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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 55 184 it is the complementary color RGB 121 200 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 55 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 55 184: RGB 139 55 179, RGB 156 73 198, RGB 173 91 217, RGB 190 109 236 and RGB 207 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 55 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 55 184: RGB 134 55 184, RGB 117 37 165, RGB 100 19 146, RGB 83 1 127 and RGB 66 0 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

Complementary color

CMYK 40 / 0 / 65 / 22

HEX #79C847

RGB 121 200 71

HSL 96.74, 0.54%, 0.53%

LAB 73.43, -46.29, 55.1

 

CMYK 22 / 69 / 0 / 30

HEX #8B37B3

RGB 139 55 179

HSL 280.65, 0.53%, 0.46%

LAB 40.37, 55.16, -50.45

 

CMYK 21 / 63 / 0 / 22

HEX #9C49C6

RGB 156 73 198

HSL 279.84, 0.52%, 0.53%

LAB 46.86, 54.83, -51.02

 

CMYK 20 / 58 / 0 / 15

HEX #AD5BD9

RGB 173 91 217

HSL 279.05, 0.62%, 0.6%

LAB 53.36, 54.22, -51.38

 

CMYK 19 / 54 / 0 / 7

HEX #BE6DEC

RGB 190 109 236

HSL 278.27, 0.77%, 0.68%

LAB 59.83, 53.49, -51.61

 

CMYK 19 / 50 / 0 / 0

HEX #CF7FFF

RGB 207 127 255

HSL 277.5, 1%, 0.75%

LAB 66.26, 52.7, -51.78

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 29 / 78 / 0 / 35

HEX #7525A5

RGB 117 37 165

HSL 277.5, 0.63%, 0.4%

LAB 33.61, 55.1, -53.18

 

CMYK 32 / 87 / 0 / 43

HEX #641392

RGB 100 19 146

HSL 278.27, 0.77%, 0.32%

LAB 27.44, 54.02, -51.75

 

CMYK 35 / 99 / 0 / 50

HEX #53017F

RGB 83 1 127

HSL 279.05, 0.98%, 0.25%

LAB 21.55, 51.72, -49.59

 

CMYK 39 / 100 / 0 / 58

HEX #42006C

RGB 66 0 108

HSL 276.67, 1%, 0.21%

LAB 16.7, 45.8, -45.41

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 16 / 70 / 0 / 28

HEX #9A37B8

RGB 154 55 184

HSL 286.05, 0.54%, 0.47%

LAB 42.86, 59.43, -49.28

 

CMYK 5 / 70 / 0 / 28

HEX #AF37B8

RGB 175 55 184

HSL 295.81, 0.54%, 0.47%

LAB 46.05, 64.02, -43.99

 

CMYK 0 / 70 / 7 / 28

HEX #B837AB

RGB 184 55 171

HSL 306.05, 0.54%, 0.47%

LAB 46.79, 63.93, -35.08

 

CMYK 0 / 70 / 18 / 28

HEX #B83796

RGB 184 55 150

HSL 315.81, 0.54%, 0.47%

LAB 45.8, 60.81, -24.11

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 27 / 70 / 0 / 8

HEX #AB46EB

RGB 171 70 235

HSL 276.73, 0.8%, 0.6%

LAB 50.73, 67.24, -65.78

 

CMYK 26 / 71 / 0 / 88

HEX #17091F

RGB 23 9 31

HSL 278.18, 0.55%, 0.08%

LAB 4.3, 10.06, -11.3

 

CMYK 27 / 70 / 0 / 68

HEX #3C1952

RGB 60 25 82

HSL 276.84, 0.53%, 0.21%

LAB 16.82, 28.5, -27.95

 

CMYK 27 / 70 / 0 / 48

HEX #612885

RGB 97 40 133

HSL 276.77, 0.54%, 0.34%

LAB 28.78, 42.42, -41.52

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 0 / 70 / 56 / 28

HEX #B83751

RGB 184 55 81

HSL 347.91, 0.54%, 0.47%

LAB 43.53, 53.24, 14.87

 

CMYK 70 / 0 / 56 / 28

HEX #37B851

RGB 55 184 81

HSL 132.09, 0.54%, 0.47%

LAB 66.28, -56.27, 41.87

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 0 / 28 / 70 / 28

HEX #B88437

RGB 184 132 55

HSL 35.81, 0.54%, 0.47%

LAB 58.95, 12.43, 47.94

 

CMYK 70 / 0 / 28 / 28

HEX #37B884

RGB 55 184 132

HSL 155.81, 0.54%, 0.47%

LAB 67.1, -47.13, 16.51

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 0 / 70 / 56 / 28

HEX #B83751

RGB 184 55 81

HSL 347.91, 0.54%, 0.47%

LAB 43.53, 53.24, 14.87

 

CMYK 42 / 0 / 70 / 28

HEX #6AB837

RGB 106 184 55

HSL 96.28, 0.54%, 0.47%

LAB 67.74, -45.92, 55.29

 

CMYK 70 / 0 / 14 / 28

HEX #37B89E

RGB 55 184 158

HSL 167.91, 0.54%, 0.47%

LAB 67.7, -40.88, 3.14

 

CMYK 27 / 70 / 0 / 28

HEX #8637B8

RGB 134 55 184

HSL 276.74, 0.54%, 0.47%

LAB 40.02, 55.19, -54

 

CMYK 0 / 63 / 70 / 28

HEX #B84437

RGB 184 68 55

HSL 6.05, 0.54%, 0.47%

LAB 45.08, 46.13, 32.54

 

CMYK 42 / 0 / 70 / 28

HEX #6AB837

RGB 106 184 55

HSL 96.28, 0.54%, 0.47%

LAB 67.74, -45.92, 55.29

 

CMYK 70 / 7 / 0 / 28

HEX #37ABB8

RGB 55 171 184

HSL 186.05, 0.54%, 0.47%

LAB 64.48, -27.45, -16.04

 

Description

Color code: RGB 134 55 184 | qconv.com Color code: RGB 134 55 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 55 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 55 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 70 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 70% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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