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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 112 108 it is the complementary color RGB 121 143 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 112 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 112 108: RGB 139 112 103, RGB 156 130 122, RGB 173 148 141, RGB 190 166 160 and RGB 207 184 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 112 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 112 108: RGB 134 112 108, RGB 117 94 89, RGB 100 76 70, RGB 83 58 51 and RGB 66 40 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

Complementary color

CMYK 18 / 3 / 0 / 42

HEX #798F93

RGB 121 143 147

HSL 189.23, 0.11%, 0.53%

LAB 57.86, -6.91, -4.75

 

CMYK 0 / 19 / 26 / 45

HEX #8B7067

RGB 139 112 103

HSL 15, 0.15%, 0.47%

LAB 49.56, 9.18, 9.02

 

CMYK 0 / 17 / 22 / 39

HEX #9C827A

RGB 156 130 122

HSL 14.12, 0.15%, 0.55%

LAB 56.52, 8.63, 8.04

 

CMYK 0 / 14 / 18 / 32

HEX #AD948D

RGB 173 148 141

HSL 13.13, 0.16%, 0.62%

LAB 63.33, 8.16, 7.14

 

CMYK 0 / 13 / 16 / 25

HEX #BEA6A0

RGB 190 166 160

HSL 12, 0.19%, 0.69%

LAB 70.01, 7.74, 6.31

 

CMYK 0 / 11 / 14 / 19

HEX #CFB8B3

RGB 207 184 179

HSL 10.71, 0.23%, 0.76%

LAB 76.56, 7.37, 5.53

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 0 / 20 / 24 / 54

HEX #755E59

RGB 117 94 89

HSL 10.71, 0.14%, 0.4%

LAB 42.01, 8.49, 6.39

 

CMYK 0 / 24 / 30 / 61

HEX #644C46

RGB 100 76 70

HSL 12, 0.18%, 0.33%

LAB 34.64, 9.15, 7.46

 

CMYK 0 / 30 / 39 / 67

HEX #533A33

RGB 83 58 51

HSL 13.13, 0.24%, 0.26%

LAB 27.03, 9.99, 8.73

 

CMYK 0 / 39 / 52 / 74

HEX #422820

RGB 66 40 32

HSL 14.12, 0.35%, 0.19%

LAB 19.14, 11.09, 10.3

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 0 / 14 / 20 / 48

HEX #85736A

RGB 133 115 106

HSL 20, 0.11%, 0.47%

LAB 49.84, 5.46, 7.56

 

CMYK 0 / 11 / 20 / 48

HEX #85776A

RGB 133 119 106

HSL 28.89, 0.11%, 0.47%

LAB 50.94, 3.14, 9.12

 

CMYK 0 / 8 / 20 / 48

HEX #857B6A

RGB 133 123 106

HSL 37.78, 0.11%, 0.47%

LAB 52.05, 0.84, 10.68

 

CMYK 0 / 4 / 20 / 48

HEX #85806A

RGB 133 128 106

HSL 48.89, 0.11%, 0.47%

LAB 53.46, -2.01, 12.64

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 0 / 16 / 19 / 27

HEX #B99B95

RGB 185 155 149

HSL 10, 0.2%, 0.65%

LAB 66.46, 10.14, 7.28

 

CMYK 0 / 17 / 19 / 7

HEX #ECC5BE

RGB 236 197 190

HSL 9.13, 0.55%, 0.84%

LAB 82.64, 12.75, 8.67

 

CMYK 0 / 16 / 19 / 87

HEX #201B1A

RGB 32 27 26

HSL 10, 0.1%, 0.11%

LAB 10.3, 2.22, 1.59

 

CMYK 0 / 17 / 19 / 67

HEX #534543

RGB 83 69 67

HSL 7.5, 0.11%, 0.29%

LAB 30.64, 5.59, 3.43

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 8 / 0 / 20 / 48

HEX #7B856A

RGB 123 133 106

HSL 82.22, 0.11%, 0.47%

LAB 54.06, -8.8, 13.35

 

CMYK 20 / 15 / 0 / 48

HEX #6A7185

RGB 106 113 133

HSL 224.44, 0.11%, 0.47%

LAB 47.71, 1.94, -11.87

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 20 / 0 / 17 / 48

HEX #6A856E

RGB 106 133 110

HSL 128.89, 0.11%, 0.47%

LAB 52.91, -14.51, 9.26

 

CMYK 17 / 20 / 0 / 48

HEX #6E6A85

RGB 110 106 133

HSL 248.89, 0.11%, 0.47%

LAB 46.06, 7.51, -14.33

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 8 / 0 / 20 / 48

HEX #7B856A

RGB 123 133 106

HSL 82.22, 0.11%, 0.47%

LAB 54.06, -8.8, 13.35

 

CMYK 20 / 3 / 0 / 48

HEX #6A8185

RGB 106 129 133

HSL 188.89, 0.11%, 0.47%

LAB 52.35, -7.34, -4.93

 

CMYK 14 / 20 / 0 / 48

HEX #736A85

RGB 115 106 133

HSL 260, 0.11%, 0.47%

LAB 46.51, 9.26, -13.61

 

CMYK 0 / 16 / 19 / 47

HEX #86706C

RGB 134 112 108

HSL 9.23, 0.11%, 0.47%

LAB 49.18, 7.95, 5.44

 

CMYK 14 / 0 / 20 / 48

HEX #73856A

RGB 115 133 106

HSL 100, 0.11%, 0.47%

LAB 53.45, -11.91, 12.42

 

CMYK 20 / 3 / 0 / 48

HEX #6A8185

RGB 106 129 133

HSL 188.89, 0.11%, 0.47%

LAB 52.35, -7.34, -4.93

 

CMYK 8 / 20 / 0 / 48

HEX #7B6A85

RGB 123 106 133

HSL 277.78, 0.11%, 0.47%

LAB 47.25, 12.11, -12.42

 

Description

Color code: RGB 134 112 108 | qconv.com Color code: RGB 134 112 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 112 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 112 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 19 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 19% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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