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Color name
RGB 138.1 108.8 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138.1 108.8 146 it is the complementary color RGB 116.9 146.2 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138.1 108.8 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138.1 108.8 146 shade: RGB 143.1 108.8 141, RGB 160.1 126.8 160, RGB 177.1 144.8 179, RGB 194.1 162.8 198 and RGB 211.1 180.8 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138.1 108.8 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138.1 108.8 146 shade: RGB 138.1 108.8 146, RGB 121.1 90.8 127, RGB 104.1 72.8 108, RGB 87.1 54.8 89 and RGB 70.1 36.8 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138.1 108.8 146 shade: RGB 139 108 147, RGB 147 108 144, RGB 147 108 134, RGB 147 108 124 and RGB 147 108 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138.1 108.8 146 shade: RGB 139 108 147, RGB 128 108 147, RGB 118 108 147 and RGB 108 108 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138.1 108.8 146 shade matches the following richer shades: RGB 139 108 147, RGB 150 88 167, RGB 162 67 188, RGB 174 46 209 and RGB 186 26 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138.1 108.8 146 shade: RGB 139 108 147, RGB 127 129 126, RGB 115 150 105, RGB 103 170 85 and RGB 91 191 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138.1 108.8 146 shade: RGB 118 108 147, RGB 128 108 147, RGB 138 108 147, RGB 147 108 145 and RGB 147 108 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138.1 108.8 146 shade: RGB 94 73 99, RGB 116 91 123, RGB 139 108 147, RGB 157 132 164 and RGB 176 156 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138.1 108.8 146 shade: RGB 138.1 108.8 146, RGB 147 108 109 and RGB 108 147 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138.1 108.8 146 shade: RGB 138.1 108.8 146, RGB 147 138 108 and RGB 108 147 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138.1 108.8 146 shade: RGB 138.1 108.8 146, RGB 147 108 109, RGB 117 147 108 and RGB 108 147 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138.1 108.8 146 shade: RGB 138.1 108.8 146, RGB 147 119 108, RGB 117 147 108 and RGB 108 136 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

Complementary color

CMYK 20 / 0 / 25 / 43

HEX #74926D

RGB 116.9 146.2 109

HSL 107.26, 0.15%, 0.5%

LAB 57.56, -17.73, 16.42

 

CMYK 0 / 24 / 1 / 44

HEX #8F6C8D

RGB 143.1 108.8 141

HSL 303.67, 0.14%, 0.49%

LAB 50.29, 19.37, -12.37

 

CMYK 0 / 21 / 0 / 37

HEX #A07EA0

RGB 160.1 126.8 160

HSL 300.18, 0.15%, 0.56%

LAB 57.22, 18.77, -12.84

 

CMYK 1 / 19 / 0 / 30

HEX #B190B3

RGB 177.1 144.8 179

HSL 296.67, 0.18%, 0.63%

LAB 64, 18.22, -13.28

 

CMYK 2 / 18 / 0 / 22

HEX #C2A2C6

RGB 194.1 162.8 198

HSL 293.35, 0.24%, 0.71%

LAB 70.65, 17.72, -13.72

 

CMYK 3 / 17 / 0 / 15

HEX #D3B4D9

RGB 211.1 180.8 217

HSL 290.22, 0.32%, 0.78%

LAB 77.18, 17.26, -14.15

 

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

CMYK 5 / 29 / 0 / 50

HEX #795A7F

RGB 121.1 90.8 127

HSL 290.22, 0.17%, 0.43%

LAB 42.84, 19.27, -15.52

 

CMYK 4 / 33 / 0 / 58

HEX #68486C

RGB 104.1 72.8 108

HSL 293.35, 0.19%, 0.35%

LAB 35.54, 20, -15.14

 

CMYK 2 / 38 / 0 / 65

HEX #573659

RGB 87.1 54.8 89

HSL 296.67, 0.24%, 0.28%

LAB 28.02, 20.82, -14.73

 

CMYK 0 / 48 / 0 / 73

HEX #462446

RGB 70.1 36.8 70

HSL 300.18, 0.31%, 0.21%

LAB 20.28, 21.71, -14.22

 

