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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 62 84 it is the complementary color RGB 119 193 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 62 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 62 84: RGB 141 62 79, RGB 158 80 98, RGB 175 98 117, RGB 192 116 136 and RGB 209 134 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 62 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 62 84: RGB 136 62 84, RGB 119 44 65, RGB 102 26 46, RGB 85 8 27 and RGB 68 0 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

Complementary color

CMYK 38 / 0 / 11 / 24

HEX #77C1AB

RGB 119 193 171

HSL 162.16, 0.37%, 0.61%

LAB 72.89, -28.13, 3.83

 

CMYK 0 / 56 / 44 / 45

HEX #8D3E4F

RGB 141 62 79

HSL 347.09, 0.39%, 0.4%

LAB 37.25, 35.28, 6.26

 

CMYK 0 / 49 / 38 / 38

HEX #9E5062

RGB 158 80 98

HSL 346.15, 0.33%, 0.47%

LAB 44.07, 34.31, 4.52

 

CMYK 0 / 44 / 33 / 31

HEX #AF6275

RGB 175 98 117

HSL 345.19, 0.32%, 0.54%

LAB 50.84, 33.34, 3.11

 

CMYK 0 / 40 / 29 / 25

HEX #C07488

RGB 192 116 136

HSL 344.21, 0.38%, 0.6%

LAB 57.54, 32.42, 1.91

 

CMYK 0 / 36 / 26 / 18

HEX #D1869B

RGB 209 134 155

HSL 343.2, 0.45%, 0.67%

LAB 64.14, 31.55, 0.87

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 0 / 63 / 45 / 53

HEX #772C41

RGB 119 44 65

HSL 343.2, 0.46%, 0.32%

LAB 29.68, 34.86, 4.02

 

CMYK 0 / 75 / 55 / 60

HEX #661A2E

RGB 102 26 46

HSL 344.21, 0.59%, 0.25%

LAB 22.86, 35.28, 6.76

 

CMYK 0 / 91 / 68 / 67

HEX #55081B

RGB 85 8 27

HSL 345.19, 0.83%, 0.18%

LAB 16.43, 34.6, 10.84

 

CMYK 0 / 100 / 88 / 73

HEX #440008

RGB 68 0 8

HSL 352.94, 1%, 0.13%

LAB 10.9, 31.32, 13.89

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 0 / 54 / 47 / 47

HEX #883E48

RGB 136 62 72

HSL 351.89, 0.37%, 0.39%

LAB 36.27, 32.63, 9.21

 

CMYK 0 / 52 / 54 / 47

HEX #88413E

RGB 136 65 62

HSL 2.43, 0.37%, 0.39%

LAB 36.67, 30, 16.07

 

CMYK 0 / 43 / 54 / 47

HEX #884D3E

RGB 136 77 62

HSL 12.16, 0.37%, 0.39%

LAB 39.39, 23.24, 19.66

 

CMYK 0 / 35 / 54 / 47

HEX #88593E

RGB 136 89 62

HSL 21.89, 0.37%, 0.39%

LAB 42.35, 16.25, 23.47

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 0 / 55 / 38 / 27

HEX #BB5574

RGB 187 85 116

HSL 341.76, 0.43%, 0.53%

LAB 49.89, 44.27, 2.54

 

CMYK 0 / 54 / 38 / 7

HEX #EE6D93

RGB 238 109 147

HSL 342.33, 0.79%, 0.68%

LAB 62.69, 53.35, 3.82

 

CMYK 0 / 53 / 38 / 87

HEX #221015

RGB 34 16 21

HSL 343.33, 0.36%, 0.1%

LAB 6.91, 10.1, 0.39

 

CMYK 0 / 54 / 38 / 67

HEX #552735

RGB 85 39 53

HSL 341.74, 0.37%, 0.24%

LAB 22.44, 23.07, 0.91

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 0 / 6 / 54 / 47

HEX #88803E

RGB 136 128 62

HSL 53.51, 0.37%, 0.39%

LAB 52.97, -6.27, 36.47

 

CMYK 54 / 16 / 0 / 47

HEX #3E7288

RGB 62 114 136

HSL 197.84, 0.37%, 0.39%

LAB 45.41, -10.78, -17.4

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 38 / 0 / 54 / 47

HEX #54883E

RGB 84 136 62

HSL 102.16, 0.37%, 0.39%

LAB 51.66, -31.85, 34

 

CMYK 54 / 38 / 0 / 47

HEX #3E5488

RGB 62 84 136

HSL 222.16, 0.37%, 0.39%

LAB 36.26, 7.61, -31.63

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 0 / 6 / 54 / 47

HEX #88803E

RGB 136 128 62

HSL 53.51, 0.37%, 0.39%

LAB 52.97, -6.27, 36.47

 

CMYK 54 / 0 / 16 / 47

HEX #3E8872

RGB 62 136 114

HSL 162.16, 0.37%, 0.39%

LAB 51.66, -28.68, 4.86

 

CMYK 54 / 49 / 0 / 47

HEX #3E4688

RGB 62 70 136

HSL 233.51, 0.37%, 0.39%

LAB 32.22, 16.81, -38.05

 

CMYK 0 / 54 / 38 / 47

HEX #883E54

RGB 136 62 84

HSL 342.16, 0.37%, 0.39%

LAB 36.59, 34.03, 2.05

 

CMYK 11 / 0 / 54 / 47

HEX #79883E

RGB 121 136 62

HSL 72.16, 0.37%, 0.39%

LAB 54.05, -17.17, 37.42

 

CMYK 54 / 0 / 16 / 47

HEX #3E8872

RGB 62 136 114

HSL 162.16, 0.37%, 0.39%

LAB 51.66, -28.68, 4.86

 

CMYK 43 / 54 / 0 / 47

HEX #4D3E88

RGB 77 62 136

HSL 252.16, 0.37%, 0.39%

LAB 31.35, 25.71, -39.38

 

Description

Color code: RGB 136 62 84 | qconv.com Color code: RGB 136 62 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 62 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 62 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 38 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 38% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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