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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 165 163 it is the complementary color RGB 120 90 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 165 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 165 163: RGB 140 165 158, RGB 157 183 177, RGB 174 201 196, RGB 191 219 215 and RGB 208 237 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 165 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 165 163: RGB 135 165 163, RGB 118 147 144, RGB 101 129 125, RGB 84 111 106 and RGB 67 93 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

Complementary color

CMYK 0 / 25 / 23 / 53

HEX #785A5C

RGB 120 90 92

HSL 356, 0.14%, 0.41%

LAB 41.34, 12.65, 3.63

 

CMYK 15 / 0 / 4 / 35

HEX #8CA59E

RGB 140 165 158

HSL 163.2, 0.12%, 0.6%

LAB 65.71, -10.12, 0.71

 

CMYK 14 / 0 / 3 / 28

HEX #9DB7B1

RGB 157 183 177

HSL 166.15, 0.15%, 0.67%

LAB 72.37, -10.07, 0.05

 

CMYK 13 / 0 / 2 / 21

HEX #AEC9C4

RGB 174 201 196

HSL 168.89, 0.2%, 0.74%

LAB 78.9, -10.04, -0.57

 

CMYK 13 / 0 / 2 / 14

HEX #BFDBD7

RGB 191 219 215

HSL 171.43, 0.28%, 0.8%

LAB 85.32, -10.02, -1.17

 

CMYK 12 / 0 / 1 / 7

HEX #D0EDEA

RGB 208 237 234

HSL 173.79, 0.45%, 0.87%

LAB 91.65, -10.01, -1.76

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 20 / 0 / 2 / 42

HEX #769390

RGB 118 147 144

HSL 173.79, 0.12%, 0.52%

LAB 58.73, -10.79, -1.79

 

CMYK 22 / 0 / 3 / 49

HEX #65817D

RGB 101 129 125

HSL 171.43, 0.12%, 0.45%

LAB 51.78, -10.88, -1.14

 

CMYK 24 / 0 / 5 / 56

HEX #546F6A

RGB 84 111 106

HSL 168.89, 0.14%, 0.38%

LAB 44.65, -11, -0.45

 

CMYK 28 / 0 / 6 / 64

HEX #435D57

RGB 67 93 87

HSL 166.15, 0.16%, 0.31%

LAB 37.32, -11.16, 0.29

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 18 / 2 / 0 / 35

HEX #87A2A5

RGB 135 162 165

HSL 186, 0.14%, 0.59%

LAB 64.73, -8.67, -4.69

 

CMYK 18 / 5 / 0 / 35

HEX #879DA5

RGB 135 157 165

HSL 196, 0.14%, 0.59%

LAB 63.33, -5.94, -6.77

 

CMYK 18 / 8 / 0 / 35

HEX #8798A5

RGB 135 152 165

HSL 206, 0.14%, 0.59%

LAB 61.93, -3.18, -8.84

 

CMYK 18 / 11 / 0 / 35

HEX #8793A5

RGB 135 147 165

HSL 216, 0.14%, 0.59%

LAB 60.55, -0.38, -10.91

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 18 / 0 / 1 / 15

HEX #B1D8D5

RGB 177 216 213

HSL 175.38, 0.33%, 0.77%

LAB 83.58, -13.34, -2.78

 

CMYK 17 / 0 / 0 / 95

HEX #0A0C0C

RGB 10 12 12

HSL 180, 0.09%, 0.04%

LAB 3.2, -0.55, -0.2

 

CMYK 17 / 0 / 2 / 75

HEX #343F3E

RGB 52 63 62

HSL 174.55, 0.1%, 0.23%

LAB 25.66, -4.75, -0.91

 

CMYK 18 / 0 / 1 / 55

HEX #5D7271

RGB 93 114 113

HSL 177.14, 0.1%, 0.41%

LAB 46.38, -7.94, -2.03

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 16 / 18 / 0 / 35

HEX #8B87A5

RGB 139 135 165

HSL 248, 0.14%, 0.59%

LAB 57.59, 7.8, -15.34

 

CMYK 0 / 8 / 18 / 35

HEX #A59787

RGB 165 151 135

HSL 32, 0.14%, 0.59%

LAB 63.25, 2.44, 10.29

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 1 / 18 / 0 / 35

HEX #A387A5

RGB 163 135 165

HSL 296, 0.14%, 0.59%

LAB 59.74, 16.09, -11.89

 

CMYK 0 / 1 / 18 / 35

HEX #A5A387

RGB 165 163 135

HSL 56, 0.14%, 0.59%

LAB 66.48, -4.12, 14.83

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 16 / 18 / 0 / 35

HEX #8B87A5

RGB 139 135 165

HSL 248, 0.14%, 0.59%

LAB 57.59, 7.8, -15.34

 

CMYK 0 / 18 / 17 / 35

HEX #A58789

RGB 165 135 137

HSL 356, 0.14%, 0.59%

LAB 59.1, 11.73, 3.22

 

CMYK 2 / 0 / 18 / 35

HEX #A1A587

RGB 161 165 135

HSL 68, 0.14%, 0.59%

LAB 66.7, -6.74, 15.1

 

CMYK 18 / 0 / 1 / 35

HEX #87A5A3

RGB 135 165 163

HSL 176, 0.14%, 0.59%

LAB 65.52, -10.72, -2.41

 

CMYK 10 / 18 / 0 / 35

HEX #9487A5

RGB 148 135 165

HSL 266, 0.14%, 0.59%

LAB 58.36, 10.86, -14.1

 

CMYK 0 / 18 / 17 / 35

HEX #A58789

RGB 165 135 137

HSL 356, 0.14%, 0.59%

LAB 59.1, 11.73, 3.22

 

CMYK 8 / 0 / 18 / 35

HEX #98A587

RGB 152 165 135

HSL 86, 0.14%, 0.59%

LAB 66.01, -10.14, 14.03

 

Description

Color code: RGB 135 165 163 | qconv.com Color code: RGB 135 165 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 165 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 165 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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