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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 125 95 it is the complementary color RGB 118 130 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 125 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 125 95: RGB 142 125 90, RGB 159 143 109, RGB 176 161 128, RGB 193 179 147 and RGB 210 197 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 125 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 125 95: RGB 137 125 95, RGB 120 107 76, RGB 103 89 57, RGB 86 71 38 and RGB 69 53 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

Complementary color

CMYK 26 / 19 / 0 / 37

HEX #7682A0

RGB 118 130 160

HSL 222.86, 0.18%, 0.55%

LAB 54.4, 2.6, -17.45

 

CMYK 0 / 12 / 37 / 44

HEX #8E7D5A

RGB 142 125 90

HSL 40.38, 0.22%, 0.45%

LAB 53.12, 1.11, 21.49

 

CMYK 0 / 10 / 31 / 38

HEX #9F8F6D

RGB 159 143 109

HSL 40.8, 0.21%, 0.53%

LAB 60, 0.63, 20.3

 

CMYK 0 / 9 / 27 / 31

HEX #B0A180

RGB 176 161 128

HSL 41.25, 0.23%, 0.6%

LAB 66.73, 0.22, 19.2

 

CMYK 0 / 7 / 24 / 24

HEX #C1B393

RGB 193 179 147

HSL 41.74, 0.27%, 0.67%

LAB 73.34, -0.13, 18.17

 

CMYK 0 / 6 / 21 / 18

HEX #D2C5A6

RGB 210 197 166

HSL 42.27, 0.33%, 0.74%

LAB 79.83, -0.43, 17.21

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 0 / 11 / 37 / 53

HEX #786B4C

RGB 120 107 76

HSL 42.27, 0.22%, 0.38%

LAB 45.68, 0.14, 19.27

 

CMYK 0 / 14 / 45 / 60

HEX #675939

RGB 103 89 57

HSL 41.74, 0.29%, 0.31%

LAB 38.42, 0.73, 20.61

 

CMYK 0 / 17 / 56 / 66

HEX #564726

RGB 86 71 38

HSL 41.25, 0.39%, 0.24%

LAB 30.94, 1.53, 22.08

 

CMYK 0 / 23 / 72 / 73

HEX #453513

RGB 69 53 19

HSL 40.8, 0.57%, 0.17%

LAB 23.2, 2.68, 23.6

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 0 / 4 / 30 / 47

HEX #87815E

RGB 135 129 94

HSL 51.22, 0.18%, 0.45%

LAB 53.66, -3.56, 19.83

 

CMYK 1 / 0 / 30 / 47

HEX #86875E

RGB 134 135 94

HSL 61.46, 0.18%, 0.45%

LAB 55.28, -7.32, 21.99

 

CMYK 6 / 0 / 30 / 47

HEX #7F875E

RGB 127 135 94

HSL 71.71, 0.18%, 0.45%

LAB 54.71, -10.2, 21.12

 

CMYK 11 / 0 / 30 / 47

HEX #78875E

RGB 120 135 94

HSL 81.95, 0.18%, 0.45%

LAB 54.16, -13.03, 20.29

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC82

RGB 188 172 130

HSL 43.45, 0.3%, 0.62%

LAB 70.74, -0.68, 23.73

 

CMYK 0 / 9 / 31 / 6

HEX #EFDAA6

RGB 239 218 166

HSL 42.74, 0.7%, 0.79%

LAB 87.6, -0.37, 28.27

 

CMYK 0 / 9 / 31 / 86

HEX #232018

RGB 35 32 24

HSL 43.64, 0.19%, 0.12%

LAB 12.33, -0.28, 5.96

 

CMYK 0 / 9 / 30 / 66

HEX #564E3C

RGB 86 78 60

HSL 41.54, 0.18%, 0.29%

LAB 33.46, 0.08, 11.88

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 27 / 0 / 30 / 47

HEX #62875E

RGB 98 135 94

HSL 114.15, 0.18%, 0.45%

LAB 52.66, -21.46, 18

 

CMYK 21 / 30 / 0 / 47

HEX #6A5E87

RGB 106 94 135

HSL 257.56, 0.18%, 0.45%

LAB 42.49, 13.95, -21.04

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 30 / 0 / 9 / 47

HEX #5E877B

RGB 94 135 123

HSL 162.44, 0.18%, 0.45%

LAB 53.1, -16.93, 1.9

 

CMYK 9 / 30 / 0 / 47

HEX #7B5E87

RGB 123 94 135

HSL 282.44, 0.18%, 0.45%

LAB 44.18, 19.76, -18.29

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 27 / 0 / 30 / 47

HEX #62875E

RGB 98 135 94

HSL 114.15, 0.18%, 0.45%

LAB 52.66, -21.46, 18

 

CMYK 30 / 21 / 0 / 47

HEX #5E6A87

RGB 94 106 135

HSL 222.44, 0.18%, 0.45%

LAB 44.85, 2.66, -17.49

 

CMYK 3 / 30 / 0 / 47

HEX #835E87

RGB 131 94 135

HSL 294.15, 0.18%, 0.45%

LAB 45.05, 22.56, -16.88

 

CMYK 0 / 9 / 31 / 46

HEX #897D5F

RGB 137 125 95

HSL 42.86, 0.18%, 0.45%

LAB 52.74, -0.33, 18.05

 

CMYK 30 / 0 / 24 / 47

HEX #5E8766

RGB 94 135 102

HSL 131.71, 0.18%, 0.45%

LAB 52.58, -21.4, 13.3

 

CMYK 30 / 21 / 0 / 47

HEX #5E6A87

RGB 94 106 135

HSL 222.44, 0.18%, 0.45%

LAB 44.85, 2.66, -17.49

 

CMYK 0 / 30 / 6 / 47

HEX #875E7F

RGB 135 94 127

HSL 311.71, 0.18%, 0.45%

LAB 45.2, 22.39, -11.79

 

Description

Color code: RGB 137 125 95 | qconv.com Color code: RGB 137 125 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 125 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 125 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 31 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 31% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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