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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 69 0 it is the complementary color RGB 116 186 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 69 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 69 0: RGB 144 69 0, RGB 161 87 14, RGB 178 105 33, RGB 195 123 52 and RGB 212 141 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 69 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 69 0: RGB 139 69 0, RGB 122 51 0, RGB 105 33 0, RGB 88 15 0 and RGB 71 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

Complementary color

CMYK 55 / 27 / 0 / 0

HEX #74BAFF

RGB 116 186 255

HSL 209.78, 1%, 0.73%

LAB 73.58, -2.84, -40.76

 

CMYK 0 / 52 / 100 / 44

HEX #904500

RGB 144 69 0

HSL 28.75, 1%, 0.28%

LAB 38.17, 28.2, 48.31

 

CMYK 0 / 46 / 91 / 37

HEX #A1570E

RGB 161 87 14

HSL 29.8, 0.84%, 0.34%

LAB 44.84, 25.89, 50.08

 

CMYK 0 / 41 / 81 / 30

HEX #B26921

RGB 178 105 33

HSL 29.79, 0.69%, 0.41%

LAB 51.47, 23.82, 49.91

 

CMYK 0 / 37 / 73 / 24

HEX #C37B34

RGB 195 123 52

HSL 29.79, 0.58%, 0.48%

LAB 58.05, 22.03, 48.8

 

CMYK 0 / 33 / 67 / 17

HEX #D48D47

RGB 212 141 71

HSL 29.79, 0.62%, 0.55%

LAB 64.57, 20.48, 47.38

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 0 / 58 / 100 / 52

HEX #7A3300

RGB 122 51 0

HSL 25.08, 1%, 0.24%

LAB 30.65, 28.56, 41.83

 

CMYK 0 / 69 / 100 / 59

HEX #692100

RGB 105 33 0

HSL 18.86, 1%, 0.21%

LAB 23.97, 30.81, 34.83

 

CMYK 0 / 83 / 100 / 65

HEX #580F00

RGB 88 15 0

HSL 10.23, 1%, 0.17%

LAB 17.54, 32.15, 26.73

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 0 / 35 / 100 / 46

HEX #895900

RGB 137 89 0

HSL 38.98, 1%, 0.27%

LAB 41.94, 13.6, 50.17

 

CMYK 0 / 18 / 100 / 46

HEX #897000

RGB 137 112 0

HSL 49.05, 1%, 0.27%

LAB 48.14, 0.24, 54.4

 

CMYK 0 / 1 / 100 / 46

HEX #898700

RGB 137 135 0

HSL 59.12, 1%, 0.27%

LAB 54.71, -12.51, 59.11

 

CMYK 15 / 0 / 100 / 46

HEX #758900

RGB 117 137 0

HSL 68.76, 1%, 0.27%

LAB 53.68, -22.65, 57.62

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 0 / 51 / 100 / 25

HEX #BE5E00

RGB 190 94 0

HSL 29.68, 1%, 0.37%

LAB 50.63, 34.17, 59.37

 

CMYK 0 / 50 / 100 / 5

HEX #F17800

RGB 241 120 0

HSL 29.88, 1%, 0.47%

LAB 63.45, 41.34, 70.86

 

CMYK 0 / 51 / 100 / 85

HEX #251200

RGB 37 18 0

HSL 29.19, 1%, 0.07%

LAB 7.46, 7.68, 11.32

 

CMYK 0 / 50 / 100 / 65

HEX #582C00

RGB 88 44 0

HSL 30, 1%, 0.17%

LAB 23.26, 17.19, 33.11

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 69 / 0 / 100 / 46

HEX #2B8900

RGB 43 137 0

HSL 101.17, 1%, 0.27%

LAB 49.98, -48.83, 53.17

 

CMYK 92 / 100 / 0 / 46

HEX #0B0089

RGB 11 0 137

HSL 244.82, 1%, 0.27%

LAB 14.83, 50.03, -67.29

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 100 / 0 / 52 / 46

HEX #008942

RGB 0 137 66

HSL 148.91, 1%, 0.27%

LAB 49.84, -48.31, 29.19

 

CMYK 52 / 100 / 0 / 46

HEX #420089

RGB 66 0 137

HSL 268.91, 1%, 0.27%

LAB 19.9, 52.44, -58.72

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 69 / 0 / 100 / 46

HEX #2B8900

RGB 43 137 0

HSL 101.17, 1%, 0.27%

LAB 49.98, -48.83, 53.17

 

CMYK 100 / 48 / 0 / 46

HEX #004789

RGB 0 71 137

HSL 208.91, 1%, 0.27%

LAB 30.19, 8.16, -42.06

 

CMYK 31 / 100 / 0 / 46

HEX #5E0089

RGB 94 0 137

HSL 281.17, 1%, 0.27%

LAB 24.28, 55.4, -51.36

 

CMYK 0 / 50 / 100 / 45

HEX #8B4500

RGB 139 69 0

HSL 29.78, 1%, 0.27%

LAB 37.38, 26.03, 47.43

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 100 / 48 / 0 / 46

HEX #004789

RGB 0 71 137

HSL 208.91, 1%, 0.27%

LAB 30.19, 8.16, -42.06

 

CMYK 1 / 100 / 0 / 46

HEX #870089

RGB 135 0 137

HSL 299.12, 1%, 0.27%

LAB 31.71, 61.57, -38.97

 

Description

Color code: RGB 139 69 0 | qconv.com Color code: RGB 139 69 0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as DarkOrange4.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 69 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 69 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 100 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 100% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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