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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 241 64 it is the complementary color RGB 120 14 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 241 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 241 64: RGB 140 241 59, RGB 157 255 78, RGB 174 255 97, RGB 191 255 116 and RGB 208 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 241 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 241 64: RGB 135 241 64, RGB 118 223 45, RGB 101 205 26, RGB 84 187 7 and RGB 67 169 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

Complementary color

CMYK 37 / 93 / 0 / 25

HEX #780EBF

RGB 120 14 191

HSL 275.93, 0.86%, 0.4%

LAB 34.13, 67.34, -67.81

 

CMYK 42 / 0 / 76 / 5

HEX #8CF13B

RGB 140 241 59

HSL 93.3, 0.87%, 0.59%

LAB 86.41, -57.39, 72.93

 

CMYK 38 / 0 / 69 / 0

HEX #9DFF4E

RGB 157 255 78

HSL 93.22, 1%, 0.65%

LAB 91.34, -56.27, 71.74

 

CMYK 32 / 0 / 62 / 0

HEX #AEFF61

RGB 174 255 97

HSL 90.76, 1%, 0.69%

LAB 92.3, -49.22, 65.75

 

CMYK 25 / 0 / 55 / 0

HEX #BFFF74

RGB 191 255 116

HSL 87.63, 1%, 0.73%

LAB 93.39, -41.64, 59.15

 

CMYK 18 / 0 / 47 / 0

HEX #D0FF87

RGB 208 255 135

HSL 83.5, 1%, 0.76%

LAB 94.6, -33.64, 52.18

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 47 / 0 / 80 / 13

HEX #76DF2D

RGB 118 223 45

HSL 95.39, 0.74%, 0.53%

LAB 80.08, -58.03, 70.73

 

CMYK 51 / 0 / 87 / 20

HEX #65CD1A

RGB 101 205 26

HSL 94.86, 0.77%, 0.45%

LAB 73.87, -57.14, 69.44

 

CMYK 55 / 0 / 96 / 27

HEX #54BB07

RGB 84 187 7

HSL 94.33, 0.93%, 0.38%

LAB 67.61, -55.89, 66.81

 

CMYK 60 / 0 / 100 / 34

HEX #43A900

RGB 67 169 0

HSL 96.21, 1%, 0.33%

LAB 61.28, -54.17, 62.41

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 55 / 0 / 73 / 6

HEX #6DF041

RGB 109 240 65

HSL 104.91, 0.85%, 0.6%

LAB 84.97, -65.53, 69.2

 

CMYK 67 / 0 / 73 / 6

HEX #4FF041

RGB 79 240 65

HSL 115.2, 0.85%, 0.6%

LAB 84.15, -72.17, 68.11

 

CMYK 73 / 0 / 67 / 6

HEX #41F04F

RGB 65 240 79

HSL 124.8, 0.85%, 0.6%

LAB 83.97, -73.37, 62.76

 

CMYK 73 / 0 / 55 / 6

HEX #41F06D

RGB 65 240 109

HSL 135.09, 0.85%, 0.6%

LAB 84.25, -70.01, 50.34

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 43 / 0 / 73 / 85

HEX #15250A

RGB 21 37 10

HSL 95.56, 0.57%, 0.09%

LAB 12.64, -12.94, 14.3

 

CMYK 44 / 0 / 74 / 65

HEX #315817

RGB 49 88 23

HSL 96, 0.59%, 0.22%

LAB 33.34, -26.43, 31.97

 

CMYK 44 / 0 / 73 / 45

HEX #4E8B25

RGB 78 139 37

HSL 95.88, 0.58%, 0.35%

LAB 52.08, -37.79, 45.85

 

CMYK 44 / 0 / 74 / 25

HEX #6ABE32

RGB 106 190 50

HSL 96, 0.58%, 0.47%

LAB 69.56, -48.7, 58.97

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 73 / 0 / 16 / 6

HEX #41F0CA

RGB 65 240 202

HSL 166.97, 0.85%, 0.6%

LAB 85.86, -52.26, 5.83

 

CMYK 0 / 73 / 13 / 6

HEX #F041D0

RGB 240 65 208

HSL 310.97, 0.85%, 0.6%

LAB 58.84, 78.89, -36.96

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 73 / 43 / 0 / 6

HEX #418AF0

RGB 65 138 240

HSL 214.97, 0.85%, 0.6%

LAB 57.65, 11.22, -57.86

 

CMYK 0 / 73 / 43 / 6

HEX #F0418A

RGB 240 65 138

HSL 334.97, 0.85%, 0.6%

LAB 56.23, 70.75, -0.29

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 73 / 0 / 16 / 6

HEX #41F0CA

RGB 65 240 202

HSL 166.97, 0.85%, 0.6%

LAB 85.86, -52.26, 5.83

 

CMYK 30 / 73 / 0 / 6

HEX #A741F0

RGB 167 65 240

HSL 274.97, 0.85%, 0.6%

LAB 49.84, 69.58, -70.05

 

CMYK 0 / 73 / 57 / 6

HEX #F04167

RGB 240 65 103

HSL 346.97, 0.85%, 0.6%

LAB 55.36, 67.94, 19.28

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 73 / 6 / 0 / 6

HEX #41E2F0

RGB 65 226 240

HSL 184.8, 0.85%, 0.6%

LAB 82.81, -35.91, -18.71

 

CMYK 30 / 73 / 0 / 6

HEX #A741F0

RGB 167 65 240

HSL 274.97, 0.85%, 0.6%

LAB 49.84, 69.58, -70.05

 

CMYK 0 / 67 / 73 / 6

HEX #F04F41

RGB 240 79 65

HSL 4.8, 0.85%, 0.6%

LAB 56.58, 60.85, 42.66

 

Description

Color code: RGB 135 241 64 | qconv.com Color code: RGB 135 241 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 241 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 241 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 73 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 73% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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