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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 191 129 it is the complementary color RGB 121 64 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 191 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 191 129: RGB 139 191 124, RGB 156 209 143, RGB 173 227 162, RGB 190 245 181 and RGB 207 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 191 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 191 129: RGB 134 191 129, RGB 117 173 110, RGB 100 155 91, RGB 83 137 72 and RGB 66 119 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

Complementary color

CMYK 4 / 49 / 0 / 51

HEX #79407E

RGB 121 64 126

HSL 295.16, 0.33%, 0.37%

LAB 36.44, 34.75, -24.79

 

CMYK 27 / 0 / 35 / 25

HEX #8BBF7C

RGB 139 191 124

HSL 106.57, 0.34%, 0.62%

LAB 72.37, -29.76, 28.49

 

CMYK 25 / 0 / 32 / 18

HEX #9CD18F

RGB 156 209 143

HSL 108.18, 0.42%, 0.69%

LAB 78.84, -29.57, 27.37

 

CMYK 24 / 0 / 29 / 11

HEX #ADE3A2

RGB 173 227 162

HSL 109.85, 0.54%, 0.76%

LAB 85.22, -29.38, 26.31

 

CMYK 22 / 0 / 26 / 4

HEX #BEF5B5

RGB 190 245 181

HSL 111.56, 0.76%, 0.84%

LAB 91.5, -29.2, 25.3

 

CMYK 19 / 0 / 22 / 0

HEX #CFFFC8

RGB 207 255 200

HSL 112.36, 1%, 0.89%

LAB 95.56, -25.25, 21.37

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 0 / 36 / 32

HEX #75AD6E

RGB 117 173 110

HSL 113.33, 0.28%, 0.55%

LAB 65.59, -30.91, 26.71

 

CMYK 35 / 0 / 41 / 39

HEX #649B5B

RGB 100 155 91

HSL 111.56, 0.26%, 0.48%

LAB 58.89, -31.13, 27.94

 

CMYK 39 / 0 / 47 / 46

HEX #538948

RGB 83 137 72

HSL 109.85, 0.31%, 0.41%

LAB 52.06, -31.32, 29.24

 

CMYK 45 / 0 / 55 / 53

HEX #427735

RGB 66 119 53

HSL 108.18, 0.38%, 0.34%

LAB 45.09, -31.41, 30.57

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 0 / 30 / 25

HEX #81BF86

RGB 129 191 134

HSL 124.84, 0.33%, 0.63%

LAB 71.99, -31.5, 22.6

 

CMYK 32 / 0 / 24 / 25

HEX #81BF91

RGB 129 191 145

HSL 135.48, 0.33%, 0.63%

LAB 72.21, -29.53, 17.01

 

CMYK 32 / 0 / 19 / 25

HEX #81BF9B

RGB 129 191 155

HSL 145.16, 0.33%, 0.63%

LAB 72.43, -27.6, 11.91

 

CMYK 32 / 0 / 14 / 25

HEX #81BFA5

RGB 129 191 165

HSL 154.84, 0.33%, 0.63%

LAB 72.66, -25.56, 6.81

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 30 / 0 / 33 / 5

HEX #AAF2A3

RGB 170 242 163

HSL 114.68, 0.75%, 0.79%

LAB 89.25, -37.16, 31.21

 

CMYK 29 / 0 / 32 / 85

HEX #1B261A

RGB 27 38 26

HSL 115, 0.19%, 0.13%

LAB 13.79, -7.87, 6.44

 

CMYK 30 / 0 / 33 / 65

HEX #3E593C

RGB 62 89 60

HSL 115.86, 0.19%, 0.29%

LAB 34.99, -16.65, 13.64

 

CMYK 30 / 0 / 32 / 45

HEX #628C5F

RGB 98 140 95

HSL 116, 0.19%, 0.46%

LAB 54.22, -23.84, 19.55

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 4 / 0 / 25

HEX #81B8BF

RGB 129 184 191

HSL 186.77, 0.33%, 0.63%

LAB 71.36, -16.13, -9.3

 

CMYK 0 / 32 / 17 / 25

HEX #BF819F

RGB 191 129 159

HSL 330.97, 0.33%, 0.63%

LAB 61.03, 28.38, -6.22

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 30 / 0 / 25

HEX #8186BF

RGB 129 134 191

HSL 235.16, 0.33%, 0.63%

LAB 57.54, 11.63, -30.32

 

CMYK 0 / 32 / 30 / 25

HEX #BF8186

RGB 191 129 134

HSL 355.16, 0.33%, 0.63%

LAB 60.34, 24.64, 7.09

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 4 / 0 / 25

HEX #81B8BF

RGB 129 184 191

HSL 186.77, 0.33%, 0.63%

LAB 71.36, -16.13, -9.3

 

CMYK 3 / 32 / 0 / 25

HEX #BA81BF

RGB 186 129 191

HSL 295.16, 0.33%, 0.63%

LAB 61.57, 32.38, -23.67

 

CMYK 0 / 29 / 32 / 25

HEX #BF8881

RGB 191 136 129

HSL 6.77, 0.33%, 0.63%

LAB 61.89, 20.1, 12.14

 

CMYK 30 / 0 / 32 / 25

HEX #86BF81

RGB 134 191 129

HSL 115.16, 0.33%, 0.63%

LAB 72.17, -30.68, 25.54

 

CMYK 32 / 14 / 0 / 25

HEX #81A5BF

RGB 129 165 191

HSL 205.16, 0.33%, 0.63%

LAB 66.01, -5.98, -17.33

 

CMYK 3 / 32 / 0 / 25

HEX #BA81BF

RGB 186 129 191

HSL 295.16, 0.33%, 0.63%

LAB 61.57, 32.38, -23.67

 

CMYK 0 / 19 / 32 / 25

HEX #BF9B81

RGB 191 155 129

HSL 25.16, 0.33%, 0.63%

LAB 66.6, 9.61, 18.69

 

Description

Color code: RGB 134 191 129 | qconv.com Color code: RGB 134 191 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 191 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 191 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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