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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 222 38 it is the complementary color RGB 118 33 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 222 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 222 38: RGB 142 222 33, RGB 159 240 52, RGB 176 255 71, RGB 193 255 90 and RGB 210 255 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 222 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 222 38: RGB 137 222 38, RGB 120 204 19, RGB 103 186 0, RGB 86 168 0 and RGB 69 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

Complementary color

CMYK 46 / 85 / 0 / 15

HEX #7621D9

RGB 118 33 217

HSL 267.72, 0.74%, 0.49%

LAB 37.75, 68.36, -77

 

CMYK 36 / 0 / 85 / 13

HEX #8EDE21

RGB 142 222 33

HSL 85.4, 0.74%, 0.5%

LAB 80.8, -50.34, 74.67

 

CMYK 34 / 0 / 78 / 6

HEX #9FF034

RGB 159 240 52

HSL 85.85, 0.86%, 0.57%

LAB 86.97, -51.04, 75.82

 

CMYK 31 / 0 / 72 / 0

HEX #B0FF47

RGB 176 255 71

HSL 85.76, 1%, 0.64%

LAB 92.22, -50.32, 75.33

 

CMYK 24 / 0 / 65 / 0

HEX #C1FF5A

RGB 193 255 90

HSL 82.55, 1%, 0.68%

LAB 93.27, -43.05, 69.87

 

CMYK 18 / 0 / 57 / 0

HEX #D2FF6D

RGB 210 255 109

HSL 78.49, 1%, 0.71%

LAB 94.45, -35.35, 63.71

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 41 / 0 / 91 / 20

HEX #78CC13

RGB 120 204 19

HSL 87.24, 0.83%, 0.44%

LAB 74.33, -51.01, 71.36

 

CMYK 45 / 0 / 100 / 27

HEX #67BA00

RGB 103 186 0

HSL 86.77, 1%, 0.36%

LAB 68.02, -49.9, 68.28

 

CMYK 49 / 0 / 100 / 34

HEX #56A800

RGB 86 168 0

HSL 89.29, 1%, 0.33%

LAB 61.64, -48.38, 62.98

 

CMYK 54 / 0 / 100 / 41

HEX #459600

RGB 69 150 0

HSL 92.4, 1%, 0.29%

LAB 55.15, -46.72, 57.6

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 51 / 0 / 83 / 13

HEX #6CDE25

RGB 108 222 37

HSL 96.97, 0.74%, 0.51%

LAB 79.37, -60.92, 71.97

 

CMYK 65 / 0 / 83 / 13

HEX #4DDE25

RGB 77 222 37

HSL 107.03, 0.74%, 0.51%

LAB 78.43, -68.46, 70.79

 

CMYK 79 / 0 / 83 / 13

HEX #2EDE25

RGB 46 222 37

HSL 117.08, 0.74%, 0.51%

LAB 77.85, -73.5, 70.04

 

CMYK 83 / 0 / 73 / 13

HEX #25DE3B

RGB 37 222 59

HSL 127.14, 0.74%, 0.51%

LAB 77.85, -73.12, 63.58

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 39 / 0 / 83 / 93

HEX #0B1203

RGB 11 18 3

HSL 88, 0.71%, 0.04%

LAB 4.61, -4.68, 5.59

 

CMYK 38 / 0 / 83 / 73

HEX #2B450C

RGB 43 69 12

HSL 87.37, 0.7%, 0.16%

LAB 26.15, -20.37, 29.36

 

CMYK 38 / 0 / 83 / 53

HEX #4A7815

RGB 74 120 21

HSL 87.88, 0.7%, 0.28%

LAB 45.56, -31.86, 45.17

 

CMYK 38 / 0 / 83 / 33

HEX #6AAB1D

RGB 106 171 29

HSL 87.46, 0.71%, 0.39%

LAB 63.57, -42.02, 59.84

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 83 / 0 / 29 / 13

HEX #25DE9D

RGB 37 222 157

HSL 158.92, 0.74%, 0.51%

LAB 79.08, -58.52, 19.76

 

CMYK 0 / 83 / 4 / 13

HEX #DE25D5

RGB 222 37 213

HSL 302.92, 0.74%, 0.51%

LAB 53.66, 82.97, -48.19

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 83 / 37 / 0 / 13

HEX #258BDE

RGB 37 139 222

HSL 206.92, 0.74%, 0.51%

LAB 56.22, 1.1, -50.16

 

CMYK 0 / 83 / 37 / 13

HEX #DE258B

RGB 222 37 139

HSL 326.92, 0.74%, 0.51%

LAB 50.35, 73.89, -9.95

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 83 / 0 / 29 / 13

HEX #25DE9D

RGB 37 222 157

HSL 158.92, 0.74%, 0.51%

LAB 79.08, -58.52, 19.76

 

CMYK 46 / 83 / 0 / 13

HEX #7825DE

RGB 120 37 222

HSL 266.92, 0.74%, 0.51%

LAB 38.88, 68.53, -78

 

CMYK 0 / 83 / 54 / 13

HEX #DE2566

RGB 222 37 102

HSL 338.92, 0.74%, 0.51%

LAB 49.27, 70.75, 10.96

 

CMYK 38 / 0 / 83 / 13

HEX #89DE26

RGB 137 222 38

HSL 87.72, 0.74%, 0.51%

LAB 80.57, -51.88, 73.26

 

CMYK 83 / 0 / 4 / 13

HEX #25DED5

RGB 37 222 213

HSL 177.08, 0.74%, 0.51%

LAB 80.43, -44.42, -7.98

 

CMYK 46 / 83 / 0 / 13

HEX #7825DE

RGB 120 37 222

HSL 266.92, 0.74%, 0.51%

LAB 38.88, 68.53, -78

 

CMYK 0 / 83 / 79 / 13

HEX #DE252E

RGB 222 37 46

HSL 357.08, 0.74%, 0.51%

LAB 48.32, 67.95, 43.18

 

Description

Color code: RGB 137 222 38 | qconv.com Color code: RGB 137 222 38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 222 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 222 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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