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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 127 81 it is the complementary color RGB 117 128 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 127 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 127 81: RGB 143 127 76, RGB 160 145 95, RGB 177 163 114, RGB 194 181 133 and RGB 211 199 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 127 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 127 81: RGB 138 127 81, RGB 121 109 62, RGB 104 91 43, RGB 87 73 24 and RGB 70 55 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

Complementary color

CMYK 33 / 26 / 0 / 32

HEX #7580AE

RGB 117 128 174

HSL 228.42, 0.26%, 0.57%

LAB 54.32, 7.1, -25.66

 

CMYK 0 / 11 / 47 / 44

HEX #8F7F4C

RGB 143 127 76

HSL 45.67, 0.31%, 0.43%

LAB 53.54, -1.23, 29.87

 

CMYK 0 / 9 / 41 / 37

HEX #A0915F

RGB 160 145 95

HSL 46.15, 0.25%, 0.5%

LAB 60.38, -1.82, 28.56

 

CMYK 0 / 8 / 36 / 31

HEX #B1A372

RGB 177 163 114

HSL 46.67, 0.29%, 0.57%

LAB 67.09, -2.3, 27.33

 

CMYK 0 / 7 / 31 / 24

HEX #C2B585

RGB 194 181 133

HSL 47.21, 0.33%, 0.64%

LAB 73.68, -2.71, 26.18

 

CMYK 0 / 6 / 28 / 17

HEX #D3C798

RGB 211 199 152

HSL 47.8, 0.4%, 0.71%

LAB 80.16, -3.05, 25.09

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 0 / 10 / 49 / 53

HEX #796D3E

RGB 121 109 62

HSL 47.8, 0.32%, 0.36%

LAB 46.11, -2.26, 27.85

 

CMYK 0 / 13 / 59 / 59

HEX #685B2B

RGB 104 91 43

HSL 47.21, 0.41%, 0.29%

LAB 38.9, -1.49, 29.23

 

CMYK 0 / 16 / 72 / 66

HEX #574918

RGB 87 73 24

HSL 46.67, 0.57%, 0.22%

LAB 31.48, -0.42, 30.48

 

CMYK 0 / 21 / 93 / 73

HEX #463705

RGB 70 55 5

HSL 46.15, 0.87%, 0.15%

LAB 23.82, 1.1, 30.8

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 0 / 1 / 41 / 46

HEX #8A8851

RGB 138 136 81

HSL 57.89, 0.26%, 0.43%

LAB 55.69, -7.85, 29.77

 

CMYK 6 / 0 / 41 / 46

HEX #828A51

RGB 130 138 81

HSL 68.42, 0.26%, 0.43%

LAB 55.6, -12.33, 29.51

 

CMYK 12 / 0 / 41 / 46

HEX #798A51

RGB 121 138 81

HSL 77.89, 0.26%, 0.43%

LAB 54.9, -16.07, 28.48

 

CMYK 20 / 0 / 41 / 46

HEX #6F8A51

RGB 111 138 81

HSL 88.42, 0.26%, 0.43%

LAB 54.19, -20.1, 27.42

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 0 / 8 / 41 / 26

HEX #BDAE6F

RGB 189 174 111

HSL 48.46, 0.37%, 0.59%

LAB 71.04, -3.63, 34.26

 

CMYK 0 / 8 / 41 / 6

HEX #F0DD8D

RGB 240 221 141

HSL 48.48, 0.77%, 0.75%

LAB 88.05, -4.38, 41.58

 

CMYK 0 / 8 / 42 / 86

HEX #242115

RGB 36 33 21

HSL 48, 0.26%, 0.11%

LAB 12.72, -1.01, 8.65

 

CMYK 0 / 8 / 41 / 66

HEX #575033

RGB 87 80 51

HSL 48.33, 0.26%, 0.27%

LAB 33.99, -2, 18.15

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 41 / 0 / 41 / 46

HEX #518A51

RGB 81 138 81

HSL 120, 0.26%, 0.43%

LAB 52.42, -31.07, 24.79

 

CMYK 25 / 41 / 0 / 46

HEX #67518A

RGB 103 81 138

HSL 263.16, 0.26%, 0.43%

LAB 38.9, 21.77, -28.45

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 41 / 0 / 9 / 46

HEX #518A7E

RGB 81 138 126

HSL 167.37, 0.26%, 0.43%

LAB 53.42, -21.73, 0.54

 

CMYK 9 / 41 / 0 / 46

HEX #7E518A

RGB 126 81 138

HSL 287.37, 0.26%, 0.43%

LAB 41.46, 29.16, -24.27

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 41 / 0 / 41 / 46

HEX #518A51

RGB 81 138 81

HSL 120, 0.26%, 0.43%

LAB 52.42, -31.07, 24.79

 

CMYK 41 / 33 / 0 / 46

HEX #515C8A

RGB 81 92 138

HSL 228.42, 0.26%, 0.43%

LAB 39.98, 8.2, -26.91

 

CMYK 0 / 41 / 0 / 46

HEX #8A518A

RGB 138 81 138

HSL 300, 0.26%, 0.43%

LAB 42.95, 33.1, -21.85

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 41 / 0 / 29 / 46

HEX #518A62

RGB 81 138 98

HSL 137.89, 0.26%, 0.43%

LAB 52.74, -27.98, 15.69

 

CMYK 41 / 33 / 0 / 46

HEX #515C8A

RGB 81 92 138

HSL 228.42, 0.26%, 0.43%

LAB 39.98, 8.2, -26.91

 

CMYK 0 / 41 / 12 / 46

HEX #8A5179

RGB 138 81 121

HSL 317.89, 0.26%, 0.43%

LAB 42.26, 29.9, -12.57

 

Description

Color code: RGB 138 127 81 | qconv.com Color code: RGB 138 127 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 127 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 127 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 41 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 41% 46% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Kids-Picture-Book-Wh...
Link: http://storyberries.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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