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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 111 96 it is the complementary color RGB 117 144 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 111 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 111 96: RGB 143 111 91, RGB 160 129 110, RGB 177 147 129, RGB 194 165 148 and RGB 211 183 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 111 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 111 96: RGB 138 111 96, RGB 121 93 77, RGB 104 75 58, RGB 87 57 39 and RGB 70 39 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

Complementary color

CMYK 26 / 9 / 0 / 38

HEX #75909F

RGB 117 144 159

HSL 201.43, 0.18%, 0.54%

LAB 58.26, -5.95, -11.06

 

CMYK 0 / 22 / 36 / 44

HEX #8F6F5B

RGB 143 111 91

HSL 23.08, 0.22%, 0.46%

LAB 49.45, 9.72, 15.99

 

CMYK 0 / 19 / 31 / 37

HEX #A0816E

RGB 160 129 110

HSL 22.8, 0.21%, 0.53%

LAB 56.39, 9.04, 14.8

 

CMYK 0 / 17 / 27 / 31

HEX #B19381

RGB 177 147 129

HSL 22.5, 0.24%, 0.6%

LAB 63.18, 8.46, 13.73

 

CMYK 0 / 15 / 24 / 24

HEX #C2A594

RGB 194 165 148

HSL 22.17, 0.27%, 0.67%

LAB 69.84, 7.95, 12.74

 

CMYK 0 / 13 / 21 / 17

HEX #D3B7A7

RGB 211 183 167

HSL 21.82, 0.33%, 0.74%

LAB 76.38, 7.51, 11.82

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 0 / 23 / 36 / 53

HEX #795D4D

RGB 121 93 77

HSL 21.82, 0.22%, 0.39%

LAB 41.89, 9, 13.58

 

CMYK 0 / 28 / 44 / 59

HEX #684B3A

RGB 104 75 58

HSL 22.17, 0.28%, 0.32%

LAB 34.56, 9.87, 14.95

 

CMYK 0 / 34 / 55 / 66

HEX #573927

RGB 87 57 39

HSL 22.5, 0.38%, 0.25%

LAB 27.01, 10.98, 16.57

 

CMYK 0 / 44 / 71 / 73

HEX #462714

RGB 70 39 20

HSL 22.8, 0.56%, 0.18%

LAB 19.24, 12.49, 18.53

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 0 / 14 / 30 / 46

HEX #8A7660

RGB 138 118 96

HSL 31.43, 0.18%, 0.46%

LAB 50.93, 4.24, 15

 

CMYK 0 / 9 / 30 / 46

HEX #8A7D60

RGB 138 125 96

HSL 41.43, 0.18%, 0.46%

LAB 52.86, 0.23, 17.65

 

CMYK 0 / 4 / 30 / 46

HEX #8A8460

RGB 138 132 96

HSL 51.43, 0.18%, 0.46%

LAB 54.81, -3.71, 20.29

 

CMYK 1 / 0 / 30 / 46

HEX #898A60

RGB 137 138 96

HSL 61.43, 0.18%, 0.46%

LAB 56.43, -7.45, 22.44

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 0 / 20 / 31 / 26

HEX #BD9883

RGB 189 152 131

HSL 21.72, 0.31%, 0.63%

LAB 65.68, 10.73, 16.28

 

CMYK 0 / 20 / 30 / 6

HEX #F0C1A7

RGB 240 193 167

HSL 21.37, 0.71%, 0.8%

LAB 81.54, 13.15, 19.46

 

CMYK 0 / 19 / 31 / 86

HEX #241D19

RGB 36 29 25

HSL 21.82, 0.18%, 0.12%

LAB 11.44, 2.57, 4.02

 

CMYK 0 / 20 / 30 / 66

HEX #57463D

RGB 87 70 61

HSL 20.77, 0.18%, 0.29%

LAB 31.22, 5.7, 8.16

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 17 / 0 / 30 / 46

HEX #738A60

RGB 115 138 96

HSL 92.86, 0.18%, 0.46%

LAB 54.73, -16.3, 19.86

 

CMYK 30 / 29 / 0 / 46

HEX #60628A

RGB 96 98 138

HSL 237.14, 0.18%, 0.46%

LAB 42.85, 9, -22.36

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 30 / 0 / 20 / 46

HEX #608A6E

RGB 96 138 110

HSL 140, 0.18%, 0.46%

LAB 53.8, -20.68, 10.43

 

CMYK 20 / 30 / 0 / 46

HEX #6E608A

RGB 110 96 138

HSL 260, 0.18%, 0.46%

LAB 43.53, 14.81, -21.21

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 17 / 0 / 30 / 46

HEX #738A60

RGB 115 138 96

HSL 92.86, 0.18%, 0.46%

LAB 54.73, -16.3, 19.86

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 14 / 30 / 0 / 46

HEX #77608A

RGB 119 96 138

HSL 272.86, 0.18%, 0.46%

LAB 44.41, 17.85, -19.78

 

CMYK 0 / 20 / 30 / 46

HEX #8A6F60

RGB 138 111 96

HSL 21.43, 0.18%, 0.46%

LAB 49.03, 8.3, 12.38

 

CMYK 26 / 0 / 30 / 46

HEX #668A60

RGB 102 138 96

HSL 111.43, 0.18%, 0.46%

LAB 53.86, -21.21, 18.55

 

CMYK 30 / 11 / 0 / 46

HEX #607B8A

RGB 96 123 138

HSL 201.43, 0.18%, 0.46%

LAB 50.08, -5.95, -11.32

 

CMYK 4 / 30 / 0 / 46

HEX #84608A

RGB 132 96 138

HSL 291.43, 0.18%, 0.46%

LAB 45.78, 22.35, -17.56

 

Description

Color code: RGB 138 111 96 | qconv.com Color code: RGB 138 111 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 111 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 111 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 30 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 30% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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