CMYK 5 / 27 / 0 / 42

HEX #8B6C93

RGB 139 108 147

HSL 287.69, 0.15%, 0.5%

LAB 49.88, 19.61, -16.58

 

CMYK 0 / 27 / 2 / 42

HEX #936C90

RGB 147 108 144

HSL 304.62, 0.15%, 0.5%

LAB 50.62, 21.83, -13.61

 

CMYK 0 / 27 / 9 / 42

HEX #936C86

RGB 147 108 134

HSL 320, 0.15%, 0.5%

LAB 50.27, 19.92, -8.22

 

CMYK 0 / 27 / 16 / 42

HEX #936C7C

RGB 147 108 124

HSL 335.38, 0.15%, 0.5%

LAB 49.96, 18.13, -2.76

 

CMYK 0 / 27 / 23 / 42

HEX #936C71

RGB 147 108 113

HSL 352.31, 0.15%, 0.5%

LAB 49.64, 16.31, 3.32

 

CMYK 5 / 27 / 0 / 42

HEX #8B6C93

RGB 139 108 147

HSL 287.69, 0.15%, 0.5%

LAB 49.88, 19.61, -16.58

 

CMYK 13 / 27 / 0 / 42

HEX #806C93

RGB 128 108 147

HSL 270.77, 0.15%, 0.5%

LAB 48.79, 15.8, -18.35

 

CMYK 20 / 27 / 0 / 42

HEX #766C93

RGB 118 108 147

HSL 255.38, 0.15%, 0.5%

LAB 47.86, 12.41, -19.85

 

CMYK 27 / 27 / 0 / 42

HEX #6C6C93

RGB 108 108 147

HSL 240, 0.15%, 0.5%

LAB 47, 9.12, -21.24

 

CMYK 5 / 27 / 0 / 42

HEX #8B6C93

RGB 139 108 147

HSL 287.69, 0.15%, 0.5%

LAB 49.88, 19.61, -16.58

 

CMYK 10 / 47 / 0 / 35

HEX #9658A7

RGB 150 88 167

HSL 287.09, 0.31%, 0.5%

LAB 47.31, 38.9, -32.26

 

CMYK 14 / 64 / 0 / 26

HEX #A243BC

RGB 162 67 188

HSL 287.11, 0.47%, 0.5%

LAB 46.08, 56.93, -46.41

 

CMYK 17 / 78 / 0 / 18

HEX #AE2ED1

RGB 174 46 209

HSL 287.12, 0.64%, 0.5%

LAB 46.39, 71.3, -57.98

 

CMYK 19 / 89 / 0 / 10

HEX #BA1AE5

RGB 186 26 229

HSL 287.29, 0.8%, 0.5%

LAB 48.05, 81.48, -66.62

 

CMYK 5 / 27 / 0 / 42

HEX #8B6C93

RGB 139 108 147

HSL 287.69, 0.15%, 0.5%

LAB 49.88, 19.61, -16.58

 

CMYK 2 / 0 / 2 / 49

HEX #7F817E

RGB 127 129 126

HSL 100, 0.01%, 0.5%

LAB 53.73, -1.34, 1.36

RGB 127 129 126

CMYK 23 / 0 / 30 / 41

HEX #739669

RGB 115 150 105

HSL 106.67, 0.18%, 0.5%

LAB 58.49, -21.09, 19.91

RGB 115 150 105

CMYK 39 / 0 / 50 / 33

HEX #67AA55

RGB 103 170 85

HSL 107.29, 0.33%, 0.5%

LAB 63.58, -37.86, 37.02

RGB 103 170 85

CMYK 52 / 0 / 66 / 25

HEX #5BBF40

RGB 91 191 64

HSL 107.24, 0.5%, 0.5%

LAB 69.37, -52.5, 53.24

RGB 91 191 64

CMYK 20 / 27 / 0 / 42

HEX #766C93

RGB 118 108 147

HSL 255.38, 0.15%, 0.5%

LAB 47.86, 12.41, -19.85

 

