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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 236 145 it is the complementary color RGB 118 19 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 236 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 236 145: RGB 142 236 140, RGB 159 254 159, RGB 176 255 178, RGB 193 255 197 and RGB 210 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 236 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 236 145: RGB 137 236 145, RGB 120 218 126, RGB 103 200 107, RGB 86 182 88 and RGB 69 164 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

Complementary color

CMYK 0 / 84 / 7 / 54

HEX #76136E

RGB 118 19 110

HSL 304.85, 0.72%, 0.27%

LAB 27.96, 50.56, -28.06

 

CMYK 40 / 0 / 41 / 7

HEX #8EEC8C

RGB 142 236 140

HSL 118.75, 0.72%, 0.74%

LAB 85.82, -46.66, 37.97

 

CMYK 37 / 0 / 37 / 0

HEX #9FFE9F

RGB 159 254 159

HSL 120, 0.98%, 0.81%

LAB 92.02, -46.46, 36.79

 

CMYK 31 / 0 / 30 / 0

HEX #B0FFB2

RGB 176 255 178

HSL 121.52, 1%, 0.85%

LAB 93.44, -38.77, 29.33

 

CMYK 24 / 0 / 23 / 0

HEX #C1FFC5

RGB 193 255 197

HSL 123.87, 1%, 0.88%

LAB 94.69, -30.3, 21.57

 

CMYK 18 / 0 / 15 / 0

HEX #D2FFD8

RGB 210 255 216

HSL 128, 1%, 0.91%

LAB 96.07, -21.58, 13.94

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 45 / 0 / 42 / 15

HEX #78DA7E

RGB 120 218 126

HSL 123.67, 0.57%, 0.66%

LAB 79.41, -47.54, 36.49

 

CMYK 49 / 0 / 47 / 22

HEX #67C86B

RGB 103 200 107

HSL 122.47, 0.47%, 0.59%

LAB 73.06, -47.65, 37.77

 

CMYK 53 / 0 / 52 / 29

HEX #56B658

RGB 86 182 88

HSL 121.25, 0.4%, 0.53%

LAB 66.63, -47.64, 39.09

 

CMYK 58 / 0 / 58 / 36

HEX #45A445

RGB 69 164 69

HSL 120, 0.41%, 0.46%

LAB 60.11, -47.44, 40.4

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 42 / 0 / 32 / 8

HEX #88EB9F

RGB 136 235 159

HSL 133.94, 0.71%, 0.73%

LAB 85.58, -44.95, 28.03

 

CMYK 42 / 0 / 25 / 8

HEX #88EBB0

RGB 136 235 176

HSL 144.24, 0.71%, 0.73%

LAB 85.9, -41.88, 19.71

 

CMYK 42 / 0 / 18 / 8

HEX #88EBC0

RGB 136 235 192

HSL 153.94, 0.71%, 0.73%

LAB 86.23, -38.72, 11.86

 

CMYK 42 / 0 / 11 / 8

HEX #88EBD1

RGB 136 235 209

HSL 164.24, 0.71%, 0.73%

LAB 86.63, -35.09, 3.53

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 41 / 0 / 38 / 87

HEX #132014

RGB 19 32 20

HSL 124.62, 0.25%, 0.1%

LAB 10.72, -8.94, 6.33

 

CMYK 42 / 0 / 39 / 67

HEX #305333

RGB 48 83 51

HSL 125.14, 0.27%, 0.26%

LAB 31.93, -20.38, 14.87

 

CMYK 42 / 0 / 39 / 47

HEX #4E8652

RGB 78 134 82

HSL 124.29, 0.26%, 0.42%

LAB 51.01, -29.98, 22.37

 

CMYK 42 / 0 / 38 / 27

HEX #6BB972

RGB 107 185 114

HSL 125.38, 0.36%, 0.57%

LAB 68.78, -38.99, 28.7

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 42 / 11 / 0 / 8

HEX #88D1EB

RGB 136 209 235

HSL 195.76, 0.71%, 0.73%

LAB 80.09, -16.13, -19.95

 

CMYK 0 / 42 / 28 / 8

HEX #EB88A9

RGB 235 136 169

HSL 340, 0.71%, 0.73%

LAB 68.12, 41.65, -0.84

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 39 / 42 / 0 / 8

HEX #8F88EB

RGB 143 136 235

HSL 244.24, 0.71%, 0.73%

LAB 61.17, 26.17, -49.22

 

CMYK 0 / 39 / 42 / 8

HEX #EB8F88

RGB 235 143 136

HSL 4.24, 0.71%, 0.73%

LAB 68.81, 34.05, 18.62

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 42 / 11 / 0 / 8

HEX #88D1EB

RGB 136 209 235

HSL 195.76, 0.71%, 0.73%

LAB 80.09, -16.13, -19.95

 

CMYK 0 / 42 / 3 / 8

HEX #EB88E5

RGB 235 136 229

HSL 303.64, 0.71%, 0.73%

LAB 70.13, 50.93, -31.23

 

CMYK 0 / 31 / 42 / 8

HEX #EBA388

RGB 235 163 136

HSL 16.36, 0.71%, 0.73%

LAB 73.31, 23.47, 24.75

 

CMYK 42 / 0 / 39 / 7

HEX #89EC91

RGB 137 236 145

HSL 124.85, 0.72%, 0.73%

LAB 85.68, -47.37, 35.25

 

CMYK 42 / 24 / 0 / 8

HEX #88B3EB

RGB 136 179 235

HSL 213.94, 0.71%, 0.73%

LAB 71.87, -0.15, -32.51

 

CMYK 0 / 42 / 3 / 8

HEX #EB88E5

RGB 235 136 229

HSL 303.64, 0.71%, 0.73%

LAB 70.13, 50.93, -31.23

 

CMYK 0 / 18 / 42 / 8

HEX #EBC088

RGB 235 192 136

HSL 33.94, 0.71%, 0.73%

LAB 80.26, 8.11, 33.98

 

Description

Color code: RGB 137 236 145 | qconv.com Color code: RGB 137 236 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 236 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 236 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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