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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 150 20 it is the complementary color RGB 118 105 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 150 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 150 20: RGB 142 150 15, RGB 159 168 34, RGB 176 186 53, RGB 193 204 72 and RGB 210 222 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 150 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 150 20: RGB 137 150 20, RGB 120 132 1, RGB 103 114 0, RGB 86 96 0 and RGB 69 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

Complementary color

CMYK 50 / 55 / 0 / 8

HEX #7669EB

RGB 118 105 235

HSL 246, 0.76%, 0.67%

LAB 51.78, 38.6, -64.35

 

CMYK 5 / 0 / 90 / 41

HEX #8E960F

RGB 142 150 15

HSL 63.56, 0.82%, 0.32%

LAB 59.52, -17.85, 60.5

 

CMYK 5 / 0 / 80 / 34

HEX #9FA822

RGB 159 168 34

HSL 64.03, 0.66%, 0.4%

LAB 66.13, -19, 62.03

 

CMYK 5 / 0 / 72 / 27

HEX #B0BA35

RGB 176 186 53

HSL 64.51, 0.56%, 0.47%

LAB 72.63, -19.91, 62.35

 

CMYK 5 / 0 / 65 / 20

HEX #C1CC48

RGB 193 204 72

HSL 65, 0.56%, 0.54%

LAB 79.04, -20.65, 61.99

 

CMYK 5 / 0 / 59 / 13

HEX #D2DE5B

RGB 210 222 91

HSL 65.5, 0.66%, 0.61%

LAB 85.35, -21.25, 61.26

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 9 / 0 / 99 / 48

HEX #788401

RGB 120 132 1

HSL 65.5, 0.98%, 0.26%

LAB 52.4, -18.72, 56.58

 

CMYK 10 / 0 / 100 / 55

HEX #677200

RGB 103 114 0

HSL 65.79, 1%, 0.22%

LAB 45.52, -17.09, 51.05

 

CMYK 10 / 0 / 100 / 62

HEX #566000

RGB 86 96 0

HSL 66.25, 1%, 0.19%

LAB 38.45, -15.4, 45.17

 

CMYK 12 / 0 / 100 / 69

HEX #454E00

RGB 69 78 0

HSL 66.92, 1%, 0.15%

LAB 31.15, -13.67, 39.09

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 24 / 0 / 86 / 42

HEX #719414

RGB 113 148 20

HSL 76.41, 0.76%, 0.33%

LAB 56.82, -29.3, 56.34

 

CMYK 38 / 0 / 86 / 42

HEX #5C9414

RGB 92 148 20

HSL 86.25, 0.76%, 0.33%

LAB 55.59, -37.6, 54.79

 

CMYK 52 / 0 / 86 / 42

HEX #479414

RGB 71 148 20

HSL 96.09, 0.76%, 0.33%

LAB 54.63, -44.75, 53.57

 

CMYK 66 / 0 / 86 / 42

HEX #329414

RGB 50 148 20

HSL 105.94, 0.76%, 0.33%

LAB 53.93, -50.37, 52.69

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 8 / 0 / 87 / 21

HEX #B8C91B

RGB 184 201 27

HSL 65.86, 0.76%, 0.45%

LAB 77.31, -24.85, 73.98

 

CMYK 9 / 0 / 87 / 1

HEX #E6FC22

RGB 230 252 34

HSL 66.06, 0.97%, 0.56%

LAB 94.55, -29.91, 88.12

 

CMYK 8 / 0 / 88 / 81

HEX #2C3006

RGB 44 48 6

HSL 65.71, 0.78%, 0.11%

LAB 18.64, -8.37, 23.92

 

CMYK 9 / 0 / 87 / 61

HEX #5A630D

RGB 90 99 13

HSL 66.28, 0.77%, 0.22%

LAB 39.79, -14.71, 42.84

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 86 / 0 / 61 / 42

HEX #14943A

RGB 20 148 58

HSL 137.81, 0.76%, 0.33%

LAB 53.64, -51.84, 37.84

 

CMYK 26 / 86 / 0 / 42

HEX #6D1494

RGB 109 20 148

HSL 281.72, 0.76%, 0.33%

LAB 29.13, 55.61, -50.16

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 86 / 9 / 0 / 42

HEX #148794

RGB 20 135 148

HSL 186.09, 0.76%, 0.33%

LAB 51.4, -24.6, -15.44

 

CMYK 0 / 86 / 9 / 42

HEX #941487

RGB 148 20 135

HSL 306.09, 0.76%, 0.33%

LAB 35.09, 60.57, -32.19

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 86 / 0 / 61 / 42

HEX #14943A

RGB 20 148 58

HSL 137.81, 0.76%, 0.33%

LAB 53.64, -51.84, 37.84

 

CMYK 78 / 86 / 0 / 42

HEX #201494

RGB 32 20 148

HSL 245.63, 0.76%, 0.33%

LAB 19.82, 46.76, -65.81

 

CMYK 0 / 86 / 26 / 42

HEX #94146D

RGB 148 20 109

HSL 318.28, 0.76%, 0.33%

LAB 33.77, 56.99, -17.91

 

CMYK 9 / 0 / 87 / 41

HEX #899614

RGB 137 150 20

HSL 66, 0.76%, 0.33%

LAB 59.14, -19.95, 58.99

 

CMYK 86 / 0 / 35 / 42

HEX #149460

RGB 20 148 96

HSL 155.63, 0.76%, 0.33%

LAB 54.21, -45.08, 18.54

 

CMYK 78 / 86 / 0 / 42

HEX #201494

RGB 32 20 148

HSL 245.63, 0.76%, 0.33%

LAB 19.82, 46.76, -65.81

 

CMYK 0 / 86 / 52 / 42

HEX #941447

RGB 148 20 71

HSL 336.09, 0.76%, 0.33%

LAB 32.37, 53.02, 4.66

 

Description

Color code: RGB 137 150 20 | qconv.com Color code: RGB 137 150 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 150 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 150 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 87 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 87% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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