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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 182 198 it is the complementary color RGB 116 73 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 182 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 182 198: RGB 144 182 193, RGB 161 200 212, RGB 178 218 231, RGB 195 236 250 and RGB 212 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 182 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 182 198: RGB 139 182 198, RGB 122 164 179, RGB 105 146 160, RGB 88 128 141 and RGB 71 110 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

Complementary color

CMYK 0 / 37 / 51 / 55

HEX #744939

RGB 116 73 57

HSL 16.27, 0.34%, 0.34%

LAB 35.54, 16.39, 17.15

 

CMYK 25 / 6 / 0 / 24

HEX #90B6C1

RGB 144 182 193

HSL 193.47, 0.28%, 0.66%

LAB 71.71, -10.21, -9.77

 

CMYK 24 / 6 / 0 / 17

HEX #A1C8D4

RGB 161 200 212

HSL 194.12, 0.37%, 0.73%

LAB 78.25, -10.21, -10.24

 

CMYK 23 / 6 / 0 / 9

HEX #B2DAE7

RGB 178 218 231

HSL 194.72, 0.52%, 0.8%

LAB 84.68, -10.21, -10.7

 

CMYK 22 / 6 / 0 / 2

HEX #C3ECFA

RGB 195 236 250

HSL 195.27, 0.85%, 0.87%

LAB 91.01, -10.22, -11.15

 

CMYK 17 / 0 / 0 / 0

HEX #D4FEFF

RGB 212 254 255

HSL 181.4, 1%, 0.92%

LAB 96.86, -13.12, -4.95

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 34 / 9 / 0 / 37

HEX #6992A0

RGB 105 146 160

HSL 195.27, 0.22%, 0.52%

LAB 58.13, -10.46, -11.89

 

CMYK 38 / 9 / 0 / 45

HEX #58808D

RGB 88 128 141

HSL 194.72, 0.23%, 0.45%

LAB 51.19, -10.41, -11.45

 

CMYK 42 / 10 / 0 / 52

HEX #476E7A

RGB 71 110 122

HSL 194.12, 0.26%, 0.38%

LAB 44.08, -10.35, -11

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 30 / 13 / 0 / 23

HEX #8AACC5

RGB 138 172 197

HSL 205.42, 0.34%, 0.66%

LAB 68.71, -5.67, -16.52

 

CMYK 30 / 18 / 0 / 23

HEX #8AA2C5

RGB 138 162 197

HSL 215.59, 0.34%, 0.66%

LAB 65.96, -0.17, -20.69

 

CMYK 30 / 23 / 0 / 23

HEX #8A98C5

RGB 138 152 197

HSL 225.76, 0.34%, 0.66%

LAB 63.25, 5.46, -24.83

 

CMYK 30 / 28 / 0 / 23

HEX #8A8EC5

RGB 138 142 197

HSL 235.93, 0.34%, 0.66%

LAB 60.59, 11.19, -28.94

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 30 / 8 / 0 / 2

HEX #AFE5F9

RGB 175 229 249

HSL 196.22, 0.86%, 0.83%

LAB 87.96, -12.64, -15.29

 

CMYK 29 / 9 / 0 / 82

HEX #20292D

RGB 32 41 45

HSL 198.46, 0.17%, 0.15%

LAB 15.91, -2.77, -3.91

 

CMYK 30 / 8 / 0 / 62

HEX #435860

RGB 67 88 96

HSL 196.55, 0.18%, 0.32%

LAB 36.02, -5.86, -7.23

 

CMYK 30 / 8 / 0 / 42

HEX #678793

RGB 103 135 147

HSL 196.36, 0.18%, 0.49%

LAB 54.36, -8.27, -10.09

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 16 / 30 / 0 / 23

HEX #A68AC5

RGB 166 138 197

HSL 268.47, 0.34%, 0.66%

LAB 61.93, 22.13, -26.68

 

CMYK 0 / 4 / 30 / 23

HEX #C5BD8A

RGB 197 189 138

HSL 51.86, 0.34%, 0.66%

LAB 76.13, -5.09, 26.85

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 0 / 30 / 8 / 23

HEX #C58AB6

RGB 197 138 182

HSL 315.25, 0.34%, 0.66%

LAB 64.5, 29.43, -14.02

 

CMYK 8 / 0 / 30 / 23

HEX #B6C58A

RGB 182 197 138

HSL 75.25, 0.34%, 0.66%

LAB 77.11, -15, 27.96

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 16 / 30 / 0 / 23

HEX #A68AC5

RGB 166 138 197

HSL 268.47, 0.34%, 0.66%

LAB 61.93, 22.13, -26.68

 

CMYK 0 / 22 / 30 / 23

HEX #C59A8A

RGB 197 154 138

HSL 16.27, 0.34%, 0.66%

LAB 67.14, 13.72, 14.54

 

CMYK 14 / 0 / 30 / 23

HEX #AAC58A

RGB 170 197 138

HSL 87.46, 0.34%, 0.66%

LAB 76.26, -19.48, 26.67

 

CMYK 30 / 8 / 0 / 22

HEX #8BB6C6

RGB 139 182 198

HSL 196.27, 0.34%, 0.66%

LAB 71.57, -10.51, -12.76

 

CMYK 7 / 30 / 0 / 23

HEX #B88AC5

RGB 184 138 197

HSL 286.78, 0.34%, 0.66%

LAB 63.67, 27.93, -23.85

 

CMYK 0 / 22 / 30 / 23

HEX #C59A8A

RGB 197 154 138

HSL 16.27, 0.34%, 0.66%

LAB 67.14, 13.72, 14.54

 

CMYK 23 / 0 / 30 / 23

HEX #98C58A

RGB 152 197 138

HSL 105.76, 0.34%, 0.66%

LAB 75.1, -25.96, 24.91

 

Description

Color code: RGB 139 182 198 | qconv.com Color code: RGB 139 182 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 182 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 182 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 8 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 8% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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