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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 52 186 it is the complementary color RGB 116 203 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 52 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 52 186: RGB 144 52 181, RGB 161 70 200, RGB 178 88 219, RGB 195 106 238 and RGB 212 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 52 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 52 186: RGB 139 52 186, RGB 122 34 167, RGB 105 16 148, RGB 88 0 129 and RGB 71 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

Complementary color

CMYK 43 / 0 / 66 / 20

HEX #74CB45

RGB 116 203 69

HSL 98.96, 0.56%, 0.53%

LAB 74.1, -49.31, 56.57

 

CMYK 20 / 71 / 0 / 29

HEX #9034B5

RGB 144 52 181

HSL 282.79, 0.55%, 0.46%

LAB 40.77, 57.91, -50.95

 

CMYK 20 / 65 / 0 / 22

HEX #A146C8

RGB 161 70 200

HSL 282, 0.54%, 0.53%

LAB 47.14, 57.79, -51.68

 

CMYK 19 / 60 / 0 / 14

HEX #B258DB

RGB 178 88 219

HSL 281.22, 0.65%, 0.6%

LAB 53.56, 57.33, -52.16

 

CMYK 18 / 55 / 0 / 7

HEX #C36AEE

RGB 195 106 238

HSL 280.45, 0.8%, 0.67%

LAB 59.96, 56.68, -52.49

 

CMYK 17 / 51 / 0 / 0

HEX #D47CFF

RGB 212 124 255

HSL 280.31, 1%, 0.74%

LAB 66.24, 55.53, -51.79

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 27 / 80 / 0 / 35

HEX #7A22A7

RGB 122 34 167

HSL 279.7, 0.66%, 0.39%

LAB 34.13, 57.52, -53.5

 

CMYK 29 / 89 / 0 / 42

HEX #691094

RGB 105 16 148

HSL 280.45, 0.8%, 0.32%

LAB 28.15, 55.98, -51.8

 

CMYK 32 / 100 / 0 / 49

HEX #580081

RGB 88 0 129

HSL 280.93, 1%, 0.25%

LAB 22.51, 53, -49.25

 

CMYK 35 / 100 / 0 / 57

HEX #47006E

RGB 71 0 110

HSL 278.73, 1%, 0.22%

LAB 17.76, 46.85, -44.95

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 14 / 72 / 0 / 27

HEX #A034BA

RGB 160 52 186

HSL 288.36, 0.56%, 0.47%

LAB 43.47, 62.25, -49.43

 

CMYK 2 / 72 / 0 / 27

HEX #B634BA

RGB 182 52 186

HSL 298.21, 0.56%, 0.47%

LAB 46.9, 66.94, -43.74

 

CMYK 0 / 72 / 9 / 27

HEX #BA34A9

RGB 186 52 169

HSL 307.61, 0.56%, 0.47%

LAB 46.66, 65.13, -34.09

 

CMYK 0 / 72 / 22 / 27

HEX #BA3492

RGB 186 52 146

HSL 317.91, 0.56%, 0.47%

LAB 45.59, 61.83, -22.01

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 25 / 72 / 0 / 7

HEX #B142ED

RGB 177 66 237

HSL 278.95, 0.83%, 0.59%

LAB 51.1, 70.39, -66.26

 

CMYK 24 / 73 / 0 / 87

HEX #190921

RGB 25 9 33

HSL 280, 0.57%, 0.08%

LAB 4.62, 11.74, -12.35

 

CMYK 25 / 73 / 0 / 67

HEX #3F1754

RGB 63 23 84

HSL 279.34, 0.57%, 0.21%

LAB 17.03, 30.89, -28.94

 

CMYK 25 / 72 / 0 / 47

HEX #652687

RGB 101 38 135

HSL 278.97, 0.56%, 0.34%

LAB 29.16, 44.73, -42.12

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 72 / 60 / 27

HEX #BA344B

RGB 186 52 75

HSL 349.7, 0.56%, 0.47%

LAB 43.36, 54.55, 18.43

 

CMYK 72 / 0 / 55 / 27

HEX #34BA54

RGB 52 186 84

HSL 134.33, 0.56%, 0.47%

LAB 66.89, -57.07, 41.15

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 26 / 72 / 27

HEX #BA8934

RGB 186 137 52

HSL 38.06, 0.56%, 0.47%

LAB 60.41, 10.39, 50.89

 

CMYK 72 / 0 / 26 / 27

HEX #34BA89

RGB 52 186 137

HSL 158.06, 0.56%, 0.47%

LAB 67.76, -47.28, 14.72

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 72 / 60 / 27

HEX #BA344B

RGB 186 52 75

HSL 349.7, 0.56%, 0.47%

LAB 43.36, 54.55, 18.43

 

CMYK 46 / 0 / 72 / 27

HEX #65BA34

RGB 101 186 52

HSL 98.06, 0.56%, 0.47%

LAB 68.12, -48.56, 56.74

 

CMYK 72 / 0 / 12 / 27

HEX #34BAA4

RGB 52 186 164

HSL 170.15, 0.56%, 0.47%

LAB 68.41, -40.61, 0.87

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 62 / 72 / 27

HEX #BA4634

RGB 186 70 52

HSL 8.06, 0.56%, 0.47%

LAB 45.73, 45.79, 35.08

 

CMYK 46 / 0 / 72 / 27

HEX #65BA34

RGB 101 186 52

HSL 98.06, 0.56%, 0.47%

LAB 68.12, -48.56, 56.74

 

CMYK 72 / 9 / 0 / 27

HEX #34A9BA

RGB 52 169 186

HSL 187.61, 0.56%, 0.47%

LAB 63.88, -26.23, -18.08

 

Description

Color code: RGB 139 52 186 | qconv.com Color code: RGB 139 52 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 52 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 52 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 72 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 72% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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