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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 229 56 it is the complementary color RGB 118 26 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 229 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 229 56: RGB 142 229 51, RGB 159 247 70, RGB 176 255 89, RGB 193 255 108 and RGB 210 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 229 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 229 56: RGB 137 229 56, RGB 120 211 37, RGB 103 193 18, RGB 86 175 0 and RGB 69 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

Complementary color

CMYK 41 / 87 / 0 / 22

HEX #761AC7

RGB 118 26 199

HSL 271.91, 0.77%, 0.44%

LAB 35.43, 66.25, -70.38

 

CMYK 38 / 0 / 78 / 10

HEX #8EE533

RGB 142 229 51

HSL 89.33, 0.77%, 0.55%

LAB 82.93, -52.43, 72.06

 

CMYK 36 / 0 / 72 / 3

HEX #9FF746

RGB 159 247 70

HSL 89.83, 0.92%, 0.62%

LAB 89.08, -52.93, 72.27

 

CMYK 31 / 0 / 65 / 0

HEX #B0FF59

RGB 176 255 89

HSL 88.55, 1%, 0.67%

LAB 92.34, -49.15, 68.99

 

CMYK 24 / 0 / 58 / 0

HEX #C1FF6C

RGB 193 255 108

HSL 85.31, 1%, 0.71%

LAB 93.42, -41.65, 62.7

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 43 / 0 / 82 / 17

HEX #78D325

RGB 120 211 37

HSL 91.38, 0.7%, 0.49%

LAB 76.51, -53.18, 69.6

 

CMYK 47 / 0 / 91 / 24

HEX #67C112

RGB 103 193 18

HSL 90.86, 0.83%, 0.41%

LAB 70.22, -52.27, 67.81

 

CMYK 51 / 0 / 100 / 31

HEX #56AF00

RGB 86 175 0

HSL 90.51, 1%, 0.34%

LAB 63.87, -51.04, 64.73

 

CMYK 56 / 0 / 100 / 38

HEX #459D00

RGB 69 157 0

HSL 93.63, 1%, 0.31%

LAB 57.44, -49.33, 59.41

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 52 / 0 / 76 / 10

HEX #6FE538

RGB 111 229 56

HSL 100.92, 0.77%, 0.56%

LAB 81.68, -61.66, 68.91

 

CMYK 64 / 0 / 76 / 10

HEX #52E538

RGB 82 229 56

HSL 110.98, 0.77%, 0.56%

LAB 80.8, -68.66, 67.77

 

CMYK 76 / 0 / 74 / 10

HEX #38E53B

RGB 56 229 59

HSL 121.04, 0.77%, 0.56%

LAB 80.29, -72.95, 66.11

 

CMYK 76 / 0 / 62 / 10

HEX #38E558

RGB 56 229 88

HSL 131.1, 0.77%, 0.56%

LAB 80.51, -70.29, 55.24

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 40 / 0 / 76 / 90

HEX #0F1906

RGB 15 25 6

HSL 91.58, 0.61%, 0.06%

LAB 7.32, -7.88, 8.35

 

CMYK 41 / 0 / 75 / 70

HEX #2D4C13

RGB 45 76 19

HSL 92.63, 0.6%, 0.19%

LAB 28.83, -22.52, 29.03

 

CMYK 40 / 0 / 76 / 50

HEX #4C7F1F

RGB 76 127 31

HSL 91.88, 0.61%, 0.31%

LAB 48.03, -33.67, 44.06

 

CMYK 40 / 0 / 75 / 30

HEX #6AB22C

RGB 106 178 44

HSL 92.24, 0.6%, 0.44%

LAB 65.82, -44.18, 57.37

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 76 / 0 / 21 / 10

HEX #38E5B4

RGB 56 229 180

HSL 163.01, 0.77%, 0.56%

LAB 81.93, -54.14, 11.72

 

CMYK 0 / 76 / 9 / 10

HEX #E538D1

RGB 229 56 209

HSL 306.94, 0.77%, 0.56%

LAB 56.18, 79.27, -41.85

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 76 / 39 / 0 / 10

HEX #388BE5

RGB 56 139 229

HSL 211.21, 0.77%, 0.56%

LAB 57.04, 5.56, -52.74

 

CMYK 0 / 76 / 39 / 10

HEX #E5388B

RGB 229 56 139

HSL 331.21, 0.77%, 0.56%

LAB 53.33, 70.75, -5.37

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 76 / 0 / 21 / 10

HEX #38E5B4

RGB 56 229 180

HSL 163.01, 0.77%, 0.56%

LAB 81.93, -54.14, 11.72

 

CMYK 37 / 76 / 0 / 10

HEX #9138E5

RGB 145 56 229

HSL 270.87, 0.77%, 0.56%

LAB 44.95, 66.92, -71.93

 

CMYK 0 / 76 / 54 / 10

HEX #E53869

RGB 229 56 105

HSL 343.01, 0.77%, 0.56%

LAB 52.4, 67.84, 13.71

 

CMYK 40 / 0 / 76 / 10

HEX #89E538

RGB 137 229 56

HSL 91.91, 0.77%, 0.56%

LAB 82.72, -53.83, 70.28

 

CMYK 76 / 1 / 0 / 10

HEX #38E2E5

RGB 56 226 229

HSL 181.04, 0.77%, 0.56%

LAB 82.32, -40.04, -13.63

 

CMYK 37 / 76 / 0 / 10

HEX #9138E5

RGB 145 56 229

HSL 270.87, 0.77%, 0.56%

LAB 44.95, 66.92, -71.93

 

CMYK 0 / 74 / 76 / 10

HEX #E53B38

RGB 229 59 56

HSL 1.04, 0.77%, 0.56%

LAB 51.92, 64.23, 41.88

 

Description

Color code: RGB 137 229 56 | qconv.com Color code: RGB 137 229 56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 229 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 229 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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