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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 143 108 it is the complementary color RGB 121 112 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 143 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 143 108: RGB 139 143 103, RGB 156 161 122, RGB 173 179 141, RGB 190 197 160 and RGB 207 215 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 143 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 143 108: RGB 134 143 108, RGB 117 125 89, RGB 100 107 70, RGB 83 89 51 and RGB 66 71 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

Complementary color

CMYK 18 / 24 / 0 / 42

HEX #797093

RGB 121 112 147

HSL 255.43, 0.14%, 0.51%

LAB 49.2, 11.03, -17.77

 

CMYK 3 / 0 / 28 / 44

HEX #8B8F67

RGB 139 143 103

HSL 66, 0.16%, 0.48%

LAB 58.14, -8.38, 20.85

 

CMYK 3 / 0 / 24 / 37

HEX #9CA17A

RGB 156 161 122

HSL 67.69, 0.17%, 0.55%

LAB 64.93, -8.54, 19.76

 

CMYK 3 / 0 / 21 / 30

HEX #ADB38D

RGB 173 179 141

HSL 69.47, 0.2%, 0.63%

LAB 71.59, -8.67, 18.74

 

CMYK 4 / 0 / 19 / 23

HEX #BEC5A0

RGB 190 197 160

HSL 71.35, 0.24%, 0.7%

LAB 78.12, -8.78, 17.78

 

CMYK 4 / 0 / 17 / 16

HEX #CFD7B3

RGB 207 215 179

HSL 73.33, 0.31%, 0.77%

LAB 84.55, -8.88, 16.87

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 6 / 0 / 29 / 51

HEX #757D59

RGB 117 125 89

HSL 73.33, 0.17%, 0.42%

LAB 50.89, -9.53, 18.68

 

CMYK 7 / 0 / 35 / 58

HEX #646B46

RGB 100 107 70

HSL 71.35, 0.21%, 0.35%

LAB 43.75, -9.4, 19.89

 

CMYK 7 / 0 / 43 / 65

HEX #535933

RGB 83 89 51

HSL 69.47, 0.27%, 0.27%

LAB 36.41, -9.21, 21.19

 

CMYK 7 / 0 / 55 / 72

HEX #424720

RGB 66 71 32

HSL 67.69, 0.38%, 0.2%

LAB 28.82, -8.89, 22.57

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 11 / 0 / 25 / 44

HEX #7F8E6B

RGB 127 142 107

HSL 85.71, 0.14%, 0.49%

LAB 57, -11.99, 16.89

 

CMYK 14 / 0 / 25 / 44

HEX #7A8E6B

RGB 122 142 107

HSL 94.29, 0.14%, 0.49%

LAB 56.63, -13.92, 16.33

 

CMYK 18 / 0 / 25 / 44

HEX #748E6B

RGB 116 142 107

HSL 104.57, 0.14%, 0.49%

LAB 56.21, -16.2, 15.68

 

CMYK 23 / 0 / 25 / 44

HEX #6E8E6B

RGB 110 142 107

HSL 114.86, 0.14%, 0.49%

LAB 55.81, -18.42, 15.07

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 6 / 0 / 24 / 24

HEX #B6C293

RGB 182 194 147

HSL 75.32, 0.28%, 0.67%

LAB 76.46, -12.18, 22.32

 

CMYK 6 / 0 / 24 / 4

HEX #E6F5B9

RGB 230 245 185

HSL 75, 0.75%, 0.84%

LAB 94.15, -14.74, 27.31

 

CMYK 7 / 0 / 24 / 84

HEX #26291F

RGB 38 41 31

HSL 78, 0.14%, 0.14%

LAB 15.99, -3.63, 6.12

 

CMYK 7 / 0 / 25 / 64

HEX #565C45

RGB 86 92 69

HSL 75.65, 0.14%, 0.32%

LAB 37.95, -6.89, 12.48

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 25 / 0 / 13 / 44

HEX #6B8E7B

RGB 107 142 123

HSL 147.43, 0.14%, 0.49%

LAB 55.99, -16.36, 6.17

 

CMYK 4 / 25 / 0 / 44

HEX #896B8E

RGB 137 107 142

HSL 291.43, 0.14%, 0.49%

LAB 49.24, 18.45, -14.62

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 25 / 6 / 0 / 44

HEX #6B858E

RGB 107 133 142

HSL 195.43, 0.14%, 0.49%

LAB 53.87, -7.12, -7.9

 

CMYK 0 / 25 / 6 / 44

HEX #8E6B85

RGB 142 107 133

HSL 315.43, 0.14%, 0.49%

LAB 49.45, 18.47, -8.92

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 25 / 0 / 13 / 44

HEX #6B8E7B

RGB 107 142 123

HSL 147.43, 0.14%, 0.49%

LAB 55.99, -16.36, 6.17

 

CMYK 18 / 25 / 0 / 44

HEX #746B8E

RGB 116 107 142

HSL 255.43, 0.14%, 0.49%

LAB 47.21, 11.13, -17.89

 

CMYK 0 / 25 / 11 / 44

HEX #8E6B7E

RGB 142 107 126

HSL 327.43, 0.14%, 0.49%

LAB 49.22, 17.16, -5.1

 

CMYK 6 / 0 / 24 / 44

HEX #868F6C

RGB 134 143 108

HSL 75.43, 0.14%, 0.49%

LAB 57.84, -9.62, 17.57

 

CMYK 25 / 0 / 6 / 44

HEX #6B8E85

RGB 107 142 133

HSL 164.57, 0.14%, 0.49%

LAB 56.25, -14.19, 0.81

 

CMYK 18 / 25 / 0 / 44

HEX #746B8E

RGB 116 107 142

HSL 255.43, 0.14%, 0.49%

LAB 47.21, 11.13, -17.89

 

CMYK 0 / 25 / 18 / 44

HEX #8E6B74

RGB 142 107 116

HSL 344.57, 0.14%, 0.49%

LAB 48.92, 15.41, 0.41

 

Description

Color code: RGB 134 143 108 | qconv.com Color code: RGB 134 143 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 143 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 143 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 24 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 24% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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