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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 28 30 it is the complementary color RGB 122 227 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 28 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 133 28 30: RGB 138 28 25, RGB 155 46 44, RGB 172 64 63, RGB 189 82 82 and RGB 206 100 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 28 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 133 28 30: RGB 133 28 30, RGB 116 10 11, RGB 99 0 0, RGB 82 0 0 and RGB 65 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

Complementary color

CMYK 46 / 0 / 1 / 11

HEX #7AE3E1

RGB 122 227 225

HSL 178.86, 0.65%, 0.68%

LAB 84.23, -30.88, -8.48

 

CMYK 0 / 80 / 82 / 46

HEX #8A1C19

RGB 138 28 25

HSL 1.59, 0.69%, 0.32%

LAB 30.17, 45.2, 31.1

 

CMYK 0 / 70 / 72 / 39

HEX #9B2E2C

RGB 155 46 44

HSL 1.08, 0.56%, 0.39%

LAB 36.18, 44.96, 27.29

 

CMYK 0 / 63 / 63 / 33

HEX #AC403F

RGB 172 64 63

HSL 0.55, 0.46%, 0.46%

LAB 42.45, 44.16, 24.12

 

CMYK 0 / 57 / 57 / 26

HEX #BD5252

RGB 189 82 82

HSL 0, 0.45%, 0.53%

LAB 48.84, 43.12, 21.53

 

CMYK 0 / 51 / 51 / 19

HEX #CE6465

RGB 206 100 101

HSL 359.43, 0.52%, 0.6%

LAB 55.25, 42.01, 19.37

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 0 / 91 / 91 / 55

HEX #740A0B

RGB 116 10 11

HSL 359.43, 0.84%, 0.25%

LAB 23.52, 42.88, 30.66

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 0 / 69 / 79 / 47

HEX #862A1C

RGB 134 42 28

HSL 7.92, 0.65%, 0.32%

LAB 31.37, 38.53, 30.34

 

CMYK 0 / 55 / 79 / 47

HEX #863C1C

RGB 134 60 28

HSL 18.11, 0.65%, 0.32%

LAB 34.77, 29.58, 33.88

 

CMYK 0 / 42 / 79 / 47

HEX #864E1C

RGB 134 78 28

HSL 28.3, 0.65%, 0.32%

LAB 38.9, 19.42, 38.02

 

CMYK 0 / 29 / 79 / 47

HEX #865F1C

RGB 134 95 28

HSL 37.92, 0.65%, 0.32%

LAB 43.27, 9.44, 42.26

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 0 / 79 / 77 / 28

HEX #B8272A

RGB 184 39 42

HSL 358.76, 0.65%, 0.44%

LAB 40.91, 56.54, 35.34

 

CMYK 0 / 79 / 77 / 8

HEX #EB3135

RGB 235 49 53

HSL 358.71, 0.82%, 0.56%

LAB 51.97, 68.8, 43.92

 

CMYK 0 / 77 / 77 / 88

HEX #1F0707

RGB 31 7 7

HSL 0, 0.63%, 0.07%

LAB 4.14, 9.98, 3.51

 

CMYK 0 / 79 / 78 / 68

HEX #521112

RGB 82 17 18

HSL 359.08, 0.66%, 0.19%

LAB 16.69, 29.9, 17.27

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 13 / 0 / 79 / 47

HEX #74861C

RGB 116 134 28

HSL 70.19, 0.65%, 0.32%

LAB 52.78, -20.76, 50.57

 

CMYK 79 / 45 / 0 / 47

HEX #1C4A86

RGB 28 74 134

HSL 213.96, 0.65%, 0.32%

LAB 31.5, 7.12, -38.07

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 76 / 0 / 79 / 47

HEX #20861C

RGB 32 134 28

HSL 117.74, 0.65%, 0.32%

LAB 48.81, -48.71, 45.41

 

CMYK 79 / 76 / 0 / 47

HEX #1C2086

RGB 28 32 134

HSL 237.74, 0.65%, 0.32%

LAB 20.05, 35.62, -56.71

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 13 / 0 / 79 / 47

HEX #74861C

RGB 116 134 28

HSL 70.19, 0.65%, 0.32%

LAB 52.78, -20.76, 50.57

 

CMYK 79 / 0 / 2 / 47

HEX #1C8683

RGB 28 134 131

HSL 178.3, 0.65%, 0.32%

LAB 50.61, -28.84, -6.69

 

CMYK 66 / 79 / 0 / 47

HEX #2E1C86

RGB 46 28 134

HSL 250.19, 0.65%, 0.32%

LAB 20.57, 39.74, -55.81

 

CMYK 0 / 79 / 77 / 48

HEX #851C1E

RGB 133 28 30

HSL 358.86, 0.65%, 0.32%

LAB 29.19, 43.78, 26.72

 

CMYK 37 / 0 / 79 / 47

HEX #55861C

RGB 85 134 28

HSL 87.74, 0.65%, 0.32%

LAB 50.76, -33.63, 47.96

 

CMYK 79 / 0 / 2 / 47

HEX #1C8683

RGB 28 134 131

HSL 178.3, 0.65%, 0.32%

LAB 50.61, -28.84, -6.69

 

CMYK 42 / 79 / 0 / 47

HEX #4E1C86

RGB 78 28 134

HSL 268.3, 0.65%, 0.32%

LAB 24.23, 44.43, -49.65

 

Description

Color code: RGB 133 28 30 | qconv.com Color code: RGB 133 28 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 28 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 28 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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