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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 134 13 it is the complementary color RGB 117 121 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 134 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 134 13: RGB 143 134 8, RGB 160 152 27, RGB 177 170 46, RGB 194 188 65 and RGB 211 206 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 134 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 134 13: RGB 138 134 13, RGB 121 116 0, RGB 104 98 0, RGB 87 80 0 and RGB 70 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

Complementary color

CMYK 52 / 50 / 0 / 5

HEX #7579F2

RGB 117 121 242

HSL 238.08, 0.83%, 0.7%

LAB 55.95, 31.04, -61.54

 

CMYK 0 / 6 / 94 / 44

HEX #8F8608

RGB 143 134 8

HSL 56, 0.89%, 0.3%

LAB 54.98, -9.05, 58.17

 

CMYK 0 / 5 / 83 / 37

HEX #A0981B

RGB 160 152 27

HSL 56.39, 0.71%, 0.37%

LAB 61.66, -10.5, 60.13

 

CMYK 0 / 4 / 74 / 31

HEX #B1AA2E

RGB 177 170 46

HSL 56.79, 0.59%, 0.44%

LAB 68.24, -11.67, 60.65

 

CMYK 0 / 3 / 66 / 24

HEX #C2BC41

RGB 194 188 65

HSL 57.21, 0.51%, 0.51%

LAB 74.71, -12.63, 60.35

 

CMYK 0 / 2 / 60 / 17

HEX #D3CE54

RGB 211 206 84

HSL 57.64, 0.59%, 0.58%

LAB 81.09, -13.42, 59.61

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 0 / 4 / 100 / 53

HEX #797400

RGB 121 116 0

HSL 57.52, 1%, 0.24%

LAB 47.7, -9.67, 53.35

 

CMYK 0 / 6 / 100 / 59

HEX #686200

RGB 104 98 0

HSL 56.54, 1%, 0.2%

LAB 40.7, -7.75, 47.55

 

CMYK 0 / 8 / 100 / 66

HEX #575000

RGB 87 80 0

HSL 55.17, 1%, 0.17%

LAB 33.49, -5.74, 41.56

 

CMYK 0 / 11 / 100 / 73

HEX #463E00

RGB 70 62 0

HSL 53.14, 1%, 0.14%

LAB 26, -3.6, 34.93

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 12 / 0 / 91 / 45

HEX #7B8B0D

RGB 123 139 13

HSL 67.62, 0.83%, 0.3%

LAB 54.77, -20.73, 56.41

 

CMYK 27 / 0 / 91 / 45

HEX #658B0D

RGB 101 139 13

HSL 78.1, 0.83%, 0.3%

LAB 53.23, -30.2, 54.52

 

CMYK 42 / 0 / 91 / 45

HEX #508B0D

RGB 80 139 13

HSL 88.1, 0.83%, 0.3%

LAB 52.06, -38.34, 53.07

 

CMYK 58 / 0 / 91 / 45

HEX #3B8B0D

RGB 59 139 13

HSL 98.1, 0.83%, 0.3%

LAB 51.18, -45.1, 51.97

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 0 / 3 / 90 / 26

HEX #BDB812

RGB 189 184 18

HSL 58.25, 0.83%, 0.41%

LAB 72.99, -14.46, 72.28

 

CMYK 0 / 3 / 90 / 6

HEX #F0E917

RGB 240 233 23

HSL 58.06, 0.88%, 0.52%

LAB 90.26, -16.98, 86.76

 

CMYK 0 / 3 / 92 / 86

HEX #242303

RGB 36 35 3

HSL 58.18, 0.85%, 0.08%

LAB 13.13, -4.62, 18.05

 

CMYK 0 / 3 / 91 / 66

HEX #575408

RGB 87 84 8

HSL 57.72, 0.83%, 0.19%

LAB 34.77, -7.82, 39.9

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 91 / 0 / 76 / 45

HEX #0D8B22

RGB 13 139 34

HSL 130, 0.83%, 0.3%

LAB 50.29, -52.2, 44.62

 

CMYK 40 / 91 / 0 / 45

HEX #540D8B

RGB 84 13 139

HSL 273.81, 0.83%, 0.3%

LAB 23.79, 51.73, -53.47

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 91 / 0 / 3 / 45

HEX #0D8B87

RGB 13 139 135

HSL 178.1, 0.83%, 0.3%

LAB 52.17, -31.24, -6.72

 

CMYK 3 / 91 / 0 / 45

HEX #870D8B

RGB 135 13 139

HSL 298.1, 0.83%, 0.3%

LAB 32.49, 59.98, -38.96

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 91 / 0 / 76 / 45

HEX #0D8B22

RGB 13 139 34

HSL 130, 0.83%, 0.3%

LAB 50.29, -52.2, 44.62

 

CMYK 91 / 88 / 0 / 45

HEX #0D118B

RGB 13 17 139

HSL 238.1, 0.83%, 0.3%

LAB 17.23, 44.45, -64.55

 

CMYK 0 / 91 / 15 / 45

HEX #8B0D76

RGB 139 13 118

HSL 310, 0.83%, 0.3%

LAB 32, 57.55, -26.53

 

CMYK 0 / 3 / 91 / 46

HEX #8A860D

RGB 138 134 13

HSL 58.08, 0.83%, 0.3%

LAB 54.54, -11.27, 56.75

 

CMYK 91 / 0 / 48 / 45

HEX #0D8B48

RGB 13 139 72

HSL 148.1, 0.83%, 0.3%

LAB 50.71, -47.11, 27.11

 

CMYK 91 / 88 / 0 / 45

HEX #0D118B

RGB 13 17 139

HSL 238.1, 0.83%, 0.3%

LAB 17.23, 44.45, -64.55

 

CMYK 0 / 91 / 42 / 45

HEX #8B0D50

RGB 139 13 80

HSL 328.1, 0.83%, 0.3%

LAB 30.29, 52.95, -4.54

 

Description

Color code: RGB 138 134 13 | qconv.com Color code: RGB 138 134 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 134 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 134 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 91 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 91% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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