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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 144 138 it is the complementary color RGB 242 111 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 144 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 13 144 138: RGB 18 144 133, RGB 35 162 152, RGB 52 180 171, RGB 69 198 190 and RGB 86 216 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 144 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 13 144 138: RGB 13 144 138, RGB 0 126 119, RGB 0 108 100, RGB 0 90 81 and RGB 0 72 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

Complementary color

CMYK 0 / 54 / 52 / 5

HEX #F26F75

RGB 242 111 117

HSL 357.25, 0.83%, 0.69%

LAB 62.95, 50.86, 21.47

 

CMYK 88 / 0 / 8 / 44

HEX #129085

RGB 18 144 133

HSL 174.76, 0.78%, 0.32%

LAB 53.78, -33.88, -3.18

 

CMYK 78 / 0 / 6 / 36

HEX #23A298

RGB 35 162 152

HSL 175.28, 0.64%, 0.39%

LAB 60.31, -35.12, -4.37

 

CMYK 71 / 0 / 5 / 29

HEX #34B4AB

RGB 52 180 171

HSL 175.78, 0.55%, 0.45%

LAB 66.76, -35.98, -5.42

 

CMYK 65 / 0 / 4 / 22

HEX #45C6BE

RGB 69 198 190

HSL 176.28, 0.53%, 0.52%

LAB 73.14, -36.58, -6.36

 

CMYK 60 / 0 / 3 / 15

HEX #56D8D1

RGB 86 216 209

HSL 176.77, 0.63%, 0.59%

LAB 79.44, -36.99, -7.21

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 100 / 0 / 6 / 51

HEX #007E77

RGB 0 126 119

HSL 176.67, 1%, 0.25%

LAB 47.31, -30.76, -4.58

 

CMYK 100 / 0 / 7 / 58

HEX #006C64

RGB 0 108 100

HSL 175.56, 1%, 0.21%

LAB 40.65, -28.17, -3.04

 

CMYK 100 / 0 / 10 / 65

HEX #005A51

RGB 0 90 81

HSL 174, 1%, 0.18%

LAB 33.79, -25.5, -1.41

 

CMYK 100 / 0 / 14 / 72

HEX #00483E

RGB 0 72 62

HSL 171.67, 1%, 0.14%

LAB 26.68, -22.76, 0.34

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 91 / 10 / 0 / 44

HEX #0D8190

RGB 13 129 144

HSL 186.87, 0.83%, 0.31%

LAB 49.25, -23.31, -16.37

 

CMYK 91 / 26 / 0 / 44

HEX #0D6B90

RGB 13 107 144

HSL 196.95, 0.83%, 0.31%

LAB 42.18, -11.17, -27.28

 

CMYK 91 / 41 / 0 / 44

HEX #0D5590

RGB 13 85 144

HSL 207.02, 0.83%, 0.31%

LAB 35.19, 2.48, -38.31

 

CMYK 91 / 56 / 0 / 44

HEX #0D3F90

RGB 13 63 144

HSL 217.1, 0.83%, 0.31%

LAB 28.52, 17.45, -49.06

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 91 / 0 / 4 / 24

HEX #12C3BB

RGB 18 195 187

HSL 177.29, 0.83%, 0.42%

LAB 71.38, -41.07, -7.41

 

CMYK 91 / 0 / 4 / 4

HEX #16F6EC

RGB 22 246 236

HSL 177.32, 0.93%, 0.53%

LAB 88.04, -49.08, -8.83

 

CMYK 90 / 0 / 5 / 84

HEX #042A28

RGB 4 42 40

HSL 176.84, 0.83%, 0.09%

LAB 14.6, -13.51, -2.5

 

CMYK 91 / 0 / 4 / 64

HEX #085D59

RGB 8 93 89

HSL 177.18, 0.84%, 0.2%

LAB 35.21, -23.67, -4.31

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 77 / 91 / 0 / 44

HEX #210D90

RGB 33 13 144

HSL 249.16, 0.83%, 0.31%

LAB 18.47, 48.31, -65.57

 

CMYK 0 / 41 / 91 / 44

HEX #90550D

RGB 144 85 13

HSL 32.98, 0.83%, 0.31%

LAB 41.93, 19.43, 47.08

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 4 / 91 / 0 / 44

HEX #8A0D90

RGB 138 13 144

HSL 297.25, 0.83%, 0.31%

LAB 33.36, 61.34, -40.62

 

CMYK 0 / 4 / 91 / 44

HEX #908A0D

RGB 144 138 13

HSL 57.25, 0.83%, 0.31%

LAB 56.22, -10.66, 58.31

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 77 / 91 / 0 / 44

HEX #210D90

RGB 33 13 144

HSL 249.16, 0.83%, 0.31%

LAB 18.47, 48.31, -65.57

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 14 / 0 / 91 / 44

HEX #7C900D

RGB 124 144 13

HSL 69.16, 0.83%, 0.31%

LAB 56.35, -22.82, 57.72

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 50 / 91 / 0 / 44

HEX #480D90

RGB 72 13 144

HSL 267.02, 0.83%, 0.31%

LAB 22.58, 51.45, -58.64

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 41 / 0 / 91 / 44

HEX #55900D

RGB 85 144 13

HSL 87.02, 0.83%, 0.31%

LAB 53.93, -38.67, 54.74

 

Description

Color code: RGB 13 144 138 | qconv.com Color code: RGB 13 144 138 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 144 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 144 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 4 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 4% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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