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Color name
CMYK 0 / 27 / 26 / 42

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 26 / 42 it is the complementary color CMYK 27 / 0 / 1 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 26 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 29 / 32 / 40, CMYK 0 / 26 / 28 / 33, CMYK 0 / 23 / 24 / 27, CMYK 0 / 21 / 21 / 20 and CMYK 0 / 19 / 19 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 26 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 26 / 42, CMYK 0 / 31 / 31 / 49, CMYK 0 / 37 / 38 / 55, CMYK 0 / 44 / 46 / 62 and CMYK 0 / 55 / 59 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 27 / 42 and CMYK 0 / 27 / 27 / 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 27 / 42, CMYK 0 / 27 / 19 / 42, CMYK 0 / 27 / 12 / 42, CMYK 0 / 27 / 4 / 42 and CMYK 3 / 27 / 0 / 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 27 / 26 / 42 shade matches the following richer shades: CMYK 0 / 27 / 27 / 42, CMYK 0 / 49 / 48 / 34, CMYK 0 / 66 / 64 / 26, CMYK 0 / 78 / 77 / 18 and CMYK 0 / 90 / 87 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 27 / 42, CMYK 0 / 0 / 0 / 50, CMYK 28 / 0 / 1 / 42, CMYK 49 / 0 / 1 / 34 and CMYK 66 / 0 / 2 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 12 / 42, CMYK 0 / 27 / 19 / 42, CMYK 0 / 27 / 27 / 42, CMYK 0 / 21 / 27 / 42 and CMYK 0 / 14 / 27 / 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 28 / 27 / 61, CMYK 0 / 28 / 27 / 52, CMYK 0 / 27 / 27 / 42, CMYK 0 / 21 / 21 / 35 and CMYK 0 / 15 / 15 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 26 / 42, CMYK 4 / 0 / 27 / 42 and CMYK 27 / 16 / 0 / 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 26 / 42, CMYK 27 / 0 / 27 / 42 and CMYK 27 / 27 / 0 / 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 26 / 42, CMYK 4 / 0 / 27 / 42, CMYK 27 / 0 / 1 / 42 and CMYK 23 / 27 / 0 / 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 27 / 26 / 42 shade: CMYK 0 / 27 / 26 / 42, CMYK 13 / 0 / 27 / 42, CMYK 27 / 0 / 1 / 42 and CMYK 14 / 27 / 0 / 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

Complementary color

CMYK 27 / 0 / 1 / 42

HEX #6B9392

RGB 107 147 146

HSL 178.5, 0.16%, 0.5%

LAB 58.1, -13.88, -3.93

 

CMYK 0 / 29 / 32 / 40

HEX #996C68

RGB 153 108 104

HSL 4.9, 0.19%, 0.5%

LAB 50.09, 17.38, 9.39

 

CMYK 0 / 26 / 28 / 33

HEX #AA7E7B

RGB 170 126 123

HSL 3.83, 0.22%, 0.57%

LAB 56.98, 16.6, 8.3

 

CMYK 0 / 23 / 24 / 27

HEX #BB908E

RGB 187 144 142

HSL 2.67, 0.25%, 0.65%

LAB 63.72, 15.93, 7.32

 

CMYK 0 / 21 / 21 / 20

HEX #CCA2A1

RGB 204 162 161

HSL 1.4, 0.3%, 0.72%

LAB 70.35, 15.33, 6.42

 

CMYK 0 / 19 / 19 / 13

HEX #DDB4B4

RGB 221 180 180

HSL 0, 0.38%, 0.79%

LAB 76.87, 14.79, 5.59

 

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

CMYK 0 / 31 / 31 / 49

HEX #835A5A

RGB 131 90 90

HSL 0, 0.19%, 0.43%

LAB 42.58, 16.89, 6.8

 

CMYK 0 / 37 / 38 / 55

HEX #724847

RGB 114 72 71

HSL 1.4, 0.23%, 0.36%

LAB 35.34, 17.83, 8.06

 

CMYK 0 / 44 / 46 / 62

HEX #613634

RGB 97 54 52

HSL 2.67, 0.3%, 0.29%

LAB 27.92, 18.96, 9.6

 

CMYK 0 / 55 / 59 / 69

HEX #502421

RGB 80 36 33

HSL 3.83, 0.42%, 0.22%

LAB 20.35, 20.28, 11.62

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 27 / 27 / 42

HEX #936B6B

RGB 147 107 107

HSL 0, 0.16%, 0.5%

LAB 49.23, 15.96, 6.29

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 27 / 19 / 42

HEX #936B77

RGB 147 107 119

HSL 342, 0.16%, 0.5%

LAB 49.56, 17.86, -0.38

 

CMYK 0 / 27 / 12 / 42

HEX #936B82

RGB 147 107 130

HSL 325.5, 0.16%, 0.5%

LAB 49.89, 19.77, -6.41

 

CMYK 0 / 27 / 4 / 42

HEX #936B8D

RGB 147 107 141

HSL 309, 0.16%, 0.5%

LAB 50.27, 21.82, -12.37

 

