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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 10 224 it is the complementary color RGB 117 245 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 10 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 138 10 224: RGB 143 10 219, RGB 160 28 238, RGB 177 46 255, RGB 194 64 255 and RGB 211 82 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 10 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 138 10 224: RGB 138 10 224, RGB 121 0 205, RGB 104 0 186, RGB 87 0 167 and RGB 70 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

Complementary color

CMYK 52 / 0 / 87 / 4

HEX #75F51F

RGB 117 245 31

HSL 95.89, 0.91%, 0.54%

LAB 86.6, -66.79, 79.61

 

CMYK 35 / 95 / 0 / 14

HEX #8F0ADB

RGB 143 10 219

HSL 278.18, 0.91%, 0.45%

LAB 39.87, 76.2, -74.55

 

CMYK 33 / 88 / 0 / 7

HEX #A01CEE

RGB 160 28 238

HSL 277.71, 0.86%, 0.52%

LAB 44.91, 79.19, -77.01

 

CMYK 31 / 82 / 0 / 0

HEX #B12EFF

RGB 177 46 255

HSL 277.61, 1%, 0.59%

LAB 50.12, 80.59, -77.92

 

CMYK 24 / 75 / 0 / 0

HEX #C240FF

RGB 194 64 255

HSL 280.84, 1%, 0.63%

LAB 54.4, 77.77, -70.86

 

CMYK 17 / 68 / 0 / 0

HEX #D352FF

RGB 211 82 255

HSL 284.74, 1%, 0.66%

LAB 59.07, 74.4, -63.22

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 41 / 100 / 0 / 20

HEX #7900CD

RGB 121 0 205

HSL 275.41, 1%, 0.4%

LAB 34.95, 72.26, -74.65

 

CMYK 44 / 100 / 0 / 27

HEX #6800BA

RGB 104 0 186

HSL 273.55, 1%, 0.36%

LAB 30.61, 66.69, -70.72

 

CMYK 48 / 100 / 0 / 35

HEX #5700A7

RGB 87 0 167

HSL 271.26, 1%, 0.33%

LAB 26.2, 61.05, -66.69

 

CMYK 53 / 100 / 0 / 42

HEX #460094

RGB 70 0 148

HSL 268.38, 1%, 0.29%

LAB 21.73, 55.32, -62.54

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 24 / 96 / 0 / 12

HEX #AA0AE0

RGB 170 10 224

HSL 284.86, 0.91%, 0.46%

LAB 44.44, 80.45, -69.76

 

CMYK 8 / 96 / 0 / 12

HEX #CE0AE0

RGB 206 10 224

HSL 294.95, 0.91%, 0.46%

LAB 50.36, 85.57, -59.89

 

CMYK 0 / 96 / 8 / 12

HEX #E00ACE

RGB 224 10 206

HSL 305.05, 0.91%, 0.46%

LAB 52.42, 85.89, -46.13

 

CMYK 0 / 96 / 24 / 12

HEX #E00AAA

RGB 224 10 170

HSL 315.14, 0.91%, 0.46%

LAB 50.65, 81.4, -27.95

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 40 / 95 / 0 / 92

HEX #0C0114

RGB 12 1 20

HSL 274.74, 0.9%, 0.04%

LAB 1.36, 5.97, -7.32

 

CMYK 38 / 96 / 0 / 72

HEX #2C0347

RGB 44 3 71

HSL 276.18, 0.92%, 0.15%

LAB 9.45, 33, -32.44

 

CMYK 39 / 96 / 0 / 52

HEX #4B057A

RGB 75 5 122

HSL 275.9, 0.92%, 0.25%

LAB 20.08, 48.62, -48.87

 

CMYK 38 / 95 / 0 / 32

HEX #6B08AD

RGB 107 8 173

HSL 276, 0.91%, 0.35%

LAB 30.2, 62.99, -63.63

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 0 / 96 / 75 / 12

HEX #E00A38

RGB 224 10 56

HSL 347.1, 0.91%, 0.46%

LAB 47.43, 72.84, 36.64

 

CMYK 96 / 0 / 78 / 12

HEX #0AE031

RGB 10 224 49

HSL 130.93, 0.91%, 0.46%

LAB 78.23, -76.11, 67.08

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 0 / 40 / 96 / 12

HEX #E0870A

RGB 224 135 10

HSL 35.05, 0.91%, 0.46%

LAB 64.32, 26.79, 68.75

 

CMYK 96 / 0 / 40 / 12

HEX #0AE087

RGB 10 224 135

HSL 155.05, 0.91%, 0.46%

LAB 79.11, -65.23, 31.13

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 0 / 96 / 75 / 12

HEX #E00A38

RGB 224 10 56

HSL 347.1, 0.91%, 0.46%

LAB 47.43, 72.84, 36.64

 

CMYK 56 / 0 / 96 / 12

HEX #63E00A

RGB 99 224 10

HSL 95.05, 0.91%, 0.46%

LAB 79.61, -64.78, 76.4

 

CMYK 96 / 0 / 21 / 12

HEX #0AE0B1

RGB 10 224 177

HSL 166.82, 0.91%, 0.46%

LAB 79.93, -56.06, 10.39

 

CMYK 38 / 96 / 0 / 12

HEX #8A0AE0

RGB 138 10 224

HSL 275.89, 0.91%, 0.46%

LAB 39.58, 76.64, -77.9

 

CMYK 0 / 88 / 96 / 12

HEX #E01C0A

RGB 224 28 10

HSL 5.05, 0.91%, 0.46%

LAB 47.88, 69.61, 58.58

 

CMYK 56 / 0 / 96 / 12

HEX #63E00A

RGB 99 224 10

HSL 95.05, 0.91%, 0.46%

LAB 79.61, -64.78, 76.4

 

CMYK 96 / 8 / 0 / 12

HEX #0ACEE0

RGB 10 206 224

HSL 185.05, 0.91%, 0.46%

LAB 75.82, -35.17, -20.81

 

Description

Color code: RGB 138 10 224 | qconv.com Color code: RGB 138 10 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 10 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 10 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 96 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 96% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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