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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 173 177 it is the complementary color RGB 118 82 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 173 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 173 177: RGB 142 173 172, RGB 159 191 191, RGB 176 209 210, RGB 193 227 229 and RGB 210 245 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 173 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 173 177: RGB 137 173 177, RGB 120 155 158, RGB 103 137 139, RGB 86 119 120 and RGB 69 101 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

Complementary color

CMYK 0 / 31 / 34 / 54

HEX #76524E

RGB 118 82 78

HSL 6, 0.2%, 0.38%

LAB 38.61, 14.47, 8.36

 

CMYK 18 / 0 / 1 / 32

HEX #8EADAC

RGB 142 173 172

HSL 178.06, 0.16%, 0.62%

LAB 68.47, -10.76, -3.02

 

CMYK 17 / 0 / 0 / 25

HEX #9FBFBF

RGB 159 191 191

HSL 180, 0.2%, 0.69%

LAB 75.07, -10.71, -3.6

 

CMYK 16 / 0 / 0 / 18

HEX #B0D1D2

RGB 176 209 210

HSL 181.76, 0.27%, 0.76%

LAB 81.56, -10.68, -4.16

 

CMYK 16 / 1 / 0 / 10

HEX #C1E3E5

RGB 193 227 229

HSL 183.33, 0.41%, 0.83%

LAB 87.94, -10.66, -4.71

 

CMYK 15 / 1 / 0 / 3

HEX #D2F5F8

RGB 210 245 248

HSL 184.74, 0.73%, 0.9%

LAB 94.22, -10.65, -5.24

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 24 / 2 / 0 / 38

HEX #789B9E

RGB 120 155 158

HSL 184.74, 0.16%, 0.55%

LAB 61.57, -11.3, -5.53

 

CMYK 26 / 1 / 0 / 45

HEX #67898B

RGB 103 137 139

HSL 183.33, 0.15%, 0.47%

LAB 54.7, -11.36, -4.96

 

CMYK 28 / 1 / 0 / 53

HEX #567778

RGB 86 119 120

HSL 181.76, 0.17%, 0.4%

LAB 47.66, -11.44, -4.37

 

CMYK 32 / 0 / 0 / 60

HEX #456565

RGB 69 101 101

HSL 180, 0.19%, 0.33%

LAB 40.43, -11.54, -3.74

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 22 / 6 / 0 / 31

HEX #8AA7B1

RGB 138 167 177

HSL 195.38, 0.2%, 0.62%

LAB 66.68, -7.71, -8.47

 

CMYK 22 / 10 / 0 / 31

HEX #8AA0B1

RGB 138 160 177

HSL 206.15, 0.2%, 0.62%

LAB 64.74, -3.88, -11.37

 

CMYK 22 / 13 / 0 / 31

HEX #8A9AB1

RGB 138 154 177

HSL 215.38, 0.2%, 0.62%

LAB 63.08, -0.55, -13.86

 

CMYK 22 / 17 / 0 / 31

HEX #8A93B1

RGB 138 147 177

HSL 226.15, 0.2%, 0.62%

LAB 61.17, 3.39, -16.75

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 23 / 2 / 0 / 11

HEX #B0DFE4

RGB 176 223 228

HSL 185.77, 0.49%, 0.79%

LAB 85.81, -14.02, -7.44

 

CMYK 21 / 4 / 0 / 91

HEX #131718

RGB 19 23 24

HSL 192, 0.12%, 0.08%

LAB 7.38, -1.51, -1.33

 

CMYK 23 / 3 / 0 / 71

HEX #3A494B

RGB 58 73 75

HSL 187.06, 0.13%, 0.26%

LAB 29.84, -5.42, -3.17

 

CMYK 22 / 2 / 0 / 51

HEX #627B7E

RGB 98 123 126

HSL 186.43, 0.13%, 0.44%

LAB 49.82, -8.29, -4.63

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 15 / 22 / 0 / 31

HEX #968AB1

RGB 150 138 177

HSL 258.46, 0.2%, 0.62%

LAB 59.74, 12.46, -18.84

 

CMYK 0 / 7 / 22 / 31

HEX #B1A58A

RGB 177 165 138

HSL 41.54, 0.2%, 0.62%

LAB 68.09, -0.11, 15.58

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 0 / 22 / 2 / 31

HEX #B18AAD

RGB 177 138 173

HSL 306.15, 0.2%, 0.62%

LAB 62.12, 20.85, -12.72

 

CMYK 2 / 0 / 22 / 31

HEX #ADB18A

RGB 173 177 138

HSL 66.15, 0.2%, 0.62%

LAB 70.98, -8.07, 19.53

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 15 / 22 / 0 / 31

HEX #968AB1

RGB 150 138 177

HSL 258.46, 0.2%, 0.62%

LAB 59.74, 12.46, -18.84

 

CMYK 0 / 20 / 22 / 31

HEX #B18E8A

RGB 177 142 138

HSL 6.15, 0.2%, 0.62%

LAB 62.11, 12.58, 7.14

 

CMYK 7 / 0 / 22 / 31

HEX #A5B18A

RGB 165 177 138

HSL 78.46, 0.2%, 0.62%

LAB 70.37, -11.11, 18.59

 

CMYK 23 / 2 / 0 / 31

HEX #89ADB1

RGB 137 173 177

HSL 186, 0.2%, 0.62%

LAB 68.3, -11.24, -6.08

 

CMYK 9 / 22 / 0 / 31

HEX #A18AB1

RGB 161 138 177

HSL 275.38, 0.2%, 0.62%

LAB 60.72, 16.14, -17.26

 

CMYK 0 / 20 / 22 / 31

HEX #B18E8A

RGB 177 142 138

HSL 6.15, 0.2%, 0.62%

LAB 62.11, 12.58, 7.14

 

CMYK 13 / 0 / 22 / 31

HEX #9AB18A

RGB 154 177 138

HSL 95.38, 0.2%, 0.62%

LAB 69.58, -15.2, 17.37

 

Description

Color code: RGB 137 173 177 | qconv.com Color code: RGB 137 173 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 173 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 173 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 2 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 2% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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