CMYK 13 / 27 / 0 / 42

HEX #806C93

RGB 128 108 147

HSL 270.77, 0.15%, 0.5%

LAB 48.79, 15.8, -18.35

 

CMYK 6 / 27 / 0 / 42

HEX #8A6C93

RGB 138 108 147

HSL 286.15, 0.15%, 0.5%

LAB 49.78, 19.27, -16.74

 

CMYK 0 / 27 / 1 / 42

HEX #936C91

RGB 147 108 145

HSL 303.08, 0.15%, 0.5%

LAB 50.66, 22.02, -14.15

 

CMYK 0 / 27 / 8 / 42

HEX #936C87

RGB 147 108 135

HSL 318.46, 0.15%, 0.5%

LAB 50.31, 20.1, -8.76

 

CMYK 5 / 26 / 0 / 61

HEX #5E4963

RGB 94 73 99

HSL 288.46, 0.15%, 0.34%

LAB 34.08, 14.14, -11.81

 

CMYK 6 / 26 / 0 / 52

HEX #745B7B

RGB 116 91 123

HSL 286.88, 0.15%, 0.42%

LAB 42.19, 16.45, -14.13

 

CMYK 5 / 27 / 0 / 42

HEX #8B6C93

RGB 139 108 147

HSL 287.69, 0.15%, 0.5%

LAB 49.88, 19.61, -16.58

 

CMYK 4 / 20 / 0 / 36

HEX #9D84A4

RGB 157 132 164

HSL 286.88, 0.15%, 0.58%

LAB 58.37, 15.5, -13.43

 

CMYK 3 / 14 / 0 / 29

HEX #B09CB6

RGB 176 156 182

HSL 286.15, 0.15%, 0.66%

LAB 66.81, 12.15, -10.76

 

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

CMYK 0 / 27 / 26 / 42

HEX #936C6D

RGB 147 108 109

HSL 358.46, 0.15%, 0.5%

LAB 49.54, 15.68, 5.54

 

CMYK 27 / 0 / 16 / 42

HEX #6C937B

RGB 108 147 123

HSL 143.08, 0.15%, 0.5%

LAB 57.55, -18.66, 8.4

 

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

CMYK 0 / 6 / 27 / 42

HEX #938A6C

RGB 147 138 108

HSL 46.15, 0.15%, 0.5%

LAB 57.52, -1.64, 17.31

 

CMYK 27 / 0 / 6 / 42

HEX #6C938A

RGB 108 147 138

HSL 166.15, 0.15%, 0.5%

LAB 57.93, -15.42, 0.4

 

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

CMYK 0 / 27 / 26 / 42

HEX #936C6D

RGB 147 108 109

HSL 358.46, 0.15%, 0.5%

LAB 49.54, 15.68, 5.54

 

CMYK 20 / 0 / 27 / 42

HEX #75936C

RGB 117 147 108

HSL 106.15, 0.15%, 0.5%

LAB 57.78, -18.29, 17.29

 

CMYK 27 / 0 / 1 / 42

HEX #6C9392

RGB 108 147 146

HSL 178.46, 0.15%, 0.5%

LAB 58.16, -13.57, -3.83

 

CMYK 5 / 25 / 0 / 43

HEX #8A6C92

RGB 138.1 108.8 146

HSL 287.26, 0.15%, 0.5%

LAB 49.96, 18.62, -15.89

 

CMYK 0 / 19 / 27 / 42

HEX #93776C

RGB 147 119 108

HSL 16.92, 0.15%, 0.5%

LAB 52.37, 9.16, 10.16

 

CMYK 20 / 0 / 27 / 42

HEX #75936C

RGB 117 147 108

HSL 106.15, 0.15%, 0.5%

LAB 57.78, -18.29, 17.29

 

CMYK 27 / 7 / 0 / 42

HEX #6C8893

RGB 108 136 147

HSL 196.92, 0.15%, 0.5%

LAB 54.97, -7.26, -9.15

 

Description

Color code: RGB 138.1 108.8 146 | qconv.com Color code: RGB 138.1 108.8 146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138.1 red, 108.8 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138.1 108.8 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 25 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 25% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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