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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 165 111 it is the complementary color RGB 120 90 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 165 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 165 111: RGB 140 165 106, RGB 157 183 125, RGB 174 201 144, RGB 191 219 163 and RGB 208 237 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 165 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 165 111: RGB 135 165 111, RGB 118 147 92, RGB 101 129 73, RGB 84 111 54 and RGB 67 93 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

Complementary color

CMYK 17 / 38 / 0 / 44

HEX #785A90

RGB 120 90 144

HSL 273.33, 0.23%, 0.46%

LAB 43.24, 23.22, -25.18

 

CMYK 15 / 0 / 36 / 35

HEX #8CA56A

RGB 140 165 106

HSL 85.42, 0.25%, 0.53%

LAB 64.58, -19.19, 27.79

 

CMYK 14 / 0 / 32 / 28

HEX #9DB77D

RGB 157 183 125

HSL 86.9, 0.29%, 0.6%

LAB 71.23, -19.17, 26.65

 

CMYK 13 / 0 / 28 / 21

HEX #AEC990

RGB 174 201 144

HSL 88.42, 0.35%, 0.68%

LAB 77.75, -19.13, 25.57

 

CMYK 13 / 0 / 26 / 14

HEX #BFDBA3

RGB 191 219 163

HSL 90, 0.44%, 0.75%

LAB 84.17, -19.1, 24.54

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 20 / 0 / 37 / 42

HEX #76935C

RGB 118 147 92

HSL 91.64, 0.23%, 0.47%

LAB 57.55, -20.45, 25.87

 

CMYK 22 / 0 / 43 / 49

HEX #658149

RGB 101 129 73

HSL 90, 0.28%, 0.4%

LAB 50.63, -20.51, 27.11

 

CMYK 24 / 0 / 51 / 56

HEX #546F36

RGB 84 111 54

HSL 88.42, 0.35%, 0.32%

LAB 43.54, -20.53, 28.4

 

CMYK 28 / 0 / 62 / 64

HEX #435D23

RGB 67 93 35

HSL 86.9, 0.45%, 0.25%

LAB 36.26, -20.44, 29.62

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 23 / 0 / 33 / 36

HEX #7EA46E

RGB 126 164 110

HSL 102.22, 0.23%, 0.54%

LAB 63.44, -23.35, 23.94

 

CMYK 29 / 0 / 33 / 36

HEX #75A46E

RGB 117 164 110

HSL 112.22, 0.23%, 0.54%

LAB 62.89, -26.57, 23.12

 

CMYK 33 / 0 / 31 / 36

HEX #6EA471

RGB 110 164 113

HSL 123.33, 0.23%, 0.54%

LAB 62.56, -28.45, 20.96

 

CMYK 33 / 0 / 26 / 36

HEX #6EA47A

RGB 110 164 122

HSL 133.33, 0.23%, 0.54%

LAB 62.74, -26.82, 16.25

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 18 / 0 / 33 / 15

HEX #B1D891

RGB 177 216 145

HSL 92.96, 0.48%, 0.71%

LAB 82.11, -25.28, 30.93

 

CMYK 17 / 0 / 33 / 95

HEX #0A0C08

RGB 10 12 8

HSL 90, 0.2%, 0.04%

LAB 3.12, -1.12, 1.36

 

CMYK 17 / 0 / 33 / 75

HEX #343F2A

RGB 52 63 42

HSL 91.43, 0.2%, 0.21%

LAB 25.11, -9.12, 11.44

 

CMYK 18 / 0 / 32 / 55

HEX #5D724D

RGB 93 114 77

HSL 94.05, 0.19%, 0.37%

LAB 45.49, -15.13, 18.04

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 33 / 0 / 8 / 36

HEX #6EA497

RGB 110 164 151

HSL 165.56, 0.23%, 0.54%

LAB 63.43, -20.75, 1.07

 

CMYK 0 / 33 / 5 / 36

HEX #A46E9C

RGB 164 110 156

HSL 308.89, 0.23%, 0.54%

LAB 53.43, 28.94, -16.21

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 33 / 18 / 0 / 36

HEX #6E87A4

RGB 110 135 164

HSL 212.22, 0.23%, 0.54%

LAB 55.4, -1.74, -18.29

 

CMYK 0 / 33 / 18 / 36

HEX #A46E87

RGB 164 110 135

HSL 332.22, 0.23%, 0.54%

LAB 52.72, 25.24, -4.96

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 33 / 0 / 8 / 36

HEX #6EA497

RGB 110 164 151

HSL 165.56, 0.23%, 0.54%

LAB 63.43, -20.75, 1.07

 

CMYK 15 / 33 / 0 / 36

HEX #8C6EA4

RGB 140 110 164

HSL 273.33, 0.23%, 0.54%

LAB 51.16, 22.51, -24.58

 

CMYK 0 / 33 / 24 / 36

HEX #A46E7C

RGB 164 110 124

HSL 344.44, 0.23%, 0.54%

LAB 52.4, 23.5, 1.04

 

CMYK 18 / 0 / 33 / 35

HEX #87A56F

RGB 135 165 111

HSL 93.33, 0.23%, 0.54%

LAB 64.33, -20.36, 24.69

 

CMYK 33 / 2 / 0 / 36

HEX #6EA1A4

RGB 110 161 164

HSL 183.33, 0.23%, 0.54%

LAB 62.91, -16.09, -6.98

 

CMYK 15 / 33 / 0 / 36

HEX #8C6EA4

RGB 140 110 164

HSL 273.33, 0.23%, 0.54%

LAB 51.16, 22.51, -24.58

 

CMYK 0 / 31 / 33 / 36

HEX #A4716E

RGB 164 113 110

HSL 3.33, 0.23%, 0.54%

LAB 52.76, 19.77, 9.8

 

Description

Color code: RGB 135 165 111 | qconv.com Color code: RGB 135 165 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 165 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 165 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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