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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 89 205 it is the complementary color RGB 121 166 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 89 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 89 205: RGB 139 89 200, RGB 156 107 219, RGB 173 125 238, RGB 190 143 255 and RGB 207 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 89 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 89 205: RGB 134 89 205, RGB 117 71 186, RGB 100 53 167, RGB 83 35 148 and RGB 66 17 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

Complementary color

CMYK 27 / 0 / 70 / 35

HEX #79A632

RGB 121 166 50

HSL 83.28, 0.54%, 0.42%

LAB 62.98, -33, 52.6

 

CMYK 31 / 56 / 0 / 22

HEX #8B59C8

RGB 139 89 200

HSL 267.03, 0.5%, 0.57%

LAB 48.01, 42.92, -50.43

 

CMYK 29 / 51 / 0 / 14

HEX #9C6BDB

RGB 156 107 219

HSL 266.25, 0.61%, 0.64%

LAB 54.76, 41.94, -50.39

 

CMYK 27 / 47 / 0 / 7

HEX #AD7DEE

RGB 173 125 238

HSL 265.49, 0.77%, 0.71%

LAB 61.42, 41.01, -50.33

 

CMYK 25 / 44 / 0 / 0

HEX #BE8FFF

RGB 190 143 255

HSL 265.18, 1%, 0.78%

LAB 67.88, 39.65, -49.34

 

CMYK 19 / 37 / 0 / 0

HEX #CFA1FF

RGB 207 161 255

HSL 269.36, 1%, 0.82%

LAB 73.53, 34.57, -40.37

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 37 / 62 / 0 / 27

HEX #7547BA

RGB 117 71 186

HSL 264, 0.45%, 0.5%

LAB 40.95, 44.04, -53.78

 

CMYK 40 / 68 / 0 / 35

HEX #6435A7

RGB 100 53 167

HSL 264.74, 0.52%, 0.43%

LAB 34.08, 45.05, -53.73

 

CMYK 44 / 76 / 0 / 42

HEX #532394

RGB 83 35 148

HSL 265.49, 0.62%, 0.36%

LAB 27.24, 45.78, -53.41

 

CMYK 49 / 87 / 0 / 49

HEX #421181

RGB 66 17 129

HSL 266.25, 0.77%, 0.29%

LAB 20.61, 45.71, -52.5

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 25 / 56 / 0 / 20

HEX #995ACD

RGB 153 90 205

HSL 272.87, 0.53%, 0.58%

LAB 50.09, 47.09, -49.9

 

CMYK 16 / 56 / 0 / 20

HEX #AC5ACD

RGB 172 90 205

HSL 282.78, 0.53%, 0.58%

LAB 52.39, 51.93, -46.1

 

CMYK 6 / 56 / 0 / 20

HEX #C05ACD

RGB 192 90 205

HSL 293.22, 0.53%, 0.58%

LAB 55, 57.12, -41.8

 

CMYK 0 / 56 / 3 / 20

HEX #CD5AC7

RGB 205 90 199

HSL 303.13, 0.53%, 0.58%

LAB 56.5, 59.49, -35.89

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 35 / 56 / 0 / 80

HEX #221734

RGB 34 23 52

HSL 262.76, 0.39%, 0.15%

LAB 10.56, 13.27, -17.16

 

CMYK 35 / 56 / 0 / 60

HEX #432D67

RGB 67 45 103

HSL 262.76, 0.39%, 0.29%

LAB 23.83, 24.03, -30.59

 

CMYK 34 / 56 / 0 / 40

HEX #65439A

RGB 101 67 154

HSL 263.45, 0.39%, 0.43%

LAB 36.2, 33.96, -42.46

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 0 / 56 / 33 / 20

HEX #CD5A8A

RGB 205 90 138

HSL 334.96, 0.53%, 0.58%

LAB 54.16, 50.49, -3.99

 

CMYK 56 / 0 / 56 / 20

HEX #5BCD5A

RGB 91 205 90

HSL 119.48, 0.53%, 0.58%

LAB 73.95, -55.05, 46.98

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 0 / 35 / 56 / 20

HEX #CD865A

RGB 205 134 90

HSL 22.96, 0.53%, 0.58%

LAB 62.31, 22.69, 34.71

 

CMYK 56 / 0 / 35 / 20

HEX #5ACD86

RGB 90 205 134

HSL 142.96, 0.53%, 0.58%

LAB 74.54, -48.53, 25.78

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 0 / 56 / 33 / 20

HEX #CD5A8A

RGB 205 90 138

HSL 334.96, 0.53%, 0.58%

LAB 54.16, 50.49, -3.99

 

CMYK 21 / 0 / 56 / 20

HEX #A1CD5A

RGB 161 205 90

HSL 82.96, 0.53%, 0.58%

LAB 77.27, -32.47, 51.69

 

CMYK 56 / 0 / 23 / 20

HEX #5ACD9D

RGB 90 205 157

HSL 154.96, 0.53%, 0.58%

LAB 75, -43.9, 14.22

 

CMYK 35 / 57 / 0 / 20

HEX #8659CD

RGB 134 89 205

HSL 263.28, 0.54%, 0.58%

LAB 47.78, 42.97, -53.71

 

CMYK 0 / 56 / 50 / 20

HEX #CD5A67

RGB 205 90 103

HSL 353.22, 0.53%, 0.58%

LAB 53.24, 46.74, 15.43

 

CMYK 21 / 0 / 56 / 20

HEX #A1CD5A

RGB 161 205 90

HSL 82.96, 0.53%, 0.58%

LAB 77.27, -32.47, 51.69

 

CMYK 56 / 0 / 6 / 20

HEX #5ACDC0

RGB 90 205 192

HSL 173.22, 0.53%, 0.58%

LAB 75.85, -35.61, -3.37

 

Description

Color code: RGB 134 89 205 | qconv.com Color code: RGB 134 89 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 89 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 89 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 57 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 57% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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