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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 125 244 it is the complementary color RGB 119 130 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 125 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 136 125 244: RGB 141 125 239, RGB 158 143 255, RGB 175 161 255, RGB 192 179 255 and RGB 209 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 125 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 136 125 244: RGB 136 125 244, RGB 119 107 225, RGB 102 89 206, RGB 85 71 187 and RGB 68 53 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

Complementary color

CMYK 8 / 0 / 92 / 49

HEX #77820B

RGB 119 130 11

HSL 65.55, 0.84%, 0.28%

LAB 51.74, -17.92, 54.21

 

CMYK 41 / 48 / 0 / 6

HEX #8D7DEF

RGB 141 125 239

HSL 248.42, 0.78%, 0.71%

LAB 58.57, 33.17, -55.59

 

CMYK 38 / 44 / 0 / 0

HEX #9E8FFF

RGB 158 143 255

HSL 248.04, 1%, 0.78%

LAB 65.07, 31.32, -53.97

 

CMYK 31 / 37 / 0 / 0

HEX #AFA1FF

RGB 175 161 255

HSL 248.94, 1%, 0.82%

LAB 70.75, 25.56, -44.92

 

CMYK 25 / 30 / 0 / 0

HEX #C0B3FF

RGB 192 179 255

HSL 250.26, 1%, 0.85%

LAB 76.48, 20.33, -35.89

 

CMYK 18 / 23 / 0 / 0

HEX #D1C5FF

RGB 209 197 255

HSL 252.41, 1%, 0.89%

LAB 82.22, 15.59, -26.94

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 47 / 52 / 0 / 12

HEX #776BE1

RGB 119 107 225

HSL 246.1, 0.66%, 0.65%

LAB 51.69, 34.68, -58.87

 

CMYK 50 / 57 / 0 / 19

HEX #6659CE

RGB 102 89 206

HSL 246.67, 0.54%, 0.58%

LAB 44.84, 36.12, -59.18

 

CMYK 55 / 62 / 0 / 27

HEX #5547BB

RGB 85 71 187

HSL 247.24, 0.46%, 0.51%

LAB 37.89, 37.74, -59.47

 

CMYK 60 / 68 / 0 / 34

HEX #4435A8

RGB 68 53 168

HSL 247.83, 0.52%, 0.43%

LAB 30.88, 39.53, -59.67

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 37 / 49 / 0 / 5

HEX #997BF3

RGB 153 123 243

HSL 255, 0.83%, 0.72%

LAB 59.35, 38.3, -56.5

 

CMYK 29 / 49 / 0 / 5

HEX #AD7BF3

RGB 173 123 243

HSL 265, 0.83%, 0.72%

LAB 61.24, 43.3, -53.38

 

CMYK 21 / 49 / 0 / 5

HEX #C17BF3

RGB 193 123 243

HSL 275, 0.83%, 0.72%

LAB 63.32, 48.52, -49.94

 

CMYK 12 / 49 / 0 / 5

HEX #D57BF3

RGB 213 123 243

HSL 285, 0.83%, 0.72%

LAB 65.58, 53.87, -46.23

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 45 / 50 / 0 / 84

HEX #161428

RGB 22 20 40

HSL 246, 0.33%, 0.12%

LAB 7.44, 7.18, -13.35

 

CMYK 44 / 48 / 0 / 64

HEX #332F5B

RGB 51 47 91

HSL 245.45, 0.32%, 0.27%

LAB 21.92, 14.32, -25.89

 

CMYK 44 / 49 / 0 / 44

HEX #4F498E

RGB 79 73 142

HSL 245.22, 0.32%, 0.42%

LAB 34.76, 21.03, -37.59

 

CMYK 44 / 49 / 0 / 24

HEX #6C63C1

RGB 108 99 193

HSL 245.74, 0.43%, 0.57%

LAB 46.92, 27.51, -48.3

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 0 / 49 / 14 / 5

HEX #F37BD1

RGB 243 123 209

HSL 317, 0.83%, 0.72%

LAB 67.89, 56.45, -23.5

 

CMYK 34 / 0 / 49 / 5

HEX #A1F37B

RGB 161 243 123

HSL 101, 0.83%, 0.72%

LAB 88.5, -45.93, 49.74

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 0 / 45 / 49 / 5

HEX #F3857B

RGB 243 133 123

HSL 5, 0.83%, 0.72%

LAB 67.47, 40.92, 24.2

 

CMYK 49 / 0 / 45 / 5

HEX #7BF385

RGB 123 243 133

HSL 125, 0.83%, 0.72%

LAB 87, -55.85, 42.76

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 0 / 49 / 14 / 5

HEX #F37BD1

RGB 243 123 209

HSL 317, 0.83%, 0.72%

LAB 67.89, 56.45, -23.5

 

CMYK 4 / 0 / 49 / 5

HEX #E9F37B

RGB 233 243 123

HSL 65, 0.83%, 0.72%

LAB 92.95, -19.74, 56.16

 

CMYK 49 / 0 / 35 / 5

HEX #7BF39D

RGB 123 243 157

HSL 137, 0.83%, 0.72%

LAB 87.36, -52.1, 31.35

 

CMYK 44 / 49 / 0 / 4

HEX #887DF4

RGB 136 125 244

HSL 245.55, 0.84%, 0.72%

LAB 58.45, 33.41, -58.58

 

CMYK 0 / 49 / 29 / 5

HEX #F37BAD

RGB 243 123 173

HSL 335, 0.83%, 0.72%

LAB 66.7, 51.39, -5.06

 

CMYK 4 / 0 / 49 / 5

HEX #E9F37B

RGB 233 243 123

HSL 65, 0.83%, 0.72%

LAB 92.95, -19.74, 56.16

 

CMYK 49 / 0 / 21 / 5

HEX #7BF3C1

RGB 123 243 193

HSL 155, 0.83%, 0.72%

LAB 88.05, -45.27, 13.84

 

Description

Color code: RGB 136 125 244 | qconv.com Color code: RGB 136 125 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 125 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 125 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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