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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 216 214 it is the complementary color RGB 120 39 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 216 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 216 214: RGB 140 216 209, RGB 157 234 228, RGB 174 252 247, RGB 191 255 255 and RGB 208 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 216 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 216 214: RGB 135 216 214, RGB 118 198 195, RGB 101 180 176, RGB 84 162 157 and RGB 67 144 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

Complementary color

CMYK 0 / 68 / 66 / 53

HEX #782729

RGB 120 39 41

HSL 358.52, 0.51%, 0.31%

LAB 28.39, 35.47, 18.13

 

CMYK 35 / 0 / 3 / 15

HEX #8CD8D1

RGB 140 216 209

HSL 174.47, 0.49%, 0.7%

LAB 81.45, -25, -4.01

 

CMYK 33 / 0 / 3 / 8

HEX #9DEAE4

RGB 157 234 228

HSL 175.32, 0.65%, 0.77%

LAB 87.78, -24.88, -4.64

 

CMYK 31 / 0 / 2 / 1

HEX #AEFCF7

RGB 174 252 247

HSL 176.15, 0.93%, 0.84%

LAB 94.03, -24.76, -5.24

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 40 / 0 / 2 / 22

HEX #76C6C3

RGB 118 198 195

HSL 177.75, 0.41%, 0.62%

LAB 74.94, -25.2, -6.22

 

CMYK 44 / 0 / 2 / 29

HEX #65B4B0

RGB 101 180 176

HSL 176.96, 0.34%, 0.55%

LAB 68.42, -25.25, -5.55

 

CMYK 48 / 0 / 3 / 36

HEX #54A29D

RGB 84 162 157

HSL 176.15, 0.32%, 0.48%

LAB 61.79, -25.26, -4.84

 

CMYK 53 / 0 / 4 / 44

HEX #43908A

RGB 67 144 138

HSL 175.32, 0.36%, 0.41%

LAB 55.05, -25.21, -4.07

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 38 / 5 / 0 / 15

HEX #87CDD8

RGB 135 205 216

HSL 188.15, 0.51%, 0.69%

LAB 78.33, -19.16, -12.42

 

CMYK 38 / 11 / 0 / 15

HEX #87C0D8

RGB 135 192 216

HSL 197.78, 0.51%, 0.69%

LAB 74.7, -12.45, -17.87

 

CMYK 38 / 18 / 0 / 15

HEX #87B2D8

RGB 135 178 216

HSL 208.15, 0.51%, 0.69%

LAB 70.84, -4.96, -23.75

 

CMYK 38 / 24 / 0 / 15

HEX #87A5D8

RGB 135 165 216

HSL 217.78, 0.51%, 0.69%

LAB 67.29, 2.22, -29.19

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 33 / 0 / 0 / 95

HEX #080C0C

RGB 8 12 12

HSL 180, 0.2%, 0.04%

LAB 3.08, -1.08, -0.38

 

CMYK 38 / 0 / 2 / 75

HEX #273F3E

RGB 39 63 62

HSL 177.5, 0.24%, 0.2%

LAB 24.75, -9.54, -2.36

 

CMYK 38 / 0 / 1 / 55

HEX #477271

RGB 71 114 113

HSL 178.6, 0.23%, 0.36%

LAB 45.03, -15.09, -4.17

 

CMYK 38 / 0 / 1 / 35

HEX #67A5A3

RGB 103 165 163

HSL 178.06, 0.26%, 0.53%

LAB 63.7, -20.4, -5.29

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 31 / 38 / 0 / 15

HEX #9587D8

RGB 149 135 216

HSL 250.37, 0.51%, 0.69%

LAB 60.49, 23.31, -39.68

 

CMYK 0 / 16 / 38 / 15

HEX #D8B587

RGB 216 181 135

HSL 34.07, 0.51%, 0.69%

LAB 75.7, 6.26, 28.16

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 1 / 38 / 0 / 15

HEX #D587D8

RGB 213 135 216

HSL 297.78, 0.51%, 0.69%

LAB 66.85, 42.44, -29.31

 

CMYK 0 / 1 / 38 / 15

HEX #D8D587

RGB 216 213 135

HSL 57.78, 0.51%, 0.69%

LAB 83.93, -10.37, 38.93

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 31 / 38 / 0 / 15

HEX #9587D8

RGB 149 135 216

HSL 250.37, 0.51%, 0.69%

LAB 60.49, 23.31, -39.68

 

CMYK 0 / 38 / 36 / 15

HEX #D8878A

RGB 216 135 138

HSL 357.78, 0.51%, 0.69%

LAB 64.77, 31.37, 11.52

 

CMYK 6 / 0 / 38 / 15

HEX #CAD887

RGB 202 216 135

HSL 70.37, 0.51%, 0.69%

LAB 83.66, -17.29, 38.37

 

CMYK 38 / 0 / 1 / 15

HEX #87D8D6

RGB 135 216 214

HSL 178.52, 0.51%, 0.69%

LAB 81.36, -25.14, -6.84

 

CMYK 20 / 38 / 0 / 15

HEX #AD87D8

RGB 173 135 216

HSL 268.15, 0.51%, 0.69%

LAB 62.65, 30.27, -36.15

 

CMYK 0 / 38 / 36 / 15

HEX #D8878A

RGB 216 135 138

HSL 357.78, 0.51%, 0.69%

LAB 64.77, 31.37, 11.52

 

CMYK 18 / 0 / 38 / 15

HEX #B2D887

RGB 178 216 135

HSL 88.15, 0.51%, 0.69%

LAB 82.02, -26.28, 35.92

 

Description

Color code: RGB 135 216 214 | qconv.com Color code: RGB 135 216 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 216 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 216 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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