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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 135 249 it is the complementary color RGB 118 120 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 135 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 135 249: RGB 142 135 244, RGB 159 153 255, RGB 176 171 255, RGB 193 189 255 and RGB 210 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 135 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 135 249: RGB 137 135 249, RGB 120 117 230, RGB 103 99 211, RGB 86 81 192 and RGB 69 63 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

Complementary color

CMYK 2 / 0 / 95 / 53

HEX #767806

RGB 118 120 6

HSL 61.05, 0.9%, 0.25%

LAB 48.63, -13.15, 52.67

 

CMYK 42 / 45 / 0 / 4

HEX #8E87F4

RGB 142 135 244

HSL 243.85, 0.83%, 0.74%

LAB 61.32, 29, -53.97

 

CMYK 38 / 40 / 0 / 0

HEX #9F99FF

RGB 159 153 255

HSL 243.53, 1%, 0.8%

LAB 67.56, 25.87, -50.03

 

CMYK 31 / 33 / 0 / 0

HEX #B0ABFF

RGB 176 171 255

HSL 243.57, 1%, 0.84%

LAB 73.27, 20.23, -40.97

 

CMYK 24 / 26 / 0 / 0

HEX #C1BDFF

RGB 193 189 255

HSL 243.64, 1%, 0.87%

LAB 79.01, 15.14, -31.97

 

CMYK 18 / 19 / 0 / 0

HEX #D2CFFF

RGB 210 207 255

HSL 243.75, 1%, 0.91%

LAB 84.76, 10.53, -23.06

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 48 / 49 / 0 / 10

HEX #7875E6

RGB 120 117 230

HSL 241.59, 0.69%, 0.68%

LAB 54.48, 30.44, -57.21

 

CMYK 51 / 53 / 0 / 17

HEX #6763D3

RGB 103 99 211

HSL 242.14, 0.56%, 0.61%

LAB 47.64, 31.83, -57.52

 

CMYK 55 / 58 / 0 / 25

HEX #5651C0

RGB 86 81 192

HSL 242.7, 0.47%, 0.54%

LAB 40.69, 33.43, -57.86

 

CMYK 60 / 64 / 0 / 32

HEX #453FAD

RGB 69 63 173

HSL 243.27, 0.47%, 0.46%

LAB 33.64, 35.28, -58.16

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 38 / 46 / 0 / 3

HEX #9A85F8

RGB 154 133 248

HSL 250.96, 0.89%, 0.75%

LAB 62.02, 34.17, -55

 

CMYK 30 / 46 / 0 / 3

HEX #AE85F8

RGB 174 133 248

HSL 261.39, 0.89%, 0.75%

LAB 63.8, 39.25, -52.07

 

CMYK 22 / 46 / 0 / 3

HEX #C185F8

RGB 193 133 248

HSL 271.3, 0.89%, 0.75%

LAB 65.66, 44.3, -48.99

 

CMYK 15 / 46 / 0 / 3

HEX #D485F8

RGB 212 133 248

HSL 281.22, 0.89%, 0.75%

LAB 67.69, 49.48, -45.67

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 44 / 47 / 0 / 82

HEX #19182D

RGB 25 24 45

HSL 242.86, 0.3%, 0.14%

LAB 9.4, 7, -13.97

 

CMYK 45 / 46 / 0 / 62

HEX #353460

RGB 53 52 96

HSL 241.36, 0.3%, 0.29%

LAB 23.86, 13.1, -26.08

 

CMYK 45 / 46 / 0 / 42

HEX #515093

RGB 81 80 147

HSL 240.9, 0.3%, 0.45%

LAB 37.1, 18.61, -36.9

 

CMYK 45 / 46 / 0 / 22

HEX #6D6BC6

RGB 109 107 198

HSL 241.32, 0.44%, 0.6%

LAB 49.31, 24.37, -47.38

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 0 / 46 / 10 / 3

HEX #F885DF

RGB 248 133 223

HSL 313.04, 0.89%, 0.75%

LAB 70.91, 55.29, -26.58

 

CMYK 29 / 0 / 46 / 3

HEX #B1F885

RGB 177 248 133

HSL 97.04, 0.89%, 0.75%

LAB 90.86, -41.6, 48.11

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 0 / 46 / 46 / 3

HEX #F88785

RGB 248 135 133

HSL 1.04, 0.89%, 0.75%

LAB 68.74, 42.67, 20.45

 

CMYK 46 / 0 / 46 / 3

HEX #85F887

RGB 133 248 135

HSL 121.04, 0.89%, 0.75%

LAB 88.86, -54.89, 44.22

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 0 / 46 / 10 / 3

HEX #F885DF

RGB 248 133 223

HSL 313.04, 0.89%, 0.75%

LAB 70.91, 55.29, -26.58

 

CMYK 1 / 0 / 46 / 3

HEX #F6F885

RGB 246 248 133

HSL 61.04, 0.89%, 0.75%

LAB 95.34, -16.22, 54.62

 

CMYK 46 / 0 / 36 / 3

HEX #85F89E

RGB 133 248 158

HSL 133.04, 0.89%, 0.75%

LAB 89.2, -51.41, 33.36

 

CMYK 45 / 46 / 0 / 2

HEX #8987F9

RGB 137 135 249

HSL 241.05, 0.9%, 0.75%

LAB 61.21, 29.24, -56.92

 

CMYK 0 / 46 / 24 / 3

HEX #F885BD

RGB 248 133 189

HSL 330.78, 0.89%, 0.75%

LAB 69.76, 50.23, -9.45

 

CMYK 1 / 0 / 46 / 3

HEX #F6F885

RGB 246 248 133

HSL 61.04, 0.89%, 0.75%

LAB 95.34, -16.22, 54.62

 

CMYK 46 / 0 / 22 / 3

HEX #85F8C1

RGB 133 248 193

HSL 151.3, 0.89%, 0.75%

LAB 89.85, -45.04, 16.43

 

Description

Color code: RGB 137 135 249 | qconv.com Color code: RGB 137 135 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 135 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 135 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 46 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 46% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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