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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 250 44 it is the complementary color RGB 116 5 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 250 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 250 44: RGB 144 250 39, RGB 161 255 58, RGB 178 255 77, RGB 195 255 96 and RGB 212 255 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 250 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 250 44: RGB 139 250 44, RGB 122 232 25, RGB 105 214 6, RGB 88 196 0 and RGB 71 178 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

Complementary color

CMYK 45 / 98 / 0 / 17

HEX #7405D3

RGB 116 5 211

HSL 272.33, 0.95%, 0.42%

LAB 35.05, 72.37, -77.99

 

CMYK 42 / 0 / 84 / 2

HEX #90FA27

RGB 144 250 39

HSL 90.14, 0.95%, 0.57%

LAB 89.13, -60.45, 80.65

 

CMYK 37 / 0 / 77 / 0

HEX #A1FF3A

RGB 161 255 58

HSL 88.63, 1%, 0.61%

LAB 91.42, -56.11, 78.29

 

CMYK 30 / 0 / 70 / 0

HEX #B2FF4D

RGB 178 255 77

HSL 85.96, 1%, 0.65%

LAB 92.36, -49.27, 73.46

 

CMYK 24 / 0 / 62 / 0

HEX #C3FF60

RGB 195 255 96

HSL 82.64, 1%, 0.69%

LAB 93.44, -41.89, 67.72

 

CMYK 17 / 0 / 55 / 0

HEX #D4FF73

RGB 212 255 115

HSL 78.43, 1%, 0.73%

LAB 94.63, -34.09, 61.35

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 47 / 0 / 89 / 9

HEX #7AE819

RGB 122 232 25

HSL 91.88, 0.82%, 0.5%

LAB 82.87, -60.9, 77.55

 

CMYK 51 / 0 / 97 / 16

HEX #69D606

RGB 105 214 6

HSL 91.44, 0.95%, 0.43%

LAB 76.75, -59.69, 74.56

 

CMYK 55 / 0 / 100 / 23

HEX #58C400

RGB 88 196 0

HSL 93.06, 1%, 0.38%

LAB 70.56, -58.12, 70.02

 

CMYK 60 / 0 / 100 / 30

HEX #47B200

RGB 71 178 0

HSL 96.07, 1%, 0.35%

LAB 64.31, -56.28, 64.85

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 57 / 0 / 82 / 2

HEX #6BF92E

RGB 107 249 46

HSL 101.97, 0.94%, 0.58%

LAB 87.52, -70.17, 77.13

 

CMYK 71 / 0 / 82 / 2

HEX #49F92E

RGB 73 249 46

HSL 112.02, 0.94%, 0.58%

LAB 86.68, -77.14, 76.06

 

CMYK 82 / 0 / 79 / 2

HEX #2EF934

RGB 46 249 52

HSL 121.77, 0.94%, 0.58%

LAB 86.3, -80.44, 73.98

 

CMYK 82 / 0 / 65 / 2

HEX #2EF956

RGB 46 249 86

HSL 131.82, 0.94%, 0.58%

LAB 86.51, -77.8, 62.69

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 43 / 0 / 83 / 82

HEX #1A2E08

RGB 26 46 8

HSL 91.58, 0.7%, 0.11%

LAB 16.46, -16, 20.13

 

CMYK 44 / 0 / 82 / 62

HEX #366111

RGB 54 97 17

HSL 92.25, 0.7%, 0.22%

LAB 36.69, -29.19, 37.83

 

CMYK 45 / 0 / 82 / 42

HEX #52941A

RGB 82 148 26

HSL 92.46, 0.7%, 0.34%

LAB 55.12, -40.9, 52.59

 

CMYK 44 / 0 / 82 / 22

HEX #6FC723

RGB 111 199 35

HSL 92.2, 0.7%, 0.46%

LAB 72.46, -51.47, 66.34

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 82 / 0 / 22 / 2

HEX #2EF9C3

RGB 46 249 195

HSL 164.04, 0.94%, 0.58%

LAB 88.1, -59.43, 12.63

 

CMYK 0 / 82 / 11 / 2

HEX #F92EDE

RGB 249 46 222

HSL 307.98, 0.94%, 0.58%

LAB 59.31, 87.51, -44.06

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 82 / 43 / 0 / 2

HEX #2E8DF9

RGB 46 141 249

HSL 211.92, 0.94%, 0.58%

LAB 58.48, 10.66, -61.53

 

CMYK 0 / 82 / 43 / 2

HEX #F92E8D

RGB 249 46 141

HSL 331.92, 0.94%, 0.58%

LAB 56.1, 78.47, -2.06

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 82 / 0 / 22 / 2

HEX #2EF9C3

RGB 46 249 195

HSL 164.04, 0.94%, 0.58%

LAB 88.1, -59.43, 12.63

 

CMYK 38 / 82 / 0 / 2

HEX #9A2EF9

RGB 154 46 249

HSL 271.92, 0.94%, 0.58%

LAB 46.53, 76.13, -80.57

 

CMYK 0 / 82 / 60 / 2

HEX #F92E64

RGB 249 46 100

HSL 344.04, 0.94%, 0.58%

LAB 55.09, 75.47, 20.98

 

CMYK 44 / 0 / 82 / 2

HEX #8BFA2C

RGB 139 250 44

HSL 92.33, 0.95%, 0.58%

LAB 88.94, -61.81, 79.3

 

CMYK 82 / 3 / 0 / 2

HEX #2EF2F9

RGB 46 242 249

HSL 182.07, 0.94%, 0.58%

LAB 87.45, -42.33, -16.49

 

CMYK 38 / 82 / 0 / 2

HEX #9A2EF9

RGB 154 46 249

HSL 271.92, 0.94%, 0.58%

LAB 46.53, 76.13, -80.57

 

CMYK 0 / 79 / 82 / 2

HEX #F9342E

RGB 249 52 46

HSL 1.77, 0.94%, 0.58%

LAB 54.86, 71.71, 51.35

 

Description

Color code: RGB 139 250 44 | qconv.com Color code: RGB 139 250 44 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 250 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 250 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 82 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 82% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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