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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 185 243 it is the complementary color RGB 118 70 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 185 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 185 243: RGB 142 185 238, RGB 159 203 255, RGB 176 221 255, RGB 193 239 255 and RGB 210 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 185 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 185 243: RGB 137 185 243, RGB 120 167 224, RGB 103 149 205, RGB 86 131 186 and RGB 69 113 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

Complementary color

CMYK 0 / 41 / 90 / 54

HEX #76460C

RGB 118 70 12

HSL 32.83, 0.82%, 0.25%

LAB 34.52, 16.14, 39.92

 

CMYK 40 / 22 / 0 / 7

HEX #8EB9EE

RGB 142 185 238

HSL 213.13, 0.74%, 0.75%

LAB 73.95, -1.1, -30.91

 

CMYK 38 / 20 / 0 / 0

HEX #9FCBFF

RGB 159 203 255

HSL 212.5, 1%, 0.81%

LAB 80.35, -1.94, -30.11

 

CMYK 31 / 13 / 0 / 0

HEX #B0DDFF

RGB 176 221 255

HSL 205.82, 1%, 0.85%

LAB 86.09, -6.84, -21.27

 

CMYK 24 / 6 / 0 / 0

HEX #C1EFFF

RGB 193 239 255

HSL 195.48, 1%, 0.88%

LAB 91.82, -11.24, -12.56

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 46 / 25 / 0 / 12

HEX #78A7E0

RGB 120 167 224

HSL 212.88, 0.63%, 0.67%

LAB 67.29, -0.55, -33.67

 

CMYK 50 / 27 / 0 / 20

HEX #6795CD

RGB 103 149 205

HSL 212.94, 0.5%, 0.6%

LAB 60.59, -0, -33.6

 

CMYK 54 / 30 / 0 / 27

HEX #5683BA

RGB 86 131 186

HSL 213, 0.42%, 0.53%

LAB 53.77, 0.67, -33.55

 

CMYK 59 / 32 / 0 / 35

HEX #4571A7

RGB 69 113 167

HSL 213.06, 0.42%, 0.46%

LAB 46.8, 1.52, -33.54

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 43 / 30 / 0 / 5

HEX #8AAAF3

RGB 138 170 243

HSL 221.71, 0.81%, 0.75%

LAB 69.91, 7.59, -39.9

 

CMYK 43 / 37 / 0 / 5

HEX #8A98F3

RGB 138 152 243

HSL 232, 0.81%, 0.75%

LAB 65.22, 17.87, -47.25

 

CMYK 42 / 43 / 0 / 5

HEX #8E8AF3

RGB 142 138 243

HSL 242.29, 0.81%, 0.75%

LAB 62, 26.98, -52.34

 

CMYK 35 / 43 / 0 / 5

HEX #9F8AF3

RGB 159 138 243

HSL 252, 0.81%, 0.75%

LAB 63.36, 31.27, -50.1

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 44 / 23 / 0 / 85

HEX #161E27

RGB 22 30 39

HSL 211.76, 0.28%, 0.12%

LAB 10.89, -0.74, -7.26

 

CMYK 43 / 23 / 0 / 65

HEX #33455A

RGB 51 69 90

HSL 212.31, 0.28%, 0.28%

LAB 28.64, -0.92, -14.73

 

CMYK 44 / 24 / 0 / 45

HEX #4F6B8D

RGB 79 107 141

HSL 212.9, 0.28%, 0.43%

LAB 44.38, -0.73, -21.89

 

CMYK 44 / 24 / 0 / 25

HEX #6C92C0

RGB 108 146 192

HSL 212.86, 0.4%, 0.59%

LAB 59.48, -0.87, -27.99

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 12 / 43 / 0 / 5

HEX #D78AF3

RGB 215 138 243

HSL 284, 0.81%, 0.75%

LAB 68.82, 46.69, -41.13

 

CMYK 6 / 0 / 43 / 5

HEX #E5F38A

RGB 229 243 138

HSL 68, 0.81%, 0.75%

LAB 92.84, -19.86, 48.9

NCS® S0540-G60Y

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 0 / 43 / 23 / 5

HEX #F38ABB

RGB 243 138 187

HSL 332, 0.81%, 0.75%

LAB 70.05, 45.81, -7.96

 

CMYK 23 / 0 / 43 / 5

HEX #BBF38A

RGB 187 243 138

HSL 92, 0.81%, 0.75%

LAB 90.09, -35.32, 44.88

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 12 / 43 / 0 / 5

HEX #D78AF3

RGB 215 138 243

HSL 284, 0.81%, 0.75%

LAB 68.82, 46.69, -41.13

 

CMYK 0 / 20 / 43 / 5

HEX #F3C28A

RGB 243 194 138

HSL 32, 0.81%, 0.75%

LAB 81.55, 10.44, 34.78

 

CMYK 32 / 0 / 43 / 5

HEX #A6F38A

RGB 166 243 138

HSL 104, 0.81%, 0.75%

LAB 88.94, -42.45, 43.18

 

CMYK 44 / 24 / 0 / 5

HEX #89B9F3

RGB 137 185 243

HSL 212.83, 0.82%, 0.75%

LAB 73.86, -1, -33.77

 

CMYK 0 / 43 / 1 / 5

HEX #F38AF0

RGB 243 138 240

HSL 301.71, 0.81%, 0.75%

LAB 71.91, 54.2, -34.44

 

CMYK 0 / 20 / 43 / 5

HEX #F3C28A

RGB 243 194 138

HSL 32, 0.81%, 0.75%

LAB 81.55, 10.44, 34.78

 

CMYK 43 / 0 / 42 / 5

HEX #8AF38E

RGB 138 243 142

HSL 122.29, 0.81%, 0.75%

LAB 87.71, -50.47, 39.38

 

Description

Color code: RGB 137 185 243 | qconv.com Color code: RGB 137 185 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 185 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 185 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 24 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 24% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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