CMYK 3 / 27 / 0 / 42

HEX #8F6B93

RGB 143 107 147

HSL 294, 0.16%, 0.5%

LAB 50.05, 21.6, -16.28

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 49 / 48 / 34

HEX #A85658

RGB 168 86 88

HSL 358.54, 0.32%, 0.5%

LAB 46.56, 33.76, 14.32

 

CMYK 0 / 66 / 64 / 26

HEX #BD4144

RGB 189 65 68

HSL 358.55, 0.49%, 0.5%

LAB 45.66, 49.91, 25.78

 

CMYK 0 / 78 / 77 / 18

HEX #D12D31

RGB 209 45 49

HSL 358.54, 0.65%, 0.5%

LAB 46.52, 62.38, 38.83

 

CMYK 0 / 90 / 87 / 10

HEX #E6181D

RGB 230 24 29

HSL 358.54, 0.81%, 0.5%

LAB 48.96, 72.05, 52.95

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 1 / 42

HEX #6A9493

RGB 106 148 147

HSL 178.57, 0.17%, 0.5%

LAB 58.37, -14.49, -4.11

 

CMYK 49 / 0 / 1 / 34

HEX #56A8A6

RGB 86 168 166

HSL 178.54, 0.32%, 0.5%

LAB 63.95, -25.43, -6.69

 

CMYK 66 / 0 / 2 / 26

HEX #41BDBA

RGB 65 189 186

HSL 178.55, 0.49%, 0.5%

LAB 70.22, -34.11, -8.51

 

CMYK 0 / 27 / 12 / 42

HEX #936B82

RGB 147 107 130

HSL 325.5, 0.16%, 0.5%

LAB 49.89, 19.77, -6.41

 

CMYK 0 / 27 / 19 / 42

HEX #936B77

RGB 147 107 119

HSL 342, 0.16%, 0.5%

LAB 49.56, 17.86, -0.38

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 21 / 27 / 42

HEX #93746B

RGB 147 116 107

HSL 13.5, 0.16%, 0.5%

LAB 51.56, 10.74, 9.6

 

CMYK 0 / 14 / 27 / 42

HEX #937F6B

RGB 147 127 107

HSL 30, 0.16%, 0.5%

LAB 54.49, 4.42, 13.7

 

CMYK 0 / 28 / 27 / 61

HEX #644849

RGB 100 72 73

HSL 357.86, 0.16%, 0.34%

LAB 33.62, 12.12, 4.11

 

CMYK 0 / 28 / 27 / 52

HEX #7B595A

RGB 123 89 90

HSL 358.24, 0.16%, 0.42%

LAB 41.36, 14.17, 4.94

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 0 / 21 / 21 / 35

HEX #A58383

RGB 165 131 131

HSL 0, 0.16%, 0.58%

LAB 57.91, 13.03, 4.96

 

CMYK 0 / 15 / 15 / 29

HEX #B69A9B

RGB 182 154 155

HSL 357.86, 0.16%, 0.66%

LAB 66.08, 10.52, 3.33

 

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

CMYK 4 / 0 / 27 / 42

HEX #8D936B

RGB 141 147 107

HSL 69, 0.16%, 0.5%

LAB 59.52, -9.16, 20.5

 

CMYK 27 / 16 / 0 / 42

HEX #6B7C93

RGB 107 124 147

HSL 214.5, 0.16%, 0.5%

LAB 51.44, -0.71, -14.48

 

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

CMYK 27 / 0 / 27 / 42

HEX #6C936B

RGB 108 147 107

HSL 118.5, 0.16%, 0.5%

LAB 57.19, -21.73, 16.95

 

CMYK 27 / 27 / 0 / 42

HEX #6B6C93

RGB 107 108 147

HSL 238.5, 0.16%, 0.5%

LAB 46.92, 8.8, -21.38

 

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

CMYK 4 / 0 / 27 / 42

HEX #8D936B

RGB 141 147 107

HSL 69, 0.16%, 0.5%

LAB 59.52, -9.16, 20.5

 

CMYK 27 / 0 / 1 / 42

HEX #6B9392

RGB 107 147 146

HSL 178.5, 0.16%, 0.5%

LAB 58.1, -13.88, -3.93

 

CMYK 23 / 27 / 0 / 42

HEX #716B93

RGB 113 107 147

HSL 249, 0.16%, 0.5%

LAB 47.15, 11.36, -20.98

 

CMYK 0 / 27 / 26 / 42

HEX #946C6D

RGB 148 108 109

HSL 358.5, 0.16%, 0.5%

LAB 49.65, 16.09, 5.71

 

CMYK 13 / 0 / 27 / 42

HEX #80936B

RGB 128 147 107

HSL 88.5, 0.16%, 0.5%

LAB 58.53, -14.28, 18.99

 

CMYK 27 / 0 / 1 / 42

HEX #6B9392

RGB 107 147 146

HSL 178.5, 0.16%, 0.5%

LAB 58.1, -13.88, -3.93

 

CMYK 14 / 27 / 0 / 42

HEX #7E6B93

RGB 126 107 147

HSL 268.5, 0.16%, 0.5%

LAB 48.33, 15.71, -19.06

 

Description

Color code: CMYK 0 / 27 / 26 / 42 | qconv.com Color code: CMYK 0 / 27 / 26 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 108 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 108 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 26 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 26% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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