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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 119 134 it is the complementary color RGB 120 136 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 119 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 119 134: RGB 140 119 129, RGB 157 137 148, RGB 174 155 167, RGB 191 173 186 and RGB 208 191 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 119 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 119 134: RGB 135 119 134, RGB 118 101 115, RGB 101 83 96, RGB 84 65 77 and RGB 67 47 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

Complementary color

CMYK 12 / 0 / 11 / 47

HEX #788879

RGB 120 136 121

HSL 123.75, 0.06%, 0.5%

LAB 55.05, -8.87, 6.1

 

CMYK 0 / 15 / 8 / 45

HEX #8C7781

RGB 140 119 129

HSL 331.43, 0.08%, 0.51%

LAB 52.24, 9.94, -2.44

 

CMYK 0 / 13 / 6 / 38

HEX #9D8994

RGB 157 137 148

HSL 327, 0.09%, 0.58%

LAB 59.16, 9.51, -3.09

 

CMYK 0 / 11 / 4 / 32

HEX #AE9BA7

RGB 174 155 167

HSL 322.11, 0.1%, 0.65%

LAB 65.93, 9.13, -3.7

 

CMYK 0 / 9 / 3 / 25

HEX #BFADBA

RGB 191 173 186

HSL 316.67, 0.12%, 0.71%

LAB 72.57, 8.78, -4.29

 

CMYK 0 / 8 / 1 / 18

HEX #D0BFCD

RGB 208 191 205

HSL 310.59, 0.15%, 0.78%

LAB 79.09, 8.47, -4.85

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 14 / 3 / 54

HEX #766573

RGB 118 101 115

HSL 310.59, 0.08%, 0.43%

LAB 44.8, 9.46, -5.34

 

CMYK 0 / 18 / 5 / 60

HEX #655360

RGB 101 83 96

HSL 316.67, 0.1%, 0.36%

LAB 37.48, 9.95, -4.74

 

CMYK 0 / 23 / 8 / 67

HEX #54414D

RGB 84 65 77

HSL 322.11, 0.13%, 0.29%

LAB 29.91, 10.53, -4.1

 

CMYK 0 / 30 / 13 / 74

HEX #432F3A

RGB 67 47 58

HSL 327, 0.18%, 0.22%

LAB 22.06, 11.24, -3.37

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 12 / 3 / 47

HEX #877783

RGB 135 119 131

HSL 315, 0.06%, 0.5%

LAB 51.82, 8.43, -4.29

 

CMYK 0 / 12 / 4 / 47

HEX #877781

RGB 135 119 129

HSL 322.5, 0.06%, 0.5%

LAB 51.76, 8.04, -3.2

 

CMYK 0 / 12 / 7 / 47

HEX #87777E

RGB 135 119 126

HSL 333.75, 0.06%, 0.5%

LAB 51.67, 7.47, -1.57

 

CMYK 0 / 12 / 8 / 47

HEX #87777C

RGB 135 119 124

HSL 341.25, 0.06%, 0.5%

LAB 51.61, 7.09, -0.48

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 12 / 1 / 27

HEX #BAA4B9

RGB 186 164 185

HSL 302.73, 0.14%, 0.69%

LAB 69.82, 11.78, -7.85

 

CMYK 0 / 12 / 1 / 7

HEX #EDD1EB

RGB 237 209 235

HSL 304.29, 0.44%, 0.87%

LAB 86.8, 14.2, -9.19

 

CMYK 0 / 12 / 0 / 87

HEX #211D21

RGB 33 29 33

HSL 300, 0.06%, 0.12%

LAB 11.36, 2.9, -2.04

 

CMYK 0 / 12 / 1 / 67

HEX #544A53

RGB 84 74 83

HSL 306, 0.06%, 0.31%

LAB 32.72, 6.05, -3.8

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 9 / 12 / 47

HEX #877B77

RGB 135 123 119

HSL 15, 0.06%, 0.5%

LAB 52.56, 3.86, 3.84

 

CMYK 12 / 0 / 4 / 47

HEX #778781

RGB 119 135 129

HSL 157.5, 0.06%, 0.5%

LAB 54.9, -7.06, 1.25

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 1 / 0 / 12 / 47

HEX #868777

RGB 134 135 119

HSL 63.75, 0.06%, 0.5%

LAB 55.81, -3.37, 8.48

 

CMYK 12 / 1 / 0 / 47

HEX #778687

RGB 119 134 135

HSL 183.75, 0.06%, 0.5%

LAB 54.78, -5.22, -2.4

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 9 / 12 / 47

HEX #877B77

RGB 135 123 119

HSL 15, 0.06%, 0.5%

LAB 52.56, 3.86, 3.84

 

CMYK 12 / 0 / 11 / 47

HEX #778778

RGB 119 135 120

HSL 123.75, 0.06%, 0.5%

LAB 54.66, -8.88, 6.1

 

CMYK 12 / 3 / 0 / 47

HEX #778387

RGB 119 131 135

HSL 195, 0.06%, 0.5%

LAB 53.92, -3.52, -3.66

 

CMYK 0 / 12 / 1 / 47

HEX #877786

RGB 135 119 134

HSL 303.75, 0.06%, 0.5%

LAB 51.91, 9.03, -5.91

 

CMYK 0 / 5 / 12 / 47

HEX #878077

RGB 135 128 119

HSL 33.75, 0.06%, 0.5%

LAB 53.94, 0.99, 5.82

 

CMYK 12 / 0 / 11 / 47

HEX #778778

RGB 119 135 120

HSL 123.75, 0.06%, 0.5%

LAB 54.66, -8.88, 6.1

 

CMYK 12 / 7 / 0 / 47

HEX #777E87

RGB 119 126 135

HSL 213.75, 0.06%, 0.5%

LAB 52.5, -0.66, -5.77

 

Description

Color code: RGB 135 119 134 | qconv.com Color code: RGB 135 119 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 119 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 119 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 1 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 1% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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