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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 227 184 it is the complementary color RGB 118 28 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 227 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 227 184: RGB 142 227 179, RGB 159 245 198, RGB 176 255 217, RGB 193 255 236 and RGB 210 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 227 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 227 184: RGB 137 227 184, RGB 120 209 165, RGB 103 191 146, RGB 86 173 127 and RGB 69 155 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

Complementary color

CMYK 0 / 76 / 40 / 54

HEX #761C47

RGB 118 28 71

HSL 331.33, 0.62%, 0.29%

LAB 27.12, 42.23, -3.73

 

CMYK 37 / 0 / 21 / 11

HEX #8EE3B3

RGB 142 227 179

HSL 146.12, 0.6%, 0.72%

LAB 83.94, -36.04, 15.45

 

CMYK 35 / 0 / 19 / 4

HEX #9FF5C6

RGB 159 245 198

HSL 147.21, 0.81%, 0.79%

LAB 90.21, -35.79, 14.52

 

CMYK 31 / 0 / 15 / 0

HEX #B0FFD9

RGB 176 255 217

HSL 151.14, 1%, 0.85%

LAB 94.21, -31.86, 10.52

 

CMYK 24 / 0 / 7 / 0

HEX #C1FFEC

RGB 193 255 236

HSL 161.61, 1%, 0.88%

LAB 95.54, -23.13, 2.78

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 43 / 0 / 21 / 18

HEX #78D1A5

RGB 120 209 165

HSL 150.34, 0.49%, 0.65%

LAB 77.47, -36.68, 13.59

 

CMYK 46 / 0 / 24 / 25

HEX #67BF92

RGB 103 191 146

HSL 149.32, 0.41%, 0.58%

LAB 71.02, -36.9, 14.63

 

CMYK 50 / 0 / 27 / 32

HEX #56AD7F

RGB 86 173 127

HSL 148.28, 0.35%, 0.51%

LAB 64.48, -37.09, 15.75

 

CMYK 55 / 0 / 30 / 39

HEX #459B6C

RGB 69 155 108

HSL 147.21, 0.38%, 0.44%

LAB 57.84, -37.2, 16.98

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 40 / 0 / 13 / 11

HEX #87E2C5

RGB 135 226 197

HSL 160.88, 0.61%, 0.71%

LAB 83.74, -33.8, 5.67

 

CMYK 40 / 0 / 6 / 11

HEX #87E2D5

RGB 135 226 213

HSL 171.43, 0.61%, 0.71%

LAB 84.15, -30.21, -2.2

 

CMYK 40 / 0 / 0 / 11

HEX #87E1E2

RGB 135 225 226

HSL 180.66, 0.61%, 0.71%

LAB 84.22, -26.64, -8.97

 

CMYK 40 / 7 / 0 / 11

HEX #87D2E2

RGB 135 210 226

HSL 190.55, 0.61%, 0.71%

LAB 80.03, -19.19, -15.23

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 39 / 0 / 17 / 91

HEX #0E1713

RGB 14 23 19

HSL 153.33, 0.24%, 0.07%

LAB 6.8, -4.54, 1.29

 

CMYK 39 / 0 / 19 / 71

HEX #2D4A3C

RGB 45 74 60

HSL 151.03, 0.24%, 0.23%

LAB 28.85, -14.54, 4.95

 

CMYK 40 / 0 / 19 / 51

HEX #4B7D65

RGB 75 125 101

HSL 151.2, 0.25%, 0.39%

LAB 48.39, -22.7, 7.84

 

CMYK 40 / 0 / 19 / 31

HEX #6AB08F

RGB 106 176 143

HSL 151.71, 0.31%, 0.55%

LAB 66.59, -29.67, 10.04

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 40 / 29 / 0 / 11

HEX #87A1E2

RGB 135 161 226

HSL 222.86, 0.61%, 0.71%

LAB 66.62, 7.19, -35.74

 

CMYK 0 / 36 / 40 / 11

HEX #E29187

RGB 226 145 135

HSL 6.59, 0.61%, 0.71%

LAB 68.14, 29.48, 18.09

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 19 / 40 / 0 / 11

HEX #B687E2

RGB 182 135 226

HSL 270.99, 0.61%, 0.71%

LAB 63.97, 35.18, -39.59

 

CMYK 0 / 19 / 40 / 11

HEX #E2B687

RGB 226 182 135

HSL 30.99, 0.61%, 0.71%

LAB 76.9, 9.7, 29.93

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 40 / 29 / 0 / 11

HEX #87A1E2

RGB 135 161 226

HSL 222.86, 0.61%, 0.71%

LAB 66.62, 7.19, -35.74

 

CMYK 0 / 40 / 21 / 11

HEX #E287B3

RGB 226 135 179

HSL 330.99, 0.61%, 0.71%

LAB 67.09, 40.48, -8.11

 

CMYK 0 / 12 / 40 / 11

HEX #E2C887

RGB 226 200 135

HSL 42.86, 0.61%, 0.71%

LAB 81.42, 0.24, 35.85

 

CMYK 40 / 0 / 19 / 11

HEX #89E3B8

RGB 137 227 184

HSL 151.33, 0.62%, 0.71%

LAB 83.82, -36.45, 12.63

 

CMYK 40 / 40 / 0 / 11

HEX #8887E2

RGB 136 135 226

HSL 240.66, 0.61%, 0.71%

LAB 59.94, 22.48, -46.21

 

CMYK 0 / 40 / 21 / 11

HEX #E287B3

RGB 226 135 179

HSL 330.99, 0.61%, 0.71%

LAB 67.09, 40.48, -8.11

 

CMYK 0 / 0 / 40 / 11

HEX #E1E287

RGB 225 226 135

HSL 60.66, 0.61%, 0.71%

LAB 88.04, -13.38, 44.3

 

Description

Color code: RGB 137 227 184 | qconv.com Color code: RGB 137 227 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 227 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 227 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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