A00D91

RGB 160 13 145

HSL 306.12, 0.85%, 0.34%

LAB 37.49, 65.59, -34.41

 

CMYK 9 / 0 / 92 / 37

HEX #91A00D

RGB 145 160 13

HSL 66.12, 0.85%, 0.34%

LAB 62.67, -21.66, 63.45

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 64 / 92 / 0 / 37

HEX #390DA0

RGB 57 13 160

HSL 257.96, 0.85%, 0.34%

LAB 22.64, 54.17, -68.45

 

CMYK 0 / 83 / 92 / 37

HEX #A01B0D

RGB 160 27 13

HSL 5.71, 0.85%, 0.34%

LAB 34.57, 51.99, 42.79

 

CMYK 28 / 0 / 92 / 37

HEX #74A00D

RGB 116 160 13

HSL 77.96, 0.85%, 0.34%

LAB 60.68, -33.88, 61.02

 

CMYK 92 / 9 / 0 / 36

HEX #0D93A2

RGB 13 147 162

HSL 186.04, 0.85%, 0.34%

LAB 55.65, -26.44, -17.07

 

CMYK 37 / 92 / 0 / 37

HEX #650DA0

RGB 101 13 160

HSL 275.92, 0.85%, 0.34%

LAB 28.36, 58.62, -58.82

 

CMYK 0 / 83 / 92 / 37

HEX #A01B0D

RGB 160 27 13

HSL 5.71, 0.85%, 0.34%

LAB 34.57, 51.99, 42.79

 

CMYK 56 / 0 / 92 / 37

HEX #47A00D

RGB 71 160 13

HSL 96.33, 0.85%, 0.34%

LAB 58.52, -49.55, 58.35

 

Description

Color code: RGB 13 147 162 | qconv.com Color code: RGB 13 147 162 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 147 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 147 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 9 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 9% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to HKS®

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CMYK to PANTONE®

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CMYK to Sherwin Williams®

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CMYK to NCS®

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Icons

HEX to RAL®

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HEX to HKS®

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HEX to PANTONE®

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HEX to Sherwin Williams®

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HEX to NCS®

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RAL® to RGB

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RAL® to RGBA

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RAL® to CMYK

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)

RAL® to NCS®

convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)

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HKS® to RGB

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HKS® to RGBA

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HKS® to CMYK

convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black

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HKS® to HEX

convert from HKS®-number (HKS 00) to #RRGGBB

HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

Icons

Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)

Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

convert from NCS-number (S0000-X00X) to RGB red green blue

NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

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