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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 190 92 it is the complementary color RGB 120 65 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 190 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 190 92: RGB 140 190 87, RGB 157 208 106, RGB 174 226 125, RGB 191 244 144 and RGB 208 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 190 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 190 92: RGB 135 190 92, RGB 118 172 73, RGB 101 154 54, RGB 84 136 35 and RGB 67 118 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

Complementary color

CMYK 26 / 60 / 0 / 36

HEX #7841A3

RGB 120 65 163

HSL 273.67, 0.43%, 0.45%

LAB 38.58, 42.22, -43.94

 

CMYK 26 / 0 / 54 / 25

HEX #8CBE57

RGB 140 190 87

HSL 89.13, 0.44%, 0.54%

LAB 71.62, -33.67, 46.18

 

CMYK 25 / 0 / 49 / 18

HEX #9DD06A

RGB 157 208 106

HSL 90, 0.52%, 0.62%

LAB 78.06, -33.71, 45.05

 

CMYK 23 / 0 / 45 / 11

HEX #AEE27D

RGB 174 226 125

HSL 90.89, 0.64%, 0.69%

LAB 84.42, -33.69, 43.9

 

CMYK 22 / 0 / 41 / 4

HEX #BFF490

RGB 191 244 144

HSL 91.8, 0.82%, 0.76%

LAB 90.68, -33.64, 42.76

 

CMYK 18 / 0 / 36 / 0

HEX #D0FFA3

RGB 208 255 163

HSL 90.65, 1%, 0.82%

LAB 94.98, -30.34, 39.19

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 31 / 0 / 58 / 33

HEX #76AC49

RGB 118 172 73

HSL 92.73, 0.4%, 0.48%

LAB 64.83, -34.93, 44.56

 

CMYK 34 / 0 / 65 / 40

HEX #659A36

RGB 101 154 54

HSL 91.8, 0.48%, 0.41%

LAB 58.17, -34.79, 45.5

 

CMYK 38 / 0 / 74 / 47

HEX #548823

RGB 84 136 35

HSL 90.89, 0.59%, 0.34%

LAB 51.4, -34.47, 46.03

 

CMYK 43 / 0 / 86 / 54

HEX #437610

RGB 67 118 16

HSL 90, 0.76%, 0.26%

LAB 44.5, -33.84, 45.56

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 38 / 0 / 52 / 26

HEX #76BD5A

RGB 118 189 90

HSL 103.03, 0.43%, 0.55%

LAB 70.17, -40.64, 42.73

 

CMYK 46 / 0 / 52 / 26

HEX #66BD5A

RGB 102 189 90

HSL 112.73, 0.43%, 0.55%

LAB 69.44, -45.7, 41.68

 

CMYK 52 / 0 / 50 / 26

HEX #5ABD5F

RGB 90 189 95

HSL 123.03, 0.43%, 0.55%

LAB 69.04, -48.42, 38.62

 

CMYK 52 / 0 / 41 / 26

HEX #5ABD70

RGB 90 189 112

HSL 133.33, 0.43%, 0.55%

LAB 69.28, -45.8, 30.28

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 29 / 0 / 51 / 5

HEX #ABF175

RGB 171 241 117

HSL 93.87, 0.82%, 0.7%

LAB 88.38, -42.38, 52.51

 

CMYK 30 / 0 / 51 / 85

HEX #1A2512

RGB 26 37 18

HSL 94.74, 0.35%, 0.11%

LAB 13.15, -9.31, 11

 

CMYK 28 / 0 / 51 / 65

HEX #3F582B

RGB 63 88 43

HSL 93.33, 0.34%, 0.26%

LAB 34.42, -18.5, 23

 

CMYK 29 / 0 / 52 / 45

HEX #638B43

RGB 99 139 67

HSL 93.33, 0.35%, 0.4%

LAB 53.52, -27.11, 33.87

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 52 / 0 / 13 / 26

HEX #5ABDA4

RGB 90 189 164

HSL 164.85, 0.43%, 0.55%

LAB 70.35, -35.15, 3.81

 

CMYK 0 / 52 / 8 / 26

HEX #BD5AAE

RGB 189 90 174

HSL 309.09, 0.43%, 0.55%

LAB 53.15, 50.78, -26.86

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 52 / 29 / 0 / 26

HEX #5A87BD

RGB 90 135 189

HSL 212.73, 0.43%, 0.55%

LAB 55.25, 0.18, -32.93

 

CMYK 0 / 52 / 29 / 26

HEX #BD5A87

RGB 189 90 135

HSL 332.73, 0.43%, 0.55%

LAB 51.7, 44.85, -6.11

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 52 / 0 / 13 / 26

HEX #5ABDA4

RGB 90 189 164

HSL 164.85, 0.43%, 0.55%

LAB 70.35, -35.15, 3.81

 

CMYK 23 / 52 / 0 / 26

HEX #915ABD

RGB 145 90 189

HSL 273.33, 0.43%, 0.55%

LAB 48.27, 41.27, -43.63

 

CMYK 0 / 52 / 39 / 26

HEX #BD5A73

RGB 189 90 115

HSL 344.85, 0.43%, 0.55%

LAB 51.12, 42.35, 4.95

 

CMYK 29 / 0 / 52 / 25

HEX #87BE5C

RGB 135 190 92

HSL 93.67, 0.43%, 0.55%

LAB 71.39, -34.96, 43.44

 

CMYK 52 / 3 / 0 / 26

HEX #5AB8BD

RGB 90 184 189

HSL 183.03, 0.43%, 0.55%

LAB 69.56, -26.33, -11.06

 

CMYK 23 / 52 / 0 / 26

HEX #915ABD

RGB 145 90 189

HSL 273.33, 0.43%, 0.55%

LAB 48.27, 41.27, -43.63

 

CMYK 0 / 50 / 52 / 26

HEX #BD5F5A

RGB 189 95 90

HSL 3.03, 0.43%, 0.55%

LAB 51.54, 37.24, 20.39

 

Description

Color code: RGB 135 190 92 | qconv.com Color code: RGB 135 190 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 190 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 190 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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