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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 69 91 it is the complementary color RGB 121 186 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 69 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 69 91: RGB 139 69 86, RGB 156 87 105, RGB 173 105 124, RGB 190 123 143 and RGB 207 141 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 69 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 69 91: RGB 134 69 91, RGB 117 51 72, RGB 100 33 53, RGB 83 15 34 and RGB 66 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

Complementary color

CMYK 35 / 0 / 12 / 27

HEX #79BAA4

RGB 121 186 164

HSL 159.69, 0.32%, 0.6%

LAB 70.78, -25.68, 4.6

 

CMYK 0 / 50 / 38 / 45

HEX #8B4556

RGB 139 69 86

HSL 345.43, 0.34%, 0.41%

LAB 38.58, 31.63, 3.71

 

CMYK 0 / 44 / 33 / 39

HEX #9C5769

RGB 156 87 105

HSL 344.35, 0.28%, 0.48%

LAB 45.5, 30.64, 2.28

 

CMYK 0 / 39 / 28 / 32

HEX #AD697C

RGB 173 105 124

HSL 343.24, 0.29%, 0.55%

LAB 52.33, 29.71, 1.09

 

CMYK 0 / 35 / 25 / 25

HEX #BE7B8F

RGB 190 123 143

HSL 342.09, 0.34%, 0.61%

LAB 59.06, 28.85, 0.06

 

CMYK 0 / 32 / 22 / 19

HEX #CF8DA2

RGB 207 141 162

HSL 340.91, 0.41%, 0.68%

LAB 65.69, 28.06, -0.85

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 0 / 56 / 38 / 54

HEX #753348

RGB 117 51 72

HSL 340.91, 0.39%, 0.33%

LAB 30.92, 31.34, 1.17

 

CMYK 0 / 67 / 47 / 61

HEX #642135

RGB 100 33 53

HSL 342.09, 0.5%, 0.26%

LAB 23.85, 32.09, 3.28

 

CMYK 0 / 82 / 59 / 67

HEX #530F22

RGB 83 15 34

HSL 343.24, 0.69%, 0.19%

LAB 16.97, 32.19, 6.43

 

CMYK 0 / 100 / 77 / 74

HEX #42000F

RGB 66 0 15

HSL 346.36, 1%, 0.13%

LAB 10.5, 31.07, 10.11

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 0 / 49 / 40 / 47

HEX #864551

RGB 134 69 81

HSL 348.92, 0.32%, 0.4%

LAB 37.7, 29.07, 5.49

 

CMYK 0 / 49 / 48 / 47

HEX #864546

RGB 134 69 70

HSL 359.08, 0.32%, 0.4%

LAB 37.42, 27.78, 12.02

 

CMYK 0 / 41 / 49 / 47

HEX #864F45

RGB 134 79 69

HSL 9.23, 0.32%, 0.4%

LAB 39.73, 21.95, 15.78

 

CMYK 0 / 33 / 49 / 47

HEX #865A45

RGB 134 90 69

HSL 19.38, 0.32%, 0.4%

LAB 42.48, 15.49, 19.44

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 0 / 49 / 32 / 27

HEX #B95F7E

RGB 185 95 126

HSL 339.33, 0.39%, 0.55%

LAB 51.84, 39.73, -0.62

 

CMYK 0 / 48 / 32 / 7

HEX #EC7AA0

RGB 236 122 160

HSL 340, 0.75%, 0.7%

LAB 65.19, 47.92, -0.02

 

CMYK 0 / 50 / 31 / 87

HEX #201016

RGB 32 16 22

HSL 337.5, 0.33%, 0.09%

LAB 6.64, 9.18, -0.73

 

CMYK 0 / 48 / 33 / 67

HEX #532B38

RGB 83 43 56

HSL 340.5, 0.32%, 0.25%

LAB 23.18, 20.27, -0.1

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 0 / 7 / 49 / 47

HEX #867C45

RGB 134 124 69

HSL 50.77, 0.32%, 0.4%

LAB 51.74, -4.25, 31.25

 

CMYK 49 / 12 / 0 / 47

HEX #457686

RGB 69 118 134

HSL 194.77, 0.32%, 0.4%

LAB 46.9, -11.96, -13.91

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 31 / 0 / 49 / 47

HEX #5C8645

RGB 92 134 69

HSL 98.77, 0.32%, 0.4%

LAB 51.56, -27.06, 30.32

 

CMYK 49 / 31 / 0 / 47

HEX #455C86

RGB 69 92 134

HSL 218.77, 0.32%, 0.4%

LAB 38.97, 3.62, -26.12

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 0 / 7 / 49 / 47

HEX #867C45

RGB 134 124 69

HSL 50.77, 0.32%, 0.4%

LAB 51.74, -4.25, 31.25

 

CMYK 49 / 0 / 17 / 47

HEX #45866F

RGB 69 134 111

HSL 158.77, 0.32%, 0.4%

LAB 51.22, -26.66, 6.01

 

CMYK 49 / 41 / 0 / 47

HEX #454F86

RGB 69 79 134

HSL 230.77, 0.32%, 0.4%

LAB 35.16, 11.96, -32.11

 

CMYK 0 / 49 / 32 / 47

HEX #86455B

RGB 134 69 91

HSL 339.69, 0.32%, 0.4%

LAB 37.99, 30.4, -0.39

 

CMYK 7 / 0 / 49 / 47

HEX #7C8645

RGB 124 134 69

HSL 69.23, 0.32%, 0.4%

LAB 53.78, -14.1, 33.55

 

CMYK 49 / 0 / 17 / 47

HEX #45866F

RGB 69 134 111

HSL 158.77, 0.32%, 0.4%

LAB 51.22, -26.66, 6.01

 

CMYK 41 / 49 / 0 / 47

HEX #4F4586

RGB 79 69 134

HSL 249.23, 0.32%, 0.4%

LAB 33.22, 21.14, -35.14

 

Description

Color code: RGB 134 69 91 | qconv.com Color code: RGB 134 69 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 69 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 69 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 32 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 32